Europa Galante & Fabio Biondi - Handel: Imeneo, HWV 41 (2016) [Hi-Res]
![Europa Galante & Fabio Biondi - Handel: Imeneo, HWV 41 (2016) [Hi-Res]](https://www.dibpic.com/uploads/posts/2018-12/1545730624_folder.jpg)
BAND/ARTIST: Magnus Staveland, Ann Hallenberg, Monica Piccinini, Fabrizio Beggi
- Title: Handel: Imeneo, HWV 41
- Year Of Release: 2016
- Label: Glossa
- Genre: Classical
- Quality: flac 24bits - 48.0kHz +booklet
- Total Time: 01:54:46
- Total Size: 1.2 gb
- WebSite: Album Preview
Tracklist
---------
01. Imeneo, HWV 41: Overture
02. Imeneo, HWV 41: Menuet
03. Imeneo, HWV 41, Act I: La mia bella, perduta Rosmene
04. Imeneo, HWV 41, Act I: Tirinto!
05. Imeneo, HWV 41, Act I: Se potessero i sospir' miei
06. Imeneo, HWV 41, Act I: Cerere onnipotente
07. Imeneo, HWV 41, Act I: Vien Imeneo frai voi
08. Imeneo, HWV 41, Act I: Argenio, addio
09. Imeneo, HWV 41, Act I: Di cieca notte allor
10. Imeneo, HWV 41, Act I: Rosmene, alfin dovresti
11. Imeneo, HWV 41, Act I: Ingrata mai non fui
12. Imeneo, HWV 41, Act I: Se non era il mio braccio
13. Imeneo, HWV 41, Act I: D'amor nei primi istanti
14. Imeneo, HWV 41, Act I: Paventar non degg'io
15. Imeneo, HWV 41, Act I: Esser mia dovrà la bella tortorella
16. Imeneo, HWV 41, Act I: Vado e vivo colla speranza
01. Imeneo, HWV 41, Act II: Deh! M'aiutate, o Dei
02. Imeneo, HWV 41, Act II: Vogliono i tuoi maggiori
03. Imeneo, HWV 41, Act II: Su l'arena di barbara scena
04. Imeneo, HWV 41, Act II: La mia mente or confusa vorria
05. Imeneo, HWV 41, Act II: Semplicetta, la saetta
06. Imeneo, HWV 41, Act II: Imeneo, lieto in viso
07. Imeneo, HWV 41, Act II: È sì vaga del tuo bene
08. Imeneo, HWV 41, Act II: Sorge nell'alma mia
09. Imeneo, HWV 41, Act II: Sembra un fanciullo, amore
10. Imeneo, HWV 41, Act II: Chi scherza colle rose
11. Imeneo, HWV 41, Act II: Udisti già, che ad Imeneo concesso
12. Imeneo, HWV 41, Act II: Consolami, mio bene
13. Imeneo, HWV 41, Act II: È troppo bel trofeo
14. Imeneo, HWV 41, Act III: Al fin decidi
15. Imeneo, HWV 41, Act III: In mezzo a voi dui
16. Imeneo, HWV 41, Act III: Se tua sarà Rosmene
17. Imeneo, HWV 41, Act III: Fiero destino contro di me s'è mosso
18. Imeneo, HWV 41, Act III: Rosmene, a che sospendi
19. Imeneo, HWV 41, Act III: Se la mia pace a me vuoi togliere
20. Imeneo, HWV 41, Act III: Sospirata Rosmene
21. Imeneo, HWV 41, Act III: Un guardo solo
22. Imeneo, HWV 41, Act III: Sentimi per pietà
23. Imeneo, HWV 41, Act III: Se la mia pace a me vuoi togliere
24. Imeneo, HWV 41, Act III: Scorgesti, che Rosmene
25. Imeneo, HWV 41, Act III: Se la mia pace a me vuoi togliere
26. Imeneo, HWV 41, Act III: Miratela, che arriva
27. Imeneo, HWV 41, Act III: Misera!
28. Imeneo, HWV 41, Act III: Al voler di tua fortuna
29. Imeneo, HWV 41, Act III: Disse appunto così
30. Imeneo, HWV 41, Act III: Io son quella navicella
31. Imeneo, HWV 41, Act III: Non vuol ch'io più ritorni il mio nocchiero
32. Imeneo, HWV 41, Act III: Per le porte del tormento
33. Imeneo, HWV 41, Act III: Se consulta il suo dover
Fabio Biondi signs his fifth release on Glossa with a further opera exploration, here with Europa Galante and providing a vital interpretation of Handel’s late opera Imeneo, given in its serenade- style 1742 Dublin version.
If, by this date, the London public was tiring of the Italian opera in which Handel had been excelling for decades, and the composer was now turning both to the oratorio and in the direction of the galant style, he was still able to call upon divos and divas of the quality of La Francesina and Giovanni Battista Andreoni to perform his music. Though not a success in its Lincoln’s Inn Fields staging in London, Imeneo was performed by Handel as his only Italian work during his season in Dublin (which also saw the first performance of Messiah), complete with additional arias to add to those praised in 1740 and a pruning of the libretto (which hadn’t received approval).
The revised story turns on Tirinto (Ann Hallenberg in Biondi’s modern-day production, as performed at the Handel Festival in Halle) pining for his beloved and kidnapped Rosmene (Monica Piccinini). Her liberation by Imeneo (Magnus Staveland) leads to Rosmene being required to decide which of the two Athenians to wed. Hymen – as Handel’s work was known in Dublin – was the god of marriage, and so, will love overcome duty and reason or not? Fabio Biondi, directing from the violin, brings all his own experience in both Italian music and music from the eighteenth century in delivering a stunning vindication of an unfairly neglected Handel opera.
---------
01. Imeneo, HWV 41: Overture
02. Imeneo, HWV 41: Menuet
03. Imeneo, HWV 41, Act I: La mia bella, perduta Rosmene
04. Imeneo, HWV 41, Act I: Tirinto!
05. Imeneo, HWV 41, Act I: Se potessero i sospir' miei
06. Imeneo, HWV 41, Act I: Cerere onnipotente
07. Imeneo, HWV 41, Act I: Vien Imeneo frai voi
08. Imeneo, HWV 41, Act I: Argenio, addio
09. Imeneo, HWV 41, Act I: Di cieca notte allor
10. Imeneo, HWV 41, Act I: Rosmene, alfin dovresti
11. Imeneo, HWV 41, Act I: Ingrata mai non fui
12. Imeneo, HWV 41, Act I: Se non era il mio braccio
13. Imeneo, HWV 41, Act I: D'amor nei primi istanti
14. Imeneo, HWV 41, Act I: Paventar non degg'io
15. Imeneo, HWV 41, Act I: Esser mia dovrà la bella tortorella
16. Imeneo, HWV 41, Act I: Vado e vivo colla speranza
01. Imeneo, HWV 41, Act II: Deh! M'aiutate, o Dei
02. Imeneo, HWV 41, Act II: Vogliono i tuoi maggiori
03. Imeneo, HWV 41, Act II: Su l'arena di barbara scena
04. Imeneo, HWV 41, Act II: La mia mente or confusa vorria
05. Imeneo, HWV 41, Act II: Semplicetta, la saetta
06. Imeneo, HWV 41, Act II: Imeneo, lieto in viso
07. Imeneo, HWV 41, Act II: È sì vaga del tuo bene
08. Imeneo, HWV 41, Act II: Sorge nell'alma mia
09. Imeneo, HWV 41, Act II: Sembra un fanciullo, amore
10. Imeneo, HWV 41, Act II: Chi scherza colle rose
11. Imeneo, HWV 41, Act II: Udisti già, che ad Imeneo concesso
12. Imeneo, HWV 41, Act II: Consolami, mio bene
13. Imeneo, HWV 41, Act II: È troppo bel trofeo
14. Imeneo, HWV 41, Act III: Al fin decidi
15. Imeneo, HWV 41, Act III: In mezzo a voi dui
16. Imeneo, HWV 41, Act III: Se tua sarà Rosmene
17. Imeneo, HWV 41, Act III: Fiero destino contro di me s'è mosso
18. Imeneo, HWV 41, Act III: Rosmene, a che sospendi
19. Imeneo, HWV 41, Act III: Se la mia pace a me vuoi togliere
20. Imeneo, HWV 41, Act III: Sospirata Rosmene
21. Imeneo, HWV 41, Act III: Un guardo solo
22. Imeneo, HWV 41, Act III: Sentimi per pietà
23. Imeneo, HWV 41, Act III: Se la mia pace a me vuoi togliere
24. Imeneo, HWV 41, Act III: Scorgesti, che Rosmene
25. Imeneo, HWV 41, Act III: Se la mia pace a me vuoi togliere
26. Imeneo, HWV 41, Act III: Miratela, che arriva
27. Imeneo, HWV 41, Act III: Misera!
28. Imeneo, HWV 41, Act III: Al voler di tua fortuna
29. Imeneo, HWV 41, Act III: Disse appunto così
30. Imeneo, HWV 41, Act III: Io son quella navicella
31. Imeneo, HWV 41, Act III: Non vuol ch'io più ritorni il mio nocchiero
32. Imeneo, HWV 41, Act III: Per le porte del tormento
33. Imeneo, HWV 41, Act III: Se consulta il suo dover
Fabio Biondi signs his fifth release on Glossa with a further opera exploration, here with Europa Galante and providing a vital interpretation of Handel’s late opera Imeneo, given in its serenade- style 1742 Dublin version.
If, by this date, the London public was tiring of the Italian opera in which Handel had been excelling for decades, and the composer was now turning both to the oratorio and in the direction of the galant style, he was still able to call upon divos and divas of the quality of La Francesina and Giovanni Battista Andreoni to perform his music. Though not a success in its Lincoln’s Inn Fields staging in London, Imeneo was performed by Handel as his only Italian work during his season in Dublin (which also saw the first performance of Messiah), complete with additional arias to add to those praised in 1740 and a pruning of the libretto (which hadn’t received approval).
The revised story turns on Tirinto (Ann Hallenberg in Biondi’s modern-day production, as performed at the Handel Festival in Halle) pining for his beloved and kidnapped Rosmene (Monica Piccinini). Her liberation by Imeneo (Magnus Staveland) leads to Rosmene being required to decide which of the two Athenians to wed. Hymen – as Handel’s work was known in Dublin – was the god of marriage, and so, will love overcome duty and reason or not? Fabio Biondi, directing from the violin, brings all his own experience in both Italian music and music from the eighteenth century in delivering a stunning vindication of an unfairly neglected Handel opera.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads