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Joshua Bell, Paul Coker - The Kreisler Album (1996)

Joshua Bell, Paul Coker - The Kreisler Album (1996)

BAND/ARTIST: Joshua Bell, Paul Coker

  • Title: The Kreisler Album
  • Year Of Release: 1996
  • Label: Decca
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:01:47
  • Total Size: 328 Mb
  • WebSite:
Tracklist:

01. Kreisler: Praeludium and Allegro
02. Kreisler: Schön Rosmarin
03. Kreisler: Tambourin chinois
04. Kreisler: Caprice viennois, Op. 2
05. Kreisler: La Précieuse (in the style of Louis Couperin)
06. Kreisler: Liebesfreud
07. Kreisler: Liebesleid
08. Kreisler: La Gitana
09. Kreisler: Berceuse Romantique (Caprice)
10. Kreisler: Polichinelle (Sérénade)
11. Kreisler: Rondino on a Theme by Beethoven
12. Kreisler: Tempo di menuetto (in the style of Pugnani)
13. Kreisler: Toy Soldiers' March
14. Kreisler: Allegretto (in the style of Boccherini)
15. Kreisler: Marche miniature viennoise
16. Kreisler: Aucassin and Nicolette (canzonetta medievale)
17. Kreisler: Menuet (in the style of Porpora)
18. Kreisler: Sicilienne and Rigaudon (in the style of Francois Francoeur)
19. Kreisler: Syncopation

Performers:
Joshua Bell, violin
Paul Coker, piano

Fritz Kreisler, incomparable violinist and prolific composer, was the supreme interpreter of his own pieces; his recordings of them have cast a spell on generations of performers. Joshua Bell succumbed to it as a boy, but avoids the pitfall of trying to imitate Kreisler's style, putting his own stamp on both the original pieces and the so-called baroque arrangements, which Kreisler eventually admitted having written himself. The program, shrewdly chosen to display Kreisler's multifaceted versatility, includes stylized, graceful dances, dreamy reveries, outbursts of joy and passion, parodistic syncopation, and, of course, true Viennese character pieces. Bell's love of the music suffuses every note; he captures mood, character, and expression with flair and impeccable style. His playing, technically brilliant and tonally ravishing, has humor, wit, grace, elegance, and irresistible charm. Sentiment never becomes sentimentality; there is not a trace of schmalz or kitsch. The piano parts, with their sophisticated harmonies and skillful counterpoint, prove that Kreisler was a good composer as well as a fine pianist; Paul Coker plays them with just the right combination of rhythmic steadiness and idiomatic freedom. -- Edith Eisler





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  •  wrote in 20:33
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