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The Brabant Ensemble & Stephen Rice - Obrecht: Missa Grecorum & Motets (2018) [CD Rip]

The Brabant Ensemble & Stephen Rice - Obrecht: Missa Grecorum & Motets (2018) [CD Rip]
  • Title: Obrecht: Missa Grecorum & Motets
  • Year Of Release: 2018
  • Label: Hyperion
  • Genre: Classical
  • Quality: FLAC (image + .cue, log, scans)
  • Total Time: 1:14:00
  • Total Size: 315 MB
  • WebSite:
Tracklist:

Salve regina a 6
1 Salve regina misericordiae
2 Ad te clamamus
3 Eia ergo, advocata nostra
4 O clemens

Missa Grecorum
5 Kyrie eleison
6 Christe eleison
7 Kyrie eleison
8 Gloria in excelsis Deo
9 Qui tollis peccata mundi, suscipe
10 Credo in unum Deum
11 Et incarnatus est
12 Et resurrexit tertia die
13 Sanctus
14 Pleni sunt caeli
15 Osanna in excelsis
16 Benedictus qui venit
17 Osanna in excelsis
18 Agnus Dei I
19 Agnus Dei II
20 Agnus Dei III

Mater Patris / Sancta Dei genitrix
21 Mater Patris, Nati nata
22 Ab aeterno generatus
23 Virgo mater, mater Dei
24 Cuius sacrata viscera a 4

O beate Basili / O beate pater a 4
25 O beate Basili / O beate pater
26 O beate pater Basili
27 O virum digne colendum / Invisit sanctus sanctum
28 Obrecht: Agnus Dei


The appearance of this album on British classical charts is explained by more than the insatiable attitude of the public there toward well-sung choral music. This is, after all, obscure music of a fairly obscure composer, most of it never recorded before. Chalk it up to Hyperion's ideally idiomatic sound from All Saints' Church, East Finchley, London, perhaps. Or more likely to the fact that, even though the music is new -- dug partly out of the archives by conductor Stephen Rice -- taken together, it offers a pretty good picture of Jacob Obrecht's music for general listeners. Obrecht in his own time was considered a peer of Josquin's, and succeeded him at the court of the Duke of Ferrara only to die of plague there soon after making the move. The music here is accessible and shows why he interested his contemporaries. The reason the Missa Grecorum ("Greek mass") is so called is unknown, but it is a near-perfect example of the cantus firmus mass, treating its unidentified, borrowed melody straightforwardly yet imaginatively. The rest of the program offers other common work types by Obrecht, variously imposing (the opening Salve regina) and small and jewel-like (the tiny Cuius sacrata viscera. There is even an anonymous Agnus Dei attributed to Obrecht by scholar Rob C. Wegman at the end. The Brabant Ensemble (mixed-gender adult, two to four voices per part) is admirably suited to this music, with its clear textures and vigor. Recommended. -- James Manheim

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