Collegium Vocale Gent, Philippe Herreweghe - Bach: Ich elender Mensch - Leipzig Cantatas (2013)
BAND/ARTIST: Collegium Vocale Gent, Philippe Herreweghe
- Title: Bach: Ich elender Mensch - Leipzig Cantatas
- Year Of Release: 2013
- Label: Phi
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 1:08:27
- Total Size: 328 Mb
- WebSite: Album Preview
Tracklist:
Cantata BWV 48 - Ich Elender Mensch, Wer Wird Mich Erlösen
1. Coro - Ich Elender Mensch, Wer Wird Mich Erlösen 4:57
2. Recitativo: Alto - O Schmerz, O Elend, So Mich Trifft 1:11
3. Choral - Solls Ja So Sein 0:39
4. Aria: Alto - Ach, Lege Das Sodom Der Sündlichen Glieder 2:21
5. Recitativo: Tenor - Hier Aber Tut Des Heilands Hand 0:41
6. Aria: Tenor - Vergibt Mir Jesus Meine Sünden 2:39
7. Choral - Herr Jesus Christ, Einiger Trost 1:02
Cantata BWV 73 - Herr, Wie Du Willt, So Schick's Mit Mir
8. Coro E Recitativo: Tenor, Alto & Soprano - Herr, Wie Du Willt, So Schick's Mit Mir 4:02
9. Aria: Tenor - Ach Senke Doch Den Geist Der Freuden 3:37
10. Recitativo: Bass - Ach, Unser Wille Bleibt Verkehrt 0:31
11. Aria: Bass - Herr, So Du Willt 3:27
12. Choral - Das Ist Des Vaters Wille 0:51
Cantata BWV 44 - Sie Werden Euch In Den Bann Tun
13. Aria (Duetto): Tenor & Bass - Sie Werden Euch In Den Bann Tun 2:21
14. Coro - Es Kömmt Aber Die Zeit 1:34
15. Aria: Alto - Christen Müssen Auf Der Erden 4:09
16. Choral: Tenor - Ach Gott, Wie Manches Herzeleid 1:14
17. Recitativo: Bass - Es Sucht Der Antichrist 0:48
18. Aria: Soprano - Es Ist Und Bleibt Der Christen Trost 4:58
19. Choral - So Sei Nun, Seele Deine 0:51
Cantata BWV 109 - Ich Glaube, Lieber Herr, Hilf Meinem Unglauben!
20. Coro - Ich Glaube, Lieber Herr, Hilf Meinem Unglauben! 6:04
21. Recitativo: Tenor - Des Herren Hand Ist Ja Noch Nicht Verkürzt 1:21
22. Aria: Tenor - Wie Zweifelhaftig Ist Mein Hoffen 5:36
23. Recitativo: Alto - O Fasse Dich, Du Zweifelhafter Mut 0:35
24. Aria: Alto - Der Heiland Kennet Ja Die Seinen 4:42
25. Choral - Wer Hofft In Gott Und Dem Vertraut 3:53
26. Aria For 5 Voices - Komm, Jesu, Komm 4:14
Cantata BWV 48 - Ich Elender Mensch, Wer Wird Mich Erlösen
1. Coro - Ich Elender Mensch, Wer Wird Mich Erlösen 4:57
2. Recitativo: Alto - O Schmerz, O Elend, So Mich Trifft 1:11
3. Choral - Solls Ja So Sein 0:39
4. Aria: Alto - Ach, Lege Das Sodom Der Sündlichen Glieder 2:21
5. Recitativo: Tenor - Hier Aber Tut Des Heilands Hand 0:41
6. Aria: Tenor - Vergibt Mir Jesus Meine Sünden 2:39
7. Choral - Herr Jesus Christ, Einiger Trost 1:02
Cantata BWV 73 - Herr, Wie Du Willt, So Schick's Mit Mir
8. Coro E Recitativo: Tenor, Alto & Soprano - Herr, Wie Du Willt, So Schick's Mit Mir 4:02
9. Aria: Tenor - Ach Senke Doch Den Geist Der Freuden 3:37
10. Recitativo: Bass - Ach, Unser Wille Bleibt Verkehrt 0:31
11. Aria: Bass - Herr, So Du Willt 3:27
12. Choral - Das Ist Des Vaters Wille 0:51
Cantata BWV 44 - Sie Werden Euch In Den Bann Tun
13. Aria (Duetto): Tenor & Bass - Sie Werden Euch In Den Bann Tun 2:21
14. Coro - Es Kömmt Aber Die Zeit 1:34
15. Aria: Alto - Christen Müssen Auf Der Erden 4:09
16. Choral: Tenor - Ach Gott, Wie Manches Herzeleid 1:14
17. Recitativo: Bass - Es Sucht Der Antichrist 0:48
18. Aria: Soprano - Es Ist Und Bleibt Der Christen Trost 4:58
19. Choral - So Sei Nun, Seele Deine 0:51
Cantata BWV 109 - Ich Glaube, Lieber Herr, Hilf Meinem Unglauben!
20. Coro - Ich Glaube, Lieber Herr, Hilf Meinem Unglauben! 6:04
21. Recitativo: Tenor - Des Herren Hand Ist Ja Noch Nicht Verkürzt 1:21
22. Aria: Tenor - Wie Zweifelhaftig Ist Mein Hoffen 5:36
23. Recitativo: Alto - O Fasse Dich, Du Zweifelhafter Mut 0:35
24. Aria: Alto - Der Heiland Kennet Ja Die Seinen 4:42
25. Choral - Wer Hofft In Gott Und Dem Vertraut 3:53
26. Aria For 5 Voices - Komm, Jesu, Komm 4:14
First, let’s satisfy your insatiable curiosity. Johann Schelle Read more Harvard Biographical Dictionary credits him with introducing the Gospel cantata and the chorale cantata to Leipzig, but little of his music is extant. He was succeeded by Johann Kuhnau (1660–1722), who is best known unfortunately and unfairly for dying, thus leaving the vacancy ultimately filled by Bach in 1723. According to HBD, Kuhnau encountered difficulties in his later years in Leipzig, but his compositions were well regarded in his day. Schelle is represented on this disc by a brief (4:14) funeral motet.
Although Philippe Herreweghe’s recordings of Bach’s major choral works and his forays into the cantata repertory are universally admired, he hasn’t committed himself to record a comprehensive edition of the cantatas. He has preferred to approach the repertory at a slower pace, recording individual discs built around themes. The present disc is one, but its theme, Leipzig Cantatas, seems a little broad. It’s not. In assembling the program Herreweghe has indentified three basic compositional patterns in the cantatas and chosen one of each from the first Leipzig cycle and appended another that does not follow any of the three structural models. It’s all very interesting, but if it strikes you as being a bit too analytical for comfort, let me assure you that it will have no affect on your enjoyment of these superb performances.
With his mounting discography, is Herreweghe apt to become a stealth completist? Would that he were, but it may take a while. He’s a little than a quarter of the way through the list, and he’s on his third label (Harmonia Mundi, Virgin and, now, Phi). But don’t forget that his Collegium Vocale provided the choral contingent for most of Gustav Leonhardt’s share of the Teldec series. He knows his way around the cantatas, and it shows. -- George Chien
Although Philippe Herreweghe’s recordings of Bach’s major choral works and his forays into the cantata repertory are universally admired, he hasn’t committed himself to record a comprehensive edition of the cantatas. He has preferred to approach the repertory at a slower pace, recording individual discs built around themes. The present disc is one, but its theme, Leipzig Cantatas, seems a little broad. It’s not. In assembling the program Herreweghe has indentified three basic compositional patterns in the cantatas and chosen one of each from the first Leipzig cycle and appended another that does not follow any of the three structural models. It’s all very interesting, but if it strikes you as being a bit too analytical for comfort, let me assure you that it will have no affect on your enjoyment of these superb performances.
With his mounting discography, is Herreweghe apt to become a stealth completist? Would that he were, but it may take a while. He’s a little than a quarter of the way through the list, and he’s on his third label (Harmonia Mundi, Virgin and, now, Phi). But don’t forget that his Collegium Vocale provided the choral contingent for most of Gustav Leonhardt’s share of the Teldec series. He knows his way around the cantatas, and it shows. -- George Chien
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