Debabrata Biswas - Bhebechilem Asbe Phire (Tagore Songs) (1988) [Hi-Res]
BAND/ARTIST: Debabrata Biswas
- Title: Bhebechilem Asbe Phire (Tagore Songs)
- Year Of Release: 1988
- Label: Sony Music India / 550 Music
- Genre: World, Indian Classical
- Quality: 24-bit/88.2kHz FLAC
- Total Time: 43:11 min
- Total Size: 717 MB
- WebSite: Album Preview
Debabrata Biswas (also known as George Biswas and George-da; 22 August 1911 – 18 August 1980), was an Indian Rabindra Sangeet singer.
Biswas' music was notable for its exceptional depth of emotional expression combined with an exploration of the subtle dramatic element in Tagore's lyrics. His early gramophone recordings of Tagore songs brought out in the early 1940s demonstrate soulful full-throated expression of melody with a strict adherence to the rules and norms of tradition, written and unwritten, which he felt obliged to break in the early 1960s – considered by most to be his heyday up to the year 1969. His renderings in this period show amazing power of voice and modulation, compounded with an overt emotional expression of a kind hitherto unpractised by his contemporaries and even himself. His voice at this period ranged at ease within the three octaves and with varied tempos and rhythms and showed a greater variety of emotional expression from the thunderous and rumbling to the soft and mellow. Somewhat audacious and overpowering in his personal feelings and mores, his enunciation of the words of even the most familiar of Tagore's lyrics extracted new meanings and freshness from the compositions. Some of his renditions that go deep into the heart of Bengalis include Akash bhora surjo tara, Purano sei diner kotha, E monihar amay nahi saje, Klanti amar khoma koro probhu, Je ratey mor duarguli, Tomar kache e bor magi, Chokher joler laglo joar, Swapne amar mone holo, among others.
Biswas is the only singer who sang Rabindra Sangeet in Sanskrit, English, German, French, and Russian. He got trained at Ramakrishna Mission Institute of Culture, Kolkata for learning rudiments of foreign languages .
Filmmaker Ritwik Ghatak took help of Biswas for song selection & play back of Tagore songs. Those Tagore songs used in the movies became extremely popular among the masses. Debabrata Biswas was actively engaged with IPTA group for a long period. He sang a few songs set to music by Salil Choudhury, Hemanga Biswas, Jyotirindra Moitra and recorded songs during the liberation movement of Bangladesh. Kazi Nazrul Islam himself was the trainer when Debabrata recorded songs by Nazrul.
Tracklist:
2:22 | 01. Debabrata Biswas - Ashar Kotha Hote Aaj
5:05 | 02. Debabrata Biswas - Ke Dilo Abar Aghat Aamar Duare
3:28 | 03. Debabrata Biswas - Kusume Kusume Charano Chinho
3:08 | 04. Debabrata Biswas - Bahu Juger Opar Hote
4:04 | 05. Debabrata Biswas - Shyamal Chhaya Naiba Gele
3:40 | 06. Debabrata Biswas - Tumi Robe Nirobe
3:20 | 07. Debabrata Biswas - Bhebechilem Asbe Phire
3:25 | 08. Debabrata Biswas - Chitto Aamar Haralo
2:27 | 09. Debabrata Biswas - Eso Shyamolo Sundaro
4:19 | 10. Debabrata Biswas - Ami Chanchal He
3:24 | 11. Debabrata Biswas - Eso Eso He Trishnar Jal
4:31 | 12. Debabrata Biswas - Saghana Gahana Ratri
Biswas' music was notable for its exceptional depth of emotional expression combined with an exploration of the subtle dramatic element in Tagore's lyrics. His early gramophone recordings of Tagore songs brought out in the early 1940s demonstrate soulful full-throated expression of melody with a strict adherence to the rules and norms of tradition, written and unwritten, which he felt obliged to break in the early 1960s – considered by most to be his heyday up to the year 1969. His renderings in this period show amazing power of voice and modulation, compounded with an overt emotional expression of a kind hitherto unpractised by his contemporaries and even himself. His voice at this period ranged at ease within the three octaves and with varied tempos and rhythms and showed a greater variety of emotional expression from the thunderous and rumbling to the soft and mellow. Somewhat audacious and overpowering in his personal feelings and mores, his enunciation of the words of even the most familiar of Tagore's lyrics extracted new meanings and freshness from the compositions. Some of his renditions that go deep into the heart of Bengalis include Akash bhora surjo tara, Purano sei diner kotha, E monihar amay nahi saje, Klanti amar khoma koro probhu, Je ratey mor duarguli, Tomar kache e bor magi, Chokher joler laglo joar, Swapne amar mone holo, among others.
Biswas is the only singer who sang Rabindra Sangeet in Sanskrit, English, German, French, and Russian. He got trained at Ramakrishna Mission Institute of Culture, Kolkata for learning rudiments of foreign languages .
Filmmaker Ritwik Ghatak took help of Biswas for song selection & play back of Tagore songs. Those Tagore songs used in the movies became extremely popular among the masses. Debabrata Biswas was actively engaged with IPTA group for a long period. He sang a few songs set to music by Salil Choudhury, Hemanga Biswas, Jyotirindra Moitra and recorded songs during the liberation movement of Bangladesh. Kazi Nazrul Islam himself was the trainer when Debabrata recorded songs by Nazrul.
Tracklist:
2:22 | 01. Debabrata Biswas - Ashar Kotha Hote Aaj
5:05 | 02. Debabrata Biswas - Ke Dilo Abar Aghat Aamar Duare
3:28 | 03. Debabrata Biswas - Kusume Kusume Charano Chinho
3:08 | 04. Debabrata Biswas - Bahu Juger Opar Hote
4:04 | 05. Debabrata Biswas - Shyamal Chhaya Naiba Gele
3:40 | 06. Debabrata Biswas - Tumi Robe Nirobe
3:20 | 07. Debabrata Biswas - Bhebechilem Asbe Phire
3:25 | 08. Debabrata Biswas - Chitto Aamar Haralo
2:27 | 09. Debabrata Biswas - Eso Shyamolo Sundaro
4:19 | 10. Debabrata Biswas - Ami Chanchal He
3:24 | 11. Debabrata Biswas - Eso Eso He Trishnar Jal
4:31 | 12. Debabrata Biswas - Saghana Gahana Ratri
Classical | World | Indian / भारतीय संगीत | HD & Vinyl
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