Michel Grizard - Le rappel des oiseaux (2018) [Hi-Res]
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BAND/ARTIST: Michel Grizard
- Title: Le rappel des oiseaux
- Year Of Release: 2018
- Label: Skarbo
- Genre: Classical Guitar
- Quality: flac 24bits - 88.2kHz
- Total Time: 01:12:04
- Total Size: 1.3 gb
- WebSite: Album Preview
Tracklist
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01. Lachrimae Pavan, P. 15 (Arr. M. Grizard for Guitar)
02. Forlorn Hope, P. 2 (Arr. M. Grizard for Guitar)
03. Lute Sonata in A Minor, WeissSW 29 (Arr. M. Grizard for Guitar): I. Entrée
04. Lute Sonata in A Minor, WeissSW 29 (Arr. M. Grizard for Guitar): II. Courante
05. Lute Sonata in A Minor, WeissSW 29 (Arr. M. Grizard for Guitar): III. Sarabande
06. Lute Sonata in A Minor, WeissSW 29 (Arr. M. Grizard for Guitar): IV. Menuet
07. Lute Sonata in A Minor, WeissSW 29 (Arr. M. Grizard for Guitar): V. Musette
08. Lute Sonata in A Minor, WeissSW 29 (Arr. M. Grizard for Guitar): VI. Paysanne
09. French Suite No. 1 in D Minor, BWV 812 (Arr. M. Grizard for Guitar): I. Allemande
10. French Suite No. 1 in D Minor, BWV 812 (Arr. M. Grizard for Guitar): II. Courante
11. French Suite No. 1 in D Minor, BWV 812 (Arr. M. Grizard for Guitar): III. Sarabande
12. French Suite No. 1 in D Minor, BWV 812 (Arr. M. Grizard for Guitar): IV. Menuets I & II
13. French Suite No. 1 in D Minor, BWV 812 (Arr. M. Grizard for Guitar): V. Gigue
14. Les tendres plaintes (Arr. M. Grizard for Guitar)
15. L'entretien des muses (Arr. M. Grizard for Guitar)
16. Pièces de clavecin, Suite in E Minor: V. Le rappel des oiseaux (Arr. M. Grizard for Guitar)
17. Les tricotets (Arr. M. Grizard for Guitar)
18. Nouvelles suites de pièces de clavecin, Suite in G Major-Minor: II. L'indifferent (Arr. M. Grizard for Guitar)
19. Les Indes galantes (Arr. M. Grizard for Guitar)
Transcription has an important place in guitar repertoire. Starting in the 1930s, it was in part thanks to the transcriptions of major composers made and played by guitarist Andres Segovia that non-guitarist composers began to write for this instrument. So it is today that the repertoire has been enriched with works by the most important composers of the 20th and 21st centuries. Transcription for solo guitar has also evolved considerably since the first half of the 20th century: from a ‘melodic instrument allowing harmony,’ as Andres Segovia defined it, the guitar has become an instrument allowing polyphony. Thus, in addition to transcriptions made from works for violin, cello or lute, others have come from the piano or harpsichord. This programme illustrates in part this brief history of transcription for solo guitar, with works originally written for lute, or for harpsichord, brought together around the same instrument: the guitar.
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01. Lachrimae Pavan, P. 15 (Arr. M. Grizard for Guitar)
02. Forlorn Hope, P. 2 (Arr. M. Grizard for Guitar)
03. Lute Sonata in A Minor, WeissSW 29 (Arr. M. Grizard for Guitar): I. Entrée
04. Lute Sonata in A Minor, WeissSW 29 (Arr. M. Grizard for Guitar): II. Courante
05. Lute Sonata in A Minor, WeissSW 29 (Arr. M. Grizard for Guitar): III. Sarabande
06. Lute Sonata in A Minor, WeissSW 29 (Arr. M. Grizard for Guitar): IV. Menuet
07. Lute Sonata in A Minor, WeissSW 29 (Arr. M. Grizard for Guitar): V. Musette
08. Lute Sonata in A Minor, WeissSW 29 (Arr. M. Grizard for Guitar): VI. Paysanne
09. French Suite No. 1 in D Minor, BWV 812 (Arr. M. Grizard for Guitar): I. Allemande
10. French Suite No. 1 in D Minor, BWV 812 (Arr. M. Grizard for Guitar): II. Courante
11. French Suite No. 1 in D Minor, BWV 812 (Arr. M. Grizard for Guitar): III. Sarabande
12. French Suite No. 1 in D Minor, BWV 812 (Arr. M. Grizard for Guitar): IV. Menuets I & II
13. French Suite No. 1 in D Minor, BWV 812 (Arr. M. Grizard for Guitar): V. Gigue
14. Les tendres plaintes (Arr. M. Grizard for Guitar)
15. L'entretien des muses (Arr. M. Grizard for Guitar)
16. Pièces de clavecin, Suite in E Minor: V. Le rappel des oiseaux (Arr. M. Grizard for Guitar)
17. Les tricotets (Arr. M. Grizard for Guitar)
18. Nouvelles suites de pièces de clavecin, Suite in G Major-Minor: II. L'indifferent (Arr. M. Grizard for Guitar)
19. Les Indes galantes (Arr. M. Grizard for Guitar)
Transcription has an important place in guitar repertoire. Starting in the 1930s, it was in part thanks to the transcriptions of major composers made and played by guitarist Andres Segovia that non-guitarist composers began to write for this instrument. So it is today that the repertoire has been enriched with works by the most important composers of the 20th and 21st centuries. Transcription for solo guitar has also evolved considerably since the first half of the 20th century: from a ‘melodic instrument allowing harmony,’ as Andres Segovia defined it, the guitar has become an instrument allowing polyphony. Thus, in addition to transcriptions made from works for violin, cello or lute, others have come from the piano or harpsichord. This programme illustrates in part this brief history of transcription for solo guitar, with works originally written for lute, or for harpsichord, brought together around the same instrument: the guitar.
Year 2018 | Classical | Instrumental | FLAC / APE | HD & Vinyl
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