Sandrine Piau - Mozart: Desperate Heroines (2015)
BAND/ARTIST: Sandrine Piau
- Title: Mozart: Desperate Heroines
- Year Of Release: 2015
- Label: Naive
- Genre: Classical, Vocal
- Quality: FLAC (tracks) / MP3 320 Kbps
- Total Time: 47:38
- Total Size: 231 Mb / 121 Nb
- WebSite: Album Preview
Tracklist:
1. Le nozze di Figaro K. 492: L'ho perduta, me meschina
2. Don Giovanni K. 527, Act II: Crudele ?... Non mi dir
3. La Finta Giardiniera K.196, Act I: Geme la tortorella
4. Mitridate, re di Ponto K. 87, Act III: Ah ben ne fui presaga... pallid'ombre
5. Le Nozze di Figaro K. 492, Act IV: giunse alfin il momento... deh vieni non tardar
6. La Finta Giardiniera K.196, Act II: Crudeli, oh dio! Fermate... ah dal pianto
7. Idomeneo K. 366, Act II: Se il padre perdei
8. Lucio Silla K.135, Act III: Sposo, mia vita... frà i pensieri
9. Il re pastore K. 208, Act II: L'amerò
1. Le nozze di Figaro K. 492: L'ho perduta, me meschina
2. Don Giovanni K. 527, Act II: Crudele ?... Non mi dir
3. La Finta Giardiniera K.196, Act I: Geme la tortorella
4. Mitridate, re di Ponto K. 87, Act III: Ah ben ne fui presaga... pallid'ombre
5. Le Nozze di Figaro K. 492, Act IV: giunse alfin il momento... deh vieni non tardar
6. La Finta Giardiniera K.196, Act II: Crudeli, oh dio! Fermate... ah dal pianto
7. Idomeneo K. 366, Act II: Se il padre perdei
8. Lucio Silla K.135, Act III: Sposo, mia vita... frà i pensieri
9. Il re pastore K. 208, Act II: L'amerò
When Naïve offered me the chance to record a Mozart recital in 2001, it was something I hadn't even dared to dream of, because he seemed to me to be the composer most emblematic of every kind of perfection. I made the disc with a feeling almost of transgression and a tremendous fear of not being worthy of him. Now, thirteen years later, I come back to Mozart with the experience of the roles I've tackled on stage in the meantime.
Donna Anna is probably the character I most wanted to include, not only because I've sung her in the theatre but also because the part is traditionally given to heavier voices than mine. Like any so-called 'Baroque' singer, I'm suspicious of traditions, and I like the idea that behind her cries of suffering she has still retained a redemptive gentleness, which one can sense in 'Non mi dir'. The arias I've chosen are often tormented. I suppose this is a disc of maturity, which both reflects my trajectory over these past few years and catches me at a specific moment in my life, like a snapshot. -- Sandrine Piau
Donna Anna is probably the character I most wanted to include, not only because I've sung her in the theatre but also because the part is traditionally given to heavier voices than mine. Like any so-called 'Baroque' singer, I'm suspicious of traditions, and I like the idea that behind her cries of suffering she has still retained a redemptive gentleness, which one can sense in 'Non mi dir'. The arias I've chosen are often tormented. I suppose this is a disc of maturity, which both reflects my trajectory over these past few years and catches me at a specific moment in my life, like a snapshot. -- Sandrine Piau
Classical | FLAC / APE | Mp3
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