Víkingur Ólafsson - Johann Sebastian Bach (2018) CD-Rip
BAND/ARTIST: Víkingur Ólafsson
- Title: Johann Sebastian Bach
- Year Of Release: 2018
- Label: Deutsche Grammophon
- Genre: Classical
- Quality: FLAC (image+.cue,log,scans)
- Total Time: 01:17:26
- Total Size: 321 mb
- WebSite: Album Preview
Tracklist:
01. Prelude and Fughetta in G major, BWV 902: I. Prelude
02. Chorale Prelude, BWV 734, 'Nun freut euch, lieben Christen g'mein'
03. Prelude and Fugue in E minor, BWV 855
04. Prelude and Fugue in E minor, BWV 855
05. Organ Sonata No. 4 in E minor, BWV 528: II. Adagio
06. Prelude and Fugue in D major, BWV 850
07. Prelude and Fugue in D major, BWV 850
08. Chorale Prelude, BMV 659, 'Nun komm der Heiden Heiland'
09. Prelude and Fugue in C minor, BWV 847
10. Prelude and Fugue in C minor, BWV 847
11. 'Widerstehe doch der Sunde', BWV 54, Aria
Aria variata (alla maniera italiana) in A minor, BWV 989
12. I. Aria
13. II. Variation 1
14. III. Variation 2
15. IV. Variation 3
16. V. Variation 4
17. VI. Variation 5
18. VII. Variation 6
19. VIII. Variation 7
20. IX. Variation 8
21. X. Variation 9
22. XI. Variation 10
23. XII. Aria da capo
24. Invention No. 12 in A major, BWV 783
25. Sinfonia No. 12 in A major, BWV 798
26. Partita No. 3 for Violin Solo in E major, BWV 1006, 3. Gavotte
27. Prelude and Fugue in E minor, BWV 855a, Prelude
28. Sinfonia No. 15 in B minor, BWV 801
29. Invention No. 15 in B minor, BWV 786
Harpsichord Concerto in D minor, BWV 974 (solo version)
30. I. Andante
31. II. Adagio
32. III. Presto
33. Chorale Prelude, BWV 639, 'Ich ruf zu dir, Her Jesu Christ'
34. Fantasia and Fugue in A minor, BWV 904: I. Fantasia
35. Fantasia and Fugue in A minor, BWV 904: II. Fugue
Performers:
Víkingur Ólafsson, piano
01. Prelude and Fughetta in G major, BWV 902: I. Prelude
02. Chorale Prelude, BWV 734, 'Nun freut euch, lieben Christen g'mein'
03. Prelude and Fugue in E minor, BWV 855
04. Prelude and Fugue in E minor, BWV 855
05. Organ Sonata No. 4 in E minor, BWV 528: II. Adagio
06. Prelude and Fugue in D major, BWV 850
07. Prelude and Fugue in D major, BWV 850
08. Chorale Prelude, BMV 659, 'Nun komm der Heiden Heiland'
09. Prelude and Fugue in C minor, BWV 847
10. Prelude and Fugue in C minor, BWV 847
11. 'Widerstehe doch der Sunde', BWV 54, Aria
Aria variata (alla maniera italiana) in A minor, BWV 989
12. I. Aria
13. II. Variation 1
14. III. Variation 2
15. IV. Variation 3
16. V. Variation 4
17. VI. Variation 5
18. VII. Variation 6
19. VIII. Variation 7
20. IX. Variation 8
21. X. Variation 9
22. XI. Variation 10
23. XII. Aria da capo
24. Invention No. 12 in A major, BWV 783
25. Sinfonia No. 12 in A major, BWV 798
26. Partita No. 3 for Violin Solo in E major, BWV 1006, 3. Gavotte
27. Prelude and Fugue in E minor, BWV 855a, Prelude
28. Sinfonia No. 15 in B minor, BWV 801
29. Invention No. 15 in B minor, BWV 786
Harpsichord Concerto in D minor, BWV 974 (solo version)
30. I. Andante
31. II. Adagio
32. III. Presto
33. Chorale Prelude, BWV 639, 'Ich ruf zu dir, Her Jesu Christ'
34. Fantasia and Fugue in A minor, BWV 904: I. Fantasia
35. Fantasia and Fugue in A minor, BWV 904: II. Fugue
Performers:
Víkingur Ólafsson, piano
Icelandic pianist Víkingur Ólafsson emerged from considerable popularity in his native country, signing with Deutsche Grammophon and releasing an attractive album of music by Philip Glass. With his second album for the label, Johann Sebastian Bach, he ups the stakes; the title itself announces a grand ambition to reimagine the compositions of the first master of keyboard music. Ólafsson rightly points out that the Bach canon is constantly changing, and indeed many of the pieces on his program are not very familiar. Sample the Aria variata, BWV 989, both to hear a marvelous Bach piece that's not one of the common ones, and to experience Ólafsson's piano style, detailed and pianistic without, for the most part, being Romantic. He's a compelling pianist who can take an audience through a wide range of sounds, and his Bach demands attention. He also tries to climb the Bach mountain and plant a new flag at the top, and here he may overreach. Ólafsson ignores Bach's tendency to think in sets, and he picks individual pieces and stacks them up for cumulative effect. There's nothing wrong with this per se, but the program builds in sheer volume toward the end, with the pedal, sparsely applied at the start, playing a greater and greater role. Reactions to this will differ: Ólafsson has the technical equipment to pull off this grand gesture, but whether it fits Bach is something for the listener to decide. A Bach recording that demands attention.
Year 2018 | Classical | FLAC / APE | CD-Rip
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