Maria Jonas & Ars Chroralis Coeln - Hildegard von Bingen: Ordo Virtutum (2018) [Hi-Res]
BAND/ARTIST: Maria Jonas & Ars Chroralis Coeln
- Title: Hildegard von Bingen: Ordo Virtutum
- Year Of Release: 2018
- Label: Raumklang
- Genre: Classical, Vocal
- Quality: flac lossless / flac 24bits - 44.1kHz +booklet
- Total Time: 01:32:14
- Total Size: 432 / 864 mb
- WebSite: Album Preview
Tracklist
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CD1
01. Ordo Virtutum, Prolog: Virtutes
02. Ordo Virtutum, Prolog: "Audite "o lucis filie"
03. Ordo Virtutum, Prolog: "Qui sunt hi" (Patriarche & Prophete)
04. Ordo Virtutum, Prolog: "O antiqui sancti, Nos sumus radices" (Patriarche & Prophete)
05. Ordo Virtutum, Szene I: "O nos peregrine"
06. Ordo Virtutum, Szene I: "O dulcis divinitas- O felix Anima-O libenter-Nos debemus"
07. Ordo Virtutum, Szene I: "O gravis labor"
08. Ordo Virtutum, Szene I: "O Anima-Succurite michi-Vide quid illud sit"
09. Ordo Virtutum, Szene I: "O nescio- O infelix-Tu nescis, nec vides" (Anima)
10. Ordo Virtutum, Szene I: "Deus creavit mundum-Fatue, fatue"
11. Ordo Virtutum, Szene I: Virtutes "O plangens vox"
12. Ordo Virtutum, Szene I: "Que est hec -Ego cum meis sodalibus" (Diabolus)
13. Ordo Virtutum, Szene II: "Ego, Humilitas"
14. Ordo Virtutum, Szene II: "Ego Karitas"
15. Ordo Virtutum, Szene II: "Ego Timor Dei"
16. Ordo Virtutum, Szene II: "Euge! Euge!-Tu autem exterritus es"
17. Ordo Virtutum, Szene II: "Ego lucida Obedientia"
18. Ordo Virtutum, Szene II: "Ego Fides"
19. Ordo Virtutum, Szene II: "Ego sum dulcis conspectrix"
20. Ordo Virtutum, Szene II: "O virginitas"
21. Ordo Virtutum, Szene II: "Ego, contemptus mundi"
22. Ordo Virtutum, Szene II: "Ego aurea porta"
23. Ordo Virtutum, Szene II: "Ego sum amatrix"
24. Ordo Virtutum, Szene II: "Ego obtenebro"
25. Ordo Virtutum, Szene II: "O quam amara est illa"
26. Ordo Virtutum, Szene II: "Ego Victoria"
27. Ordo Virtutum, Szene II: "Ego Discretio"
28. Ordo Virtutum, Szene II: "Ego sum columpna"
29. Ordo Virtutum, Szene II: "O filie Israel-Heu, heu"
CD2
01. Ordo Virtutum, Szene III: "O vos regales Virtutes"
02. Ordo Virtutum, Szene III: "Ego peccator-O Anima, fugitiva"
03. Ordo Virtutum, Szene III: "Et o vera medicina-O omnes Virtutes-Volumus te"
04. Ordo Virtutum, Szene III: "Humilitas. O misera filia-O vivens fons"
05. Ordo Virtutum, Szene III: "Que es, aut unde venio? Ego omnes vias meas malas"
06. Ordo Virtutum, Szene III: "O Victoria"
07. Ordo Virtutum, Szene III: "In mente altissimi"
08. Ordo Virtutum, Szene III: "O Deus, quis es tu-O pater omnipotens"
09. Ordo Virtutum, Szene III, Finale: "In principio"
Only a single manuscript transmits Hildegard’s ordo virtutum: the Wiesbaden Codex (also known as the Rupertsberger Riesencodex), which was started in the scriptorium of her monastery in Bingen during the last years of her life and finished after her death. Today it is considered to be her legacy: Hildegard has not only the authoress of the individual works collected here, but also had influence on the overall composition of the codex. She wanted her work to be transmitted only in this and not in any other way. The giant codex begins with her first work Scivias - Direction. It concludes with her songs in neumatic notation: first, the seventy-five that she wrote for the canonical hours, followed by the sacred music play ordo virtutum. It remains uncertain then and for that occasion it was written. An early, purely test version is found already at the end of Scivias. Its title as preserved in the giant codex combines two key words from Hildegard’s complete theology: ordo and virtus.
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CD1
01. Ordo Virtutum, Prolog: Virtutes
02. Ordo Virtutum, Prolog: "Audite "o lucis filie"
03. Ordo Virtutum, Prolog: "Qui sunt hi" (Patriarche & Prophete)
04. Ordo Virtutum, Prolog: "O antiqui sancti, Nos sumus radices" (Patriarche & Prophete)
05. Ordo Virtutum, Szene I: "O nos peregrine"
06. Ordo Virtutum, Szene I: "O dulcis divinitas- O felix Anima-O libenter-Nos debemus"
07. Ordo Virtutum, Szene I: "O gravis labor"
08. Ordo Virtutum, Szene I: "O Anima-Succurite michi-Vide quid illud sit"
09. Ordo Virtutum, Szene I: "O nescio- O infelix-Tu nescis, nec vides" (Anima)
10. Ordo Virtutum, Szene I: "Deus creavit mundum-Fatue, fatue"
11. Ordo Virtutum, Szene I: Virtutes "O plangens vox"
12. Ordo Virtutum, Szene I: "Que est hec -Ego cum meis sodalibus" (Diabolus)
13. Ordo Virtutum, Szene II: "Ego, Humilitas"
14. Ordo Virtutum, Szene II: "Ego Karitas"
15. Ordo Virtutum, Szene II: "Ego Timor Dei"
16. Ordo Virtutum, Szene II: "Euge! Euge!-Tu autem exterritus es"
17. Ordo Virtutum, Szene II: "Ego lucida Obedientia"
18. Ordo Virtutum, Szene II: "Ego Fides"
19. Ordo Virtutum, Szene II: "Ego sum dulcis conspectrix"
20. Ordo Virtutum, Szene II: "O virginitas"
21. Ordo Virtutum, Szene II: "Ego, contemptus mundi"
22. Ordo Virtutum, Szene II: "Ego aurea porta"
23. Ordo Virtutum, Szene II: "Ego sum amatrix"
24. Ordo Virtutum, Szene II: "Ego obtenebro"
25. Ordo Virtutum, Szene II: "O quam amara est illa"
26. Ordo Virtutum, Szene II: "Ego Victoria"
27. Ordo Virtutum, Szene II: "Ego Discretio"
28. Ordo Virtutum, Szene II: "Ego sum columpna"
29. Ordo Virtutum, Szene II: "O filie Israel-Heu, heu"
CD2
01. Ordo Virtutum, Szene III: "O vos regales Virtutes"
02. Ordo Virtutum, Szene III: "Ego peccator-O Anima, fugitiva"
03. Ordo Virtutum, Szene III: "Et o vera medicina-O omnes Virtutes-Volumus te"
04. Ordo Virtutum, Szene III: "Humilitas. O misera filia-O vivens fons"
05. Ordo Virtutum, Szene III: "Que es, aut unde venio? Ego omnes vias meas malas"
06. Ordo Virtutum, Szene III: "O Victoria"
07. Ordo Virtutum, Szene III: "In mente altissimi"
08. Ordo Virtutum, Szene III: "O Deus, quis es tu-O pater omnipotens"
09. Ordo Virtutum, Szene III, Finale: "In principio"
Only a single manuscript transmits Hildegard’s ordo virtutum: the Wiesbaden Codex (also known as the Rupertsberger Riesencodex), which was started in the scriptorium of her monastery in Bingen during the last years of her life and finished after her death. Today it is considered to be her legacy: Hildegard has not only the authoress of the individual works collected here, but also had influence on the overall composition of the codex. She wanted her work to be transmitted only in this and not in any other way. The giant codex begins with her first work Scivias - Direction. It concludes with her songs in neumatic notation: first, the seventy-five that she wrote for the canonical hours, followed by the sacred music play ordo virtutum. It remains uncertain then and for that occasion it was written. An early, purely test version is found already at the end of Scivias. Its title as preserved in the giant codex combines two key words from Hildegard’s complete theology: ordo and virtus.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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