Erik Griswold - Yokohama Flowers (2018)
BAND/ARTIST: Erik Griswold
- Title: Yokohama Flowers
- Year Of Release: 2018
- Label: Room40
- Genre: Electronic, Ambient, Modern Classical
- Quality: FLAC (tracks)
- Total Time: 47:04 min
- Total Size: 200 MB
- WebSite: Album Preview
Tracklist:
1. Alone Time 03:08
2. Fallingwater 03:28
3. Distraction 02:35
4. Shinkansen 02:43
5. Chronophobia 02:51
6. Yokohama Flowers 02:36
7. Ball-peen Hammer 02:36
8. Color Wheel 02:34
9. Day Dream 03:57
10. Wind-up Gamelan 03:14
11. Domestic Bliss 05:35
12. Descend Deeper 02:33
13. Eternal Bliss 04:15
14. Circles 02:12
15. When We Were Strangers 02:47
1. Alone Time 03:08
2. Fallingwater 03:28
3. Distraction 02:35
4. Shinkansen 02:43
5. Chronophobia 02:51
6. Yokohama Flowers 02:36
7. Ball-peen Hammer 02:36
8. Color Wheel 02:34
9. Day Dream 03:57
10. Wind-up Gamelan 03:14
11. Domestic Bliss 05:35
12. Descend Deeper 02:33
13. Eternal Bliss 04:15
14. Circles 02:12
15. When We Were Strangers 02:47
Erik Griswold coaxes charmingly off-kilter, rhythmelodic ribbons of sound from his prepared piano on return to Room40 with ‘Yokohama Flowers’, his 6th release for fellow Antipodean, Lawrence English’s label. RIYL AFX’s prepared piano works, Indonesian gamelan, African thumb piano music
“For over two decades, Griswold has been crafting a particular and utterly personal language around his instrument of choice. His preparations, which are in a state of perpetual refinement, are like a kind of lens; it is through them that a certain audio reading of his instrument is made possible.
It’s understandable then that Griswold would be inspired by the work of Australian experimental film maker Louise Curham. Like Griswold, she too reveals a very personal reading of her surroundings through a range of preparations and expanded techniques. Discovering her work through a series of collaborations hosted by Room40, Other Film and other groups, the pair slowly developed a strong approach to joint performance.
In many ways, these recorded works reflect upon those performances. Similar to her filmic works, which maintain an unfamiliar, yet tangible beauty; Griswold’s compositions remind us that the piano is never truly knowable, or known. Each composition collected here reveals another detail or way of knowing the piano. The preparations release something in excess of the instrument itself.
It’s in these extensions, these ruptures of familiarity, that the language of the piano is born and reborn. It is a state of perpetual discovery and resolution, framed in composition.”
“For over two decades, Griswold has been crafting a particular and utterly personal language around his instrument of choice. His preparations, which are in a state of perpetual refinement, are like a kind of lens; it is through them that a certain audio reading of his instrument is made possible.
It’s understandable then that Griswold would be inspired by the work of Australian experimental film maker Louise Curham. Like Griswold, she too reveals a very personal reading of her surroundings through a range of preparations and expanded techniques. Discovering her work through a series of collaborations hosted by Room40, Other Film and other groups, the pair slowly developed a strong approach to joint performance.
In many ways, these recorded works reflect upon those performances. Similar to her filmic works, which maintain an unfamiliar, yet tangible beauty; Griswold’s compositions remind us that the piano is never truly knowable, or known. Each composition collected here reveals another detail or way of knowing the piano. The preparations release something in excess of the instrument itself.
It’s in these extensions, these ruptures of familiarity, that the language of the piano is born and reborn. It is a state of perpetual discovery and resolution, framed in composition.”
Year 2018 | Classical | Electronic | Ambient | FLAC / APE
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