Le Banquet Céleste & Damien Guillon - Frescobaldi: Affetti Amorosi (2018) CD Rip
BAND/ARTIST: Le Banquet Céleste, Damien Guillon
- Title: Frescobaldi: Affetti Amorosi
- Year Of Release: 2018
- Label: Glossa
- Genre: Classical
- Quality: FLAC (image + .cue, log, artwork)
- Total Time: 69:12
- Total Size: 317 MB
- WebSite: Album Preview
Tracklist:
01 Oscure selve
02 Corilla danzando sul prato
03 Eri già tutta mia
04 Balletto e Ciaccona (instr.)
05 Se l’aura spira
06 Dunque dovrò
07 Troppo sotto due stelle
08 Oh dolore
09 Toccata per spinetta, over liuto (instr)
10 Vanne o carta amorosa
11 Ardo e taccio il mio mal
12 Con dolcezza pietate
13 Non mi negate ohimè
14 Dove ne vai pensiero
15 Voi partite mio sole
16 Non vi partite
17 Doloroso mio
18 Gagliarda terza (instr.)
19 Gioite oh selve
20 Così mi disprezzate
21 Passacagli (instr.)
22 Ohimè che fur
23 Maddalena alla croce
24 Ancidetemi pur (instr.)
25 Ti lascio anima mia
01 Oscure selve
02 Corilla danzando sul prato
03 Eri già tutta mia
04 Balletto e Ciaccona (instr.)
05 Se l’aura spira
06 Dunque dovrò
07 Troppo sotto due stelle
08 Oh dolore
09 Toccata per spinetta, over liuto (instr)
10 Vanne o carta amorosa
11 Ardo e taccio il mio mal
12 Con dolcezza pietate
13 Non mi negate ohimè
14 Dove ne vai pensiero
15 Voi partite mio sole
16 Non vi partite
17 Doloroso mio
18 Gagliarda terza (instr.)
19 Gioite oh selve
20 Così mi disprezzate
21 Passacagli (instr.)
22 Ohimè che fur
23 Maddalena alla croce
24 Ancidetemi pur (instr.)
25 Ti lascio anima mia
With Affetti amorosi Damien Guillon directs a dazzling selection of vocal works from Girolamo Frescobaldi, drawn from the Ferrara composer’s two books of Arie musicali. These arias date from 1615-1630, by which time Frescobaldi, now resident in Rome, had become a “cult” composer, and permitted great expressive freedom in the performance of his music.
Purposefully offering a recording full of contrasts and singing of human and divine love, countertenor Guillon is admirably matched by the other vocal talents in Le Banquet Céleste: soprano Céline Scheen, tenor Thomas Hobbs and bass Benoît Arnould. This new Glossa recording includes two of Frescobaldi’s enduring and moving spiritual sonnets, Maddalena alla croce and Ohimè che fur as well as one of the nascent Baroque’s favoured vocal forms, the lettera amorosa, in Vanne, o carta amorosa.
The singers are joined by lute, harp, cello and harpsichord from Guillon’s ensemble. In his wideranging and thought-provoking essay Pierre-Élie Mamou points out vivid characteristics of this early Baroque music – including “the play of opposites that greatly moves our souls” – notably the polarities between anxiety and pleasure, and time which passes and time which remains.
Purposefully offering a recording full of contrasts and singing of human and divine love, countertenor Guillon is admirably matched by the other vocal talents in Le Banquet Céleste: soprano Céline Scheen, tenor Thomas Hobbs and bass Benoît Arnould. This new Glossa recording includes two of Frescobaldi’s enduring and moving spiritual sonnets, Maddalena alla croce and Ohimè che fur as well as one of the nascent Baroque’s favoured vocal forms, the lettera amorosa, in Vanne, o carta amorosa.
The singers are joined by lute, harp, cello and harpsichord from Guillon’s ensemble. In his wideranging and thought-provoking essay Pierre-Élie Mamou points out vivid characteristics of this early Baroque music – including “the play of opposites that greatly moves our souls” – notably the polarities between anxiety and pleasure, and time which passes and time which remains.
Year 2018 | Classical | FLAC / APE | CD-Rip
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