Rheinische Kantorei, Das Kleine Konzert & Hermann Max - Fasch: Mass in G Major, Overture in A Major, & Ich danke dem Herrn von ganzem Herzen (2018)
BAND/ARTIST: Rheinische Kantorei, Das Kleine Konzert & Hermann Max
- Title: Fasch: Mass in G Major, Overture in A Major, & Ich danke dem Herrn von ganzem Herzen
- Year Of Release: 2018
- Label: CPO
- Genre: Classical
- Quality: flac lossless +booklet
- Total Time: 01:13:56
- Total Size: 420 mb
- WebSite: Album Preview
Tracklist
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01. Mass in G Major, Kyrie: I. Kyrie eleison
02. Mass in G Major, Kyrie: II. Christe eleison
03. Mass in G Major, Kyrie: III. Kyrie eleison
04. Mass in G Major, Gloria: IV. Gloria in excelsis Deo
05. Mass in G Major, Gloria: V. Laudamus te
06. Mass in G Major, Gloria: VI. Gratias agimus tibi
07. Mass in G Major, Gloria: VII. Domine Deus, rex coelestis
08. Mass In G Major, Gloria: VIII. Qui Tollis Peccata Mundi
09. Mass in G Major, Gloria: IX. Quoniam tu solus sanctus
10. Mass in G Major, Gloria: X. Cum Sancto Spiritu
11. Mass in G Major, Credo: XI. Credo in unum Dominum
12. Mass in G Major, Credo: XII. Et in unum Dominum
13. Mass In G Major, Credo: XIII. Qui Propter Nos Homines
14. Mass in G Major, Credo: XIV. Et incarnatus est
15. Mass in G Major, Credo: XV. Crucifixus
16. Mass in G Major, Credo: XVI. Et resurrexit
17. Mass In G Major, Credo: XVII. Et In Spiritum Sanctum
18. Mass In G Major, Credo: XVIII. Et Unam Sanctam
19. Mass in G Major, Credo: XIX. Confiteor unum baptisma
20. Mass in G Major, Credo: XX. Et vitam venturi saeculi
21. Overture in A Major, FaWV K:A3: I. Ouverture
22. Overture in A Major, FaWV K:A3: II. Aria andante
23. Overture in A Major, FaWV K:A3: III. Bourrée
24. Overture in A Major, FaWV K:A3: IV. Aria andante
25. Overture in A Major, FaWV K:A3: V. Aria presto
26. Overture in A Major, FaWV K:A3: VII. Gavotte
27. Overture in A Major, FaWV K:A3: VII. Polonaise
28. Ich danke dem Herrn von ganzem Herzen, FaWV D:I2: I. Ich danke dem Herrn von ganzem Herzen
29. Ich danke dem Herrn von ganzem Herzen, FaWV D:I2: II. Mein Christ, lass doch dies sel'ge Fest
30. Ich danke dem Herrn von ganzem Herzen, FaWV D:I2: III. Gott schenket uns sein einges Kind
31. Ich danke dem Herrn von ganzem Herzen, FaWV D:I2: IV. Lob, Ehr und Preis sei Gott
32. Ich danke dem Herrn von ganzem Herzen, FaWV D:I2: V. Macht das Herz von Sünden rein
33. Ich danke dem Herrn von ganzem Herzen, FaWV D:I2: VI. Die höchste Kraft verschmähet nicht
34. Ich danke dem Herrn von ganzem Herzen, FaWV D:I2: VII. Herr, vollführe, vollführe nach Verlangen
35. Ich Danke Dem Herrn Von Ganzem Herzen, Fawv D:I2: VIII. Ertöt' Uns Durch Dein' Gute
As the court music director in Zerbst, Johann Friedrich Fasch had to deal directly with current religious trends and was obliged to occupy himself with Pietism. After all, from the beginning of his tenure there his duties had included the composition of the church music for every court religious service and for all the church feast days. Fasch had a special mission in mind when he penned his cantatas: he was very much interested in having hislisteners not remain indifferent to the texts that were sung. And so he employed all sorts of compositional tricks to capture their attention and to emphasize words of special importance to him. This procedure is impressively revealed already at the beginning of the cantata »Ich danke dem Herrn vom ganzen Herzen.« After a short instrumental introduction the opening Biblical text is presented not as usual by the choir but initially by the solo soprano. Then in the Missa in G major almost all the facets of Fasch’s musical talent are shown; from arias with obbligato solo instruments to grandly dimensioned chorale fugues placing the greatest demands both on the singers and the instrumentalists, it was composed in its entirety for the entertainment and edification of his noble employer and to the glory of God. One of Fasch’s overture suites of extraordinary quality rounds off this album. In his autobiography he acknowledged : "On this occasion I cannot avoid publicly acknowledging that I then learned mostly everything from the beautiful work of my most revered and beloved friend, Mr. Music Director Telemann, by constantly taking the same as a model for me, especially in the overtures".
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01. Mass in G Major, Kyrie: I. Kyrie eleison
02. Mass in G Major, Kyrie: II. Christe eleison
03. Mass in G Major, Kyrie: III. Kyrie eleison
04. Mass in G Major, Gloria: IV. Gloria in excelsis Deo
05. Mass in G Major, Gloria: V. Laudamus te
06. Mass in G Major, Gloria: VI. Gratias agimus tibi
07. Mass in G Major, Gloria: VII. Domine Deus, rex coelestis
08. Mass In G Major, Gloria: VIII. Qui Tollis Peccata Mundi
09. Mass in G Major, Gloria: IX. Quoniam tu solus sanctus
10. Mass in G Major, Gloria: X. Cum Sancto Spiritu
11. Mass in G Major, Credo: XI. Credo in unum Dominum
12. Mass in G Major, Credo: XII. Et in unum Dominum
13. Mass In G Major, Credo: XIII. Qui Propter Nos Homines
14. Mass in G Major, Credo: XIV. Et incarnatus est
15. Mass in G Major, Credo: XV. Crucifixus
16. Mass in G Major, Credo: XVI. Et resurrexit
17. Mass In G Major, Credo: XVII. Et In Spiritum Sanctum
18. Mass In G Major, Credo: XVIII. Et Unam Sanctam
19. Mass in G Major, Credo: XIX. Confiteor unum baptisma
20. Mass in G Major, Credo: XX. Et vitam venturi saeculi
21. Overture in A Major, FaWV K:A3: I. Ouverture
22. Overture in A Major, FaWV K:A3: II. Aria andante
23. Overture in A Major, FaWV K:A3: III. Bourrée
24. Overture in A Major, FaWV K:A3: IV. Aria andante
25. Overture in A Major, FaWV K:A3: V. Aria presto
26. Overture in A Major, FaWV K:A3: VII. Gavotte
27. Overture in A Major, FaWV K:A3: VII. Polonaise
28. Ich danke dem Herrn von ganzem Herzen, FaWV D:I2: I. Ich danke dem Herrn von ganzem Herzen
29. Ich danke dem Herrn von ganzem Herzen, FaWV D:I2: II. Mein Christ, lass doch dies sel'ge Fest
30. Ich danke dem Herrn von ganzem Herzen, FaWV D:I2: III. Gott schenket uns sein einges Kind
31. Ich danke dem Herrn von ganzem Herzen, FaWV D:I2: IV. Lob, Ehr und Preis sei Gott
32. Ich danke dem Herrn von ganzem Herzen, FaWV D:I2: V. Macht das Herz von Sünden rein
33. Ich danke dem Herrn von ganzem Herzen, FaWV D:I2: VI. Die höchste Kraft verschmähet nicht
34. Ich danke dem Herrn von ganzem Herzen, FaWV D:I2: VII. Herr, vollführe, vollführe nach Verlangen
35. Ich Danke Dem Herrn Von Ganzem Herzen, Fawv D:I2: VIII. Ertöt' Uns Durch Dein' Gute
As the court music director in Zerbst, Johann Friedrich Fasch had to deal directly with current religious trends and was obliged to occupy himself with Pietism. After all, from the beginning of his tenure there his duties had included the composition of the church music for every court religious service and for all the church feast days. Fasch had a special mission in mind when he penned his cantatas: he was very much interested in having hislisteners not remain indifferent to the texts that were sung. And so he employed all sorts of compositional tricks to capture their attention and to emphasize words of special importance to him. This procedure is impressively revealed already at the beginning of the cantata »Ich danke dem Herrn vom ganzen Herzen.« After a short instrumental introduction the opening Biblical text is presented not as usual by the choir but initially by the solo soprano. Then in the Missa in G major almost all the facets of Fasch’s musical talent are shown; from arias with obbligato solo instruments to grandly dimensioned chorale fugues placing the greatest demands both on the singers and the instrumentalists, it was composed in its entirety for the entertainment and edification of his noble employer and to the glory of God. One of Fasch’s overture suites of extraordinary quality rounds off this album. In his autobiography he acknowledged : "On this occasion I cannot avoid publicly acknowledging that I then learned mostly everything from the beautiful work of my most revered and beloved friend, Mr. Music Director Telemann, by constantly taking the same as a model for me, especially in the overtures".
Year 2018 | Classical | FLAC / APE
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