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The Bach Choir of Bethlehem & Greg Funfgeld - J.S. Bach: Cantata BWV 21 (2018) [Hi-Res]

The Bach Choir of Bethlehem & Greg Funfgeld - J.S. Bach: Cantata BWV 21 (2018) [Hi-Res]
  • Title: J.S. Bach: Cantata BWV 21
  • Year Of Release: 2018
  • Label: Groupe Analekta, Inc
  • Genre: Classical
  • Quality: 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 46:54
  • Total Size: 814 MB
  • WebSite:
Tracklist:

1. Cantata "Gott, man lobet dich in der Stille", BWV 120: IV. Aria "Heil und Segen" 04:59
2. Cantata "Ich hatte viel Bekümmernis", BWV 21: I. Sinfonia 02:56
3. Cantata "Ich hatte viel Bekümmernis", BWV 21: II. Chorus "Ich hatte viel Bekümmernis" 03:26
4. Cantata "Ich hatte viel Bekümmernis", BWV 21: III. Aria "Seufzer, Tränen, Kummer, Not" 04:07
5. Cantata "Ich hatte viel Bekümmernis", BWV 21: IV. Recitative "Wie hast du dich, mein Gott" 01:34
6. Cantata "Ich hatte viel Bekümmernis", BWV 21: V. Aria "Bäche von gesalznen Zähren" 05:40
7. Cantata "Ich hatte viel Bekümmernis", BWV 21: VI. Chorus "Was betrübst du dich, meine Seele" 03:28
8. Cantata "Ich hatte viel Bekümmernis", BWV 21: VII. Recitative "Ach Jesu, meine Ruh" 01:23
9. Cantata "Ich hatte viel Bekümmernis", BWV 21: VIII. Aria "Komm, mein Jesu, und erquicke" 04:04
10. Cantata "Ich hatte viel Bekümmernis", BWV 21: IX. Chorus "Sei nun wieder zufrieden, meine Seele" 05:13
11. Cantata "Ich hatte viel Bekümmernis", BWV 21: X. Aria "Erfreue dich, Seele, erfreue dich, Herze" 03:07
12. Cantata "Ich hatte viel Bekümmernis", BWV 21: XI. Chorus "Das Lamm, das erwürget ist, ist würdig zu nehmen Kraft" 03:13
13. Cantata "Die Himmel eräzhlen die Ehre Gottes", BWV 76: XII. Aria "Liebt, ihr Christen, in der Tat!" 03:44

The oldest Bach choir in the United States, The Bach Choir of Bethlehem celebrates its 120th birthday in 2018. Since its founding in 1898, the now famous choir has attracted thousands of visitors from across the United States and beyond to the annual Bethlehem Bach Festival in Pennsylvania. Cantata BWV 21, Ich hatte viel Bekümmernis, was composed for various occasions between 1713 and 1714; with nearly every performance it was expanded by additional movements.

It should be noted that this recording frames the Bach cantata with two exquisite arias. With Daniel Taylor, Cassandra Lemoine, Rosa Lamoreaux, Benjamin Butterfield, William Sharp & The Bach Festival Orchestra, directed by Greg Funfgeld, this production is grandiose!

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