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Chapel Choir of the Royal Hospital Chelsea, Chelsea Pensioners & William Vann - In Remembrance (2018)

Chapel Choir of the Royal Hospital Chelsea, Chelsea Pensioners & William Vann - In Remembrance (2018)
  • Title: In Remembrance
  • Year Of Release: 2018
  • Label: SOMM Recordings
  • Genre: Classical
  • Quality: flac lossless +booklet
  • Total Time: 01:20:27
  • Total Size: 290 mb
  • WebSite:
Tracklist
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01. Greater Love Hath No Man
02. Jerusalem
03. For the Fallen
04. They Are at Rest
05. O Valiant Hearts
06. Songs of Farewell: No. 4, There Is an Old Belief
07. I Vow to Thee, My Country, H. 148 (Arr. for Choir & Organ)
08. 3 Motets, Op. 38: No. 1, Justorum animae
09. Ode to Death, Op. 38, H. 144 (Arr. I. Farrington)
10. Requiem in D Minor, Op. 48 (Arr. I. Farrington): I. Introit et Kyrie
11. Requiem in D Minor, Op. 48 (Arr. I. Farrington): II. Offertoire
12. Requiem in D Minor, Op. 48 (Arr. I. Farrington): III. Sanctus
13. Requiem in D Minor, Op. 48 (Arr. I. Farrington): IV. Pie Jesu
14. Requiem in D Minor, Op. 48 (Arr. I. Farrington): V. Agnus Dei
15. Requiem in D Minor, Op. 48 (Arr. I. Farrington): VI. Libera me
16. Requiem in D Minor, Op. 48 (Arr. I. Farrington): VII. In paradisum
17. Requiem aeternam

In the centenary anniversary year of the end of the First World War and on the eve of the 80th anniversary of the beginning of the Second World War, SOMM Recordings pays tribute to those who fought and fell in battle with In Remembrance. A moving compendium of music spanning 130 years, it features the Chapel Choir of the Royal Hospital Chelsea, the Choir of Chelsea Pensioners, Staff and Volunteers, sopranos Katy Hill and Leah Jackson, baritone Gareth John and organists James Orford and Hugh Rowlands under the direction of William Vann. Founded in 1682 by King Charles II, the Royal Hospital is home to the world-famous Chelsea Pensioners – retired veterans of the British army – whose contributions on three tracks adds its own special poignancy to In Remembrance. Moving choral works commemorating courage and offering comfort by Hubert Parry, Gustav Holst, and Edward Elgar are heard alongside equally affecting pieces by their contemporaries and successors, Charles Villiers Stanford, John Ireland, Douglas Guest and Charles Harris. Fauré’s Requiem, arranged for choir and organ by Iain Farrington, and Ian Venable’s newly-composed Requiem aeternam (in its first recording) both offer succor and solace in their conviction that death is not the end but, as Fauré thought of it: “a happy deliverance, an aspiration towards happiness above, rather than as a painful experience.”



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