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La Petite Bande & Sigiswald Kuijken - Das neugeborne Kindelein (2018)

La Petite Bande & Sigiswald Kuijken - Das neugeborne Kindelein (2018)
  • Title: Das neugeborne Kindelein
  • Year Of Release: 2018
  • Label: Accent
  • Genre: Classical
  • Quality: flac lossless +booklet
  • Total Time: 00:52:37
  • Total Size: 265 mb
  • WebSite:
Tracklist
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01. Das neugeborne Kindelein, BuxWV 13
02. Ein Kindelein so löbelich, TWV 9: 5: I. Kyrie
03. Ein Kindelein so löbelich, TWV 9: 5: III. Gloria
04. Ich freue mich in dir, BWV 133: I. Ich freue mich in dir
05. Ich freue mich in dir, BWV 133: II. Getrost! Es faßt ein heil'ger Leib
06. Ich freue mich in dir, BWV 133: III. Ein Adam mag sich voller Schrecken
07. Ich freue mich in dir, BWV 133: IV. Wie lieblich klingt es in den Ohren
08. Ich freue mich in dir, BWV 133: V. Wohlan, des Todes Furcht und Schmerz
09. Ich freue mich in dir, BWV 133: VI. Wohlan, so will ich mich
10. O Jesu Christ, dein Kripplein, TWV 1:1200: I. O Jesu Christ, dein Kripplein ist
11. O Jesu Christ, dein Kripplein, TWV 1:1200: II. Neugebornes Menschenkind
12. O Jesu Christ, dein Kripplein, TWV 1:1200: III. O Kind, vor dem das Höllenreich erschrickt
13. O Jesu Christ, dein Kripplein, TWV 1:1200: IV. Wenn mich Welt und Satan schrecken
14. O Jesu Christ, dein Kripplein, TWV 1:1200: V. Die ihr schwebt in grossem Leiden
15. In dulci jubilo, BuxWV 52

Sigiswald Kuijken worked for 10 years on his cycle of Johann Sebastian Bach cantatas following the liturgical year, an effort which can be heard on the series of 19 albums published on Accent. Now, Kuijken returns with a new release. This recording includes the work of three great masters dedicated to the theme of Christmas: Dietrich Buxtehude (1637-1707), Johann Sebastian Bach (1685-1750) and Georg Philipp Telemann (1681-1767). All three created a large number of cantatas for many occasions, each according to his own perspective and tradition. The Christmas cantatas were always of a special nature; the birth of Christ was celebrated everywhere- both in a solemn and festive setting and in a smaller circle- and if one listens carefully and considers the different approaches, one can virtually peer into the composer’s heart. Bach takes center stage in this new production, Buxtehude is its be-all and end-all and Telemann bridges in between two very different opuses.



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