William Fitzsimmons - Gold In The Shadow (Bonus Material) (2011)
BAND/ARTIST: William Fitzsimmons
- Title: Gold In The Shadow
- Year Of Release: 2011
- Label: Nettwerk Records
- Genre: Indie/Folk/Acoustic
- Quality: MP3/320 kbps
- Total Time: 45:46
- Total Size: 119 mb
- WebSite: Album Preview
Tracklist:
01. Bird Of Winter Prey (Acoustic Version)
02. Ever Could
03. The Tide Pulls From The Moon (Acoustic Version)
04. From The Water (Bonus Track)
05. Blood And Bones (Bonus Track)
06. Fade And Then Return (Acoustic Version)
07. Psychasthenia (Acoustic Version)
08. Tied To Me (Acoustic Version)
09. By My Side
10. Gold In Shadow
11. Let You Break
12. Beautiful Girl (Live From Acoustic Café)
13. The Winter From Her Leaving (Live From Acoustic Café)
14. Let You Break (Acoustic Version)
01. Bird Of Winter Prey (Acoustic Version)
02. Ever Could
03. The Tide Pulls From The Moon (Acoustic Version)
04. From The Water (Bonus Track)
05. Blood And Bones (Bonus Track)
06. Fade And Then Return (Acoustic Version)
07. Psychasthenia (Acoustic Version)
08. Tied To Me (Acoustic Version)
09. By My Side
10. Gold In Shadow
11. Let You Break
12. Beautiful Girl (Live From Acoustic Café)
13. The Winter From Her Leaving (Live From Acoustic Café)
14. Let You Break (Acoustic Version)
Before earning comparisons to Iron & Wine and Sufjan Stevens with his hushed, eclectic folk music, singer/songwriter William Fitzsimmons honed his skills in Pennsylvania. Born in Pittsburgh to two blind parents, both of whom were living-room musicians, he began playing piano and trombone in elementary school and taught himself guitar as a junior-high student. Over time, he also learned to play banjo, melodica, ukulele, and mandolin. While pursuing a master's degree at Geneva College, Fitzsimmons began tracking some of his songs on home recording equipment. These self-produced recordings were compiled together and released as 2005's Until When We Are Ghosts, a strong debut album that appeared during Fitzsimmons' time working as a mental health therapist.
Over time, Fitzsimmons began to attract a following on MySpace. Of course, it didn't hurt that his songs started showing up on various television soundtracks, too, including Grey's Anatomy, General Hospital, Life of Ryan, and Army Wives. A second self-produced album, Goodnight, appeared in 2006, influenced heavily by his parents' divorce during his childhood. By this point, Fitzsimmons had settled on a distinct sound: a gentle mixture of folk-rock and electronica applied to carefully written (and often autobiographical) songs that, at their best, delivered a quiet emotional punch. He carried the theme of divorce into his first official studio album, 2008's The Sparrow and the Crow, which dealt with a recent split with his wife. Released in 2010, Derivatives lightened things up by focusing on electronica remixes of his past work (as well as a cover of Katy Perry's "I Kissed a Girl"), and 2011's Gold in the Shadow found Fitzsimmons confronting his demons with help from guest artists like Julia Stone. Lions, produced by Death Cab for Cutie's Chris Walla, arrived early in 2014, followed by the mini-LP Pittsburgh in 2015. ~ Steve Leggett & Andrew Leahey
Over time, Fitzsimmons began to attract a following on MySpace. Of course, it didn't hurt that his songs started showing up on various television soundtracks, too, including Grey's Anatomy, General Hospital, Life of Ryan, and Army Wives. A second self-produced album, Goodnight, appeared in 2006, influenced heavily by his parents' divorce during his childhood. By this point, Fitzsimmons had settled on a distinct sound: a gentle mixture of folk-rock and electronica applied to carefully written (and often autobiographical) songs that, at their best, delivered a quiet emotional punch. He carried the theme of divorce into his first official studio album, 2008's The Sparrow and the Crow, which dealt with a recent split with his wife. Released in 2010, Derivatives lightened things up by focusing on electronica remixes of his past work (as well as a cover of Katy Perry's "I Kissed a Girl"), and 2011's Gold in the Shadow found Fitzsimmons confronting his demons with help from guest artists like Julia Stone. Lions, produced by Death Cab for Cutie's Chris Walla, arrived early in 2014, followed by the mini-LP Pittsburgh in 2015. ~ Steve Leggett & Andrew Leahey
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