Matthew Dirst & Ars Lyrica Houston - The First Organ Concertos (2018) [Hi-Res]
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BAND/ARTIST: Matthew Dirst & Ars Lyrica Houston
- Title: The First Organ Concertos
- Year Of Release: 2018
- Label: Loft
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +booklet
- Total Time: 01:02:53
- Total Size: 345 mb / 1.2 gb
- WebSite: Album Preview
Tracklist
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01. Il trionfo del tempo e del disinganno, HWV 46a: I. Sonata
02. Il trionfo del tempo e del disinganno, HWV 46a: II. Adagio
03. Il trionfo del tempo e del disinganno, HWV 46a: III. Allegro ma non troppo
04. Piano Concerto No. 1 in D Minor, BWV 1052: I. Allegro
05. Piano Concerto No. 1 in D Minor, BWV 1052: II. Adagio
06. Piano Concerto No. 1 in D Minor, BWV 1052: III. Allegro
07. Keyboard Concerto in G Minor, BWV 1058: I. Allegro
08. Keyboard Concerto in G Minor, BWV 1058: II. Andante
09. Keyboard Concerto in G Minor, BWV 1058: III. Allegro assai
10. Harpsichord Concerto in E Major, BWV 1053: I. Allegro
11. Harpsichord Concerto in E Major, BWV 1053: II. Siciliano
12. Harpsichord Concerto in E Major, BWV 1053: III. Allegro
What were the first organ concertos? The concerto style can first be heard in interior movements of Handel’s oratorio Il trionfo del Temp e del Disinganno (1707). In Bach’s case it has been assumed that the concerto evolved from instrumental sinfonias from his cantatas. Dirst, however, demonstrates another possibility- concerts in Dresden (1725) before the cantata sinfonias were written. Prepared from the earliest sources, Dirst and Ars Lyrica reconstruct the musical soundscape of this important event, which ultimately spawned Bach’s most popular harpsichord concerto. Noted for his stylish playing of Baroque music in particular, praise for Matthew Dirst and Ars Lyrica include “an extremely taut and accurate traversal” (The New York Sun), “a technically dazzling, deeply moving performance” (Houston Chronicle), “of irresistible rhythmic impulse and dazzling virtuosity.” (Dallas Morning News)
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01. Il trionfo del tempo e del disinganno, HWV 46a: I. Sonata
02. Il trionfo del tempo e del disinganno, HWV 46a: II. Adagio
03. Il trionfo del tempo e del disinganno, HWV 46a: III. Allegro ma non troppo
04. Piano Concerto No. 1 in D Minor, BWV 1052: I. Allegro
05. Piano Concerto No. 1 in D Minor, BWV 1052: II. Adagio
06. Piano Concerto No. 1 in D Minor, BWV 1052: III. Allegro
07. Keyboard Concerto in G Minor, BWV 1058: I. Allegro
08. Keyboard Concerto in G Minor, BWV 1058: II. Andante
09. Keyboard Concerto in G Minor, BWV 1058: III. Allegro assai
10. Harpsichord Concerto in E Major, BWV 1053: I. Allegro
11. Harpsichord Concerto in E Major, BWV 1053: II. Siciliano
12. Harpsichord Concerto in E Major, BWV 1053: III. Allegro
What were the first organ concertos? The concerto style can first be heard in interior movements of Handel’s oratorio Il trionfo del Temp e del Disinganno (1707). In Bach’s case it has been assumed that the concerto evolved from instrumental sinfonias from his cantatas. Dirst, however, demonstrates another possibility- concerts in Dresden (1725) before the cantata sinfonias were written. Prepared from the earliest sources, Dirst and Ars Lyrica reconstruct the musical soundscape of this important event, which ultimately spawned Bach’s most popular harpsichord concerto. Noted for his stylish playing of Baroque music in particular, praise for Matthew Dirst and Ars Lyrica include “an extremely taut and accurate traversal” (The New York Sun), “a technically dazzling, deeply moving performance” (Houston Chronicle), “of irresistible rhythmic impulse and dazzling virtuosity.” (Dallas Morning News)
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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