Atli Örvarsson - HOW IT ENDS (Original Score from the Netflix Film) (2018)
BAND/ARTIST: Atli Örvarsson
- Title: HOW IT ENDS (Original Score from the Netflix Film)
- Year Of Release: 2018
- Label: BMG Rights Management (US) LLC
- Genre: Soundtrack
- Quality: MP3 320 kbps / FLAC (tracks)
- Total Time: 38:00 min
- Total Size: 88 / 155 MB
- WebSite: Album Preview
Incorporating keyboards and electronics into often tense orchestral scores, Atli Örvarsson is a film and television composer associated primarily with the crime and thriller genres. A keyboardist and percussionist, he is also known in his native Iceland as a one-time member of the platinum-selling rock band Sálin Hans Jóns Míns.
After playing with multiple bands in the '90s, Örvarsson embarked for America to study film scoring at the Berklee College of Music in Boston. Subsequent composing credits include films such as …Or Forever Hold Your Peace (2001) and Dead Above Ground (2002), as well as episodes of the TV police procedural NYPD Blue and Dick Wolf's short-lived reboot of Dragnet (2003-2004). After providing additional music for such high-profile films as the romantic comedy The Holiday (2006), Pirates of the Caribbean: At World's End (2007), and Iron Man (2008), Örvarsson's own score for the crime film Vantage Point received a Varèse Sarabande release in 2008. The label also released his music for the Vin Diesel vehicle Babylon A.D. and for 2009's The Fourth Kind. Two years later, his score for the Roman Empire action movie The Eagle arrived via Silva Screen. In the meantime, Örvarsson began contributing music to the TV series Law & Order: LA (2010-2011), and he joined the crew of TV's Chicago Fire in 2012. Highlights of his 2013 soundtracks include Hansel & Gretel: Witch Hunters (La-La Land Records) and Mortal Instruments: City of Bones (Milan). In 2015, his work could be heard in the thriller The Perfect Guy as well as in the Icelandic drama Rams (Hrútar), winner of the Cannes Film Festival Prix Un Certain Regard. The coming-of-age film The Edge of Seventeen followed in 2016 with a soundtrack release on Sony Masterworks that featured songs from the film along with about six minutes of Örvarsson’s score. Also a mix of licensed songs and original score, The Hitman's Bodyguard soundtrack was issued by Milan in 2017. By that time, he was also contributing music to television’s Chicago P.D. and Chicago Med. ~ Marcy Donelson
Tracklist:
01. Atli Örvarsson - Sonogram
02. Atli Örvarsson - Don't Talk About the Boat
03. Atli Örvarsson - Maximum Security
04. Atli Örvarsson - Middle of Nowhere
05. Atli Örvarsson - Starlings
06. Atli Örvarsson - Will and Tom
07. Atli Örvarsson - Leaving the Reservation
08. Atli Örvarsson - Adam is Coming Back
09. Atli Örvarsson - Cell Signal
10. Atli Örvarsson - Ricky Leaves
11. Atli Örvarsson - Tom Dies
12. Atli Örvarsson - Cremation
13. Atli Örvarsson - Back in Seattle
14. Atli Örvarsson - Reunited
15. Atli Örvarsson - How It Ends
After playing with multiple bands in the '90s, Örvarsson embarked for America to study film scoring at the Berklee College of Music in Boston. Subsequent composing credits include films such as …Or Forever Hold Your Peace (2001) and Dead Above Ground (2002), as well as episodes of the TV police procedural NYPD Blue and Dick Wolf's short-lived reboot of Dragnet (2003-2004). After providing additional music for such high-profile films as the romantic comedy The Holiday (2006), Pirates of the Caribbean: At World's End (2007), and Iron Man (2008), Örvarsson's own score for the crime film Vantage Point received a Varèse Sarabande release in 2008. The label also released his music for the Vin Diesel vehicle Babylon A.D. and for 2009's The Fourth Kind. Two years later, his score for the Roman Empire action movie The Eagle arrived via Silva Screen. In the meantime, Örvarsson began contributing music to the TV series Law & Order: LA (2010-2011), and he joined the crew of TV's Chicago Fire in 2012. Highlights of his 2013 soundtracks include Hansel & Gretel: Witch Hunters (La-La Land Records) and Mortal Instruments: City of Bones (Milan). In 2015, his work could be heard in the thriller The Perfect Guy as well as in the Icelandic drama Rams (Hrútar), winner of the Cannes Film Festival Prix Un Certain Regard. The coming-of-age film The Edge of Seventeen followed in 2016 with a soundtrack release on Sony Masterworks that featured songs from the film along with about six minutes of Örvarsson’s score. Also a mix of licensed songs and original score, The Hitman's Bodyguard soundtrack was issued by Milan in 2017. By that time, he was also contributing music to television’s Chicago P.D. and Chicago Med. ~ Marcy Donelson
Tracklist:
01. Atli Örvarsson - Sonogram
02. Atli Örvarsson - Don't Talk About the Boat
03. Atli Örvarsson - Maximum Security
04. Atli Örvarsson - Middle of Nowhere
05. Atli Örvarsson - Starlings
06. Atli Örvarsson - Will and Tom
07. Atli Örvarsson - Leaving the Reservation
08. Atli Örvarsson - Adam is Coming Back
09. Atli Örvarsson - Cell Signal
10. Atli Örvarsson - Ricky Leaves
11. Atli Örvarsson - Tom Dies
12. Atli Örvarsson - Cremation
13. Atli Örvarsson - Back in Seattle
14. Atli Örvarsson - Reunited
15. Atli Örvarsson - How It Ends
Year 2018 | Soundtracks | FLAC / APE | Mp3
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