Paul Paray, Detroit Symphony Orchestra – Paray Conducts Ravel & Debussy (1992)
BAND/ARTIST: Paul Paray, Detroit Symphony Orchestra
- Title: Paray Conducts Ravel & Debussy
- Year Of Release: 1992
- Label: Mercury Living Presence
- Genre: Classical
- Quality: APE (image+.cue,log)
- Total Time: 01:14:14
- Total Size: 403 Mb
- WebSite: Album Preview
Tracklist:
Daphnis Et Chloé, Suite No. 2
1 1. Lever Du Jour 6:03
2 2. Pantomime 6:10
3 3. Danse Générale 3:33
Valses Nobles Et Sentimentales
4 1. Modéré 1:15
5 2. Assez Lent 1:12
6 3. Modéré 1:19
7 4. Assez Animé 1:12
8 5. Presque Lent 1:02
9 6. Assez Vif 0:43
10 7. Moins Viv 2:26
11 8. Epilogue: Lent 3:31
12 Boléro 13:24
Nocturnes For Orchestra
13 Nuages (Clouds) 6:15
14 Fêtes (Festivals) 5:47
15 Sirènes (Sirens) 7:46
Petite Suite
16 1. En Bateau 3:02
17 2. Cortège 2:51
18 3. Menuet 2:50
19 4. Ballet 2:42
Performers:
Choir – Wayne State University Women's Glee Club (tracks: 13 to 15)
Chorus Master – Malcolm Johns (tracks: 13 to 15)
Composed By – Debussy (tracks: 13 to 19), Ravel (tracks: 1 to 12)
Conductor – Paul Paray
Orchestra – Detroit Symphony Orchestra
Daphnis Et Chloé, Suite No. 2
1 1. Lever Du Jour 6:03
2 2. Pantomime 6:10
3 3. Danse Générale 3:33
Valses Nobles Et Sentimentales
4 1. Modéré 1:15
5 2. Assez Lent 1:12
6 3. Modéré 1:19
7 4. Assez Animé 1:12
8 5. Presque Lent 1:02
9 6. Assez Vif 0:43
10 7. Moins Viv 2:26
11 8. Epilogue: Lent 3:31
12 Boléro 13:24
Nocturnes For Orchestra
13 Nuages (Clouds) 6:15
14 Fêtes (Festivals) 5:47
15 Sirènes (Sirens) 7:46
Petite Suite
16 1. En Bateau 3:02
17 2. Cortège 2:51
18 3. Menuet 2:50
19 4. Ballet 2:42
Performers:
Choir – Wayne State University Women's Glee Club (tracks: 13 to 15)
Chorus Master – Malcolm Johns (tracks: 13 to 15)
Composed By – Debussy (tracks: 13 to 19), Ravel (tracks: 1 to 12)
Conductor – Paul Paray
Orchestra – Detroit Symphony Orchestra
In this recording, you get to hear the absolutely best performance of "Bolero" ever commmitted to disk. Paul Paray recorded this in the early days of stereo, and it hasn't been bettered since. The way the conductor controls the momentum and inexorably builds to a truly shattering climax is amazing ... and mesmerizing!
The "Valses Nobles et Sentimentales" is performed here as a "dance" number, not some sort of "dream sequence" like so many other conductors approach this music. It's good to remember that this piece was performed as a ballet in Paris in 1912, in a memorable evening in the annals of dance that also included La Peri (Dukas) and La Tragedie de Salome (Florent Schmitt).
The Debussy "Nocturnes" is given a highly effective performance as well. Paray's clouds drift by more quickly in the "Nuages" movement when compared to the lazy pace of other conductors, while the "Fetes" movement carries the listener along on the crest of its own excitement. In the concluding "Sirenes", for once a conductor treats the "call of the sirens" as a portent of danger and death, not some sort of comforting quietude. There's a weird sort of nervous energy in this performance that is different from any other interpretation I've heard - and completely convincing. After you've experienced this, it's really hard to go back to the scads of other "Nocturnes" recordings that just sound boring by comparison.
If you were to purchase only one disk of Ravel and Debussy orchestral chestnuts, this is the one to buy. It's even better IMHO than Paray's other Ravel/DSO/Mercury CD featuring La Valse, Rapsodie Espagnole and several other works.
The "Valses Nobles et Sentimentales" is performed here as a "dance" number, not some sort of "dream sequence" like so many other conductors approach this music. It's good to remember that this piece was performed as a ballet in Paris in 1912, in a memorable evening in the annals of dance that also included La Peri (Dukas) and La Tragedie de Salome (Florent Schmitt).
The Debussy "Nocturnes" is given a highly effective performance as well. Paray's clouds drift by more quickly in the "Nuages" movement when compared to the lazy pace of other conductors, while the "Fetes" movement carries the listener along on the crest of its own excitement. In the concluding "Sirenes", for once a conductor treats the "call of the sirens" as a portent of danger and death, not some sort of comforting quietude. There's a weird sort of nervous energy in this performance that is different from any other interpretation I've heard - and completely convincing. After you've experienced this, it's really hard to go back to the scads of other "Nocturnes" recordings that just sound boring by comparison.
If you were to purchase only one disk of Ravel and Debussy orchestral chestnuts, this is the one to buy. It's even better IMHO than Paray's other Ravel/DSO/Mercury CD featuring La Valse, Rapsodie Espagnole and several other works.
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