Fermáta - Fermáta' & Pieseň z Hôľ (Reissue) (1975-76/2009)
BAND/ARTIST: Fermáta
- Title: Fermáta' & Pieseň z Hôľ
- Year Of Release: 1975-76/2009
- Label: Opus
- Genre: Prog Rock, Fusion, Jazz-Rock
- Quality: Flac (image, .cue, log)
- Total Time: 39:23 + 40:10
- Total Size: 692 Mb (scans)
- WebSite: Album Preview
Tracklist:
CD 1: Fermáta (1975)
01. Rumunská rapsódia
02. Perpetuum II
03. Postavím si vodu na čaj
04. Valčík pre krstnú mamu
05. Perpetuum III
Line-up:
František Griglák — guitar
Tomáš Berka — electric piano, synthesizer, organ
Anton Jaro — bass, percussion
Peter Szapu — drums, percussion
CD 2: Pieseň z Hôľ (1976)
01. Pieseň z hôľ [11:06.360]
02. Svadba na medvedej lúke [04:14.920]
03. Posledný jarmok v Radvani [04:31.453]
04. Priadky [07:36.413]
05. Dolu Váhom [02:20.667]
06. Vo Zvolene zvony zvonia [10:10.773]
Line-up:
František Griglák — guitar, Fender piano (5), synthesizer (5), vocals
Tomáš Berka — Fender piano, synthesizer, percussion
Anton Jaro — bass, percussion
Milan Tedla — violin, Jew’s harp
Cyril Zeleňák — drums, percussion
Founded in Bratislava, Slovakia in 1973 - Hiatus from 1985-1991 and then irregularly - Reformed in 1999
FERMATA formed from the association of guitarist Frantisek Griglak (ex-Collegium Musicum and Prudy) and keyboardist Thomas Berka. Apparently their brand of instrumental jazz-rock was at best approved, at worst tolerated by the Communist regime as they released all their albums on the state apparatchik label Opus. Indeed, their music has been compared to Spain's Iceberg or Holland's Finch, but this writer wouldn't hesitate to talk of Mahavishnu Orchestra as well, at least for their first few albums.
Both Griglak and Berka would be the mainstays of an otherwise often-changing line-up, even if Karol Olah held the drum stool from their third album until the mid-80's at least. Right from their first album, FERMATA posessed some quality western instruments like Gibson, Fender, Rickenbacker and the full array of keyboards except the Mellotron and the Moog, which might be a bit surprising for a band that was under scrutiny of the closed-borders regime. Their music slowly degraded to a synthesized rock of "Ad Libitum" in the mid-80's. Apparently still alive today, the group still releases the odd album.
FERMATA formed from the association of guitarist Frantisek Griglak (ex-Collegium Musicum and Prudy) and keyboardist Thomas Berka. Apparently their brand of instrumental jazz-rock was at best approved, at worst tolerated by the Communist regime as they released all their albums on the state apparatchik label Opus. Indeed, their music has been compared to Spain's Iceberg or Holland's Finch, but this writer wouldn't hesitate to talk of Mahavishnu Orchestra as well, at least for their first few albums.
Both Griglak and Berka would be the mainstays of an otherwise often-changing line-up, even if Karol Olah held the drum stool from their third album until the mid-80's at least. Right from their first album, FERMATA posessed some quality western instruments like Gibson, Fender, Rickenbacker and the full array of keyboards except the Mellotron and the Moog, which might be a bit surprising for a band that was under scrutiny of the closed-borders regime. Their music slowly degraded to a synthesized rock of "Ad Libitum" in the mid-80's. Apparently still alive today, the group still releases the odd album.
Jazz | Oldies | Rock | FLAC / APE
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