Mauro Bonelli - Carulli: Musica per due chitarre (2018)
BAND/ARTIST: Mauro Bonelli
- Title: Carulli: Musica per due chitarre
- Year Of Release: 2018
- Label: Tactus
- Genre: Classical Guitar
- Quality: flac lossless +booklet
- Total Time: 00:54:19
- Total Size: 235 mb
- WebSite: Album Preview
Tracklist
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01. Symphony d'Haydn in D Major, Op. 152 (After Haydn's Hob. I:104 "London"): I. Adagio
02. Symphony d'Haydn in D Major, Op. 152 (After Haydn's Hob. I:104 "London"): II. Allegro
03. Duo in E Major, Op. 34 No. 3: I. Largo
04. Duo in E Major, Op. 34 No. 3: II. Allegretto
05. Grand recueil de morceaux progressifs, Book 2, Op. 333: No. 1, The Nest and the Rose
06. Grand recueil de morceaux progressifs, Book 2, Op. 333: No. 2, The Magic Lantern
07. Méthode complète, Op. 27: I. Moderato-Andante-Allegro-Larghetto
08. Méthode complète, Op. 27: II. Andantino-Moderato-Moderato-Andante
09. Méthode complète, Op. 27: III. Andante-Allegretto-Larghetto-Allegro
10. Méthode complète, Op. 27: IV. Andante-Andantino-Allegretto con poco moto-Andantino
11. Méthode complète, Op. 27: V. Allegretto-Andante-Allegro-Allegro
12. Méthode complète, Op. 27: VI. Larghetto-Largo-Allegretto-Moderato assai
A lot has been written but little has been told about the Neapolitan Ferdinando Carulli, considered the founder of nineteenth-century technique and didactical teaching of the guitar; his figure as composer (he left us an endless number of compositions), represents an essential reference for the study of the guitar. This album, performed by Sandro Volta and Mauro Bonelli, is focused on one of the least considered aspects, yet very important for the formation of a musician: the music for two guitars in its fundamental meaning: on one hand exquisitely concertistic pieces, on the other hand dedicated to pure didactics - real “Lessons” - for which the compositions for two performers are particularly important. The interpretation of these works by Ferdinando Carulli was developed on the basis of the use of two period guitars with catgut strings from the collection of Lorenzo Frignani, in Modena, and on a “historically informed” performance practice. The result is aesthetically quite different from that obtained with modern instruments: its distinctive qualities are a more audible “noise” when the fingers pluck the strings or run over them, a more marked difference in the timbres of the various ranges, and also a particular lightness of sound.
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01. Symphony d'Haydn in D Major, Op. 152 (After Haydn's Hob. I:104 "London"): I. Adagio
02. Symphony d'Haydn in D Major, Op. 152 (After Haydn's Hob. I:104 "London"): II. Allegro
03. Duo in E Major, Op. 34 No. 3: I. Largo
04. Duo in E Major, Op. 34 No. 3: II. Allegretto
05. Grand recueil de morceaux progressifs, Book 2, Op. 333: No. 1, The Nest and the Rose
06. Grand recueil de morceaux progressifs, Book 2, Op. 333: No. 2, The Magic Lantern
07. Méthode complète, Op. 27: I. Moderato-Andante-Allegro-Larghetto
08. Méthode complète, Op. 27: II. Andantino-Moderato-Moderato-Andante
09. Méthode complète, Op. 27: III. Andante-Allegretto-Larghetto-Allegro
10. Méthode complète, Op. 27: IV. Andante-Andantino-Allegretto con poco moto-Andantino
11. Méthode complète, Op. 27: V. Allegretto-Andante-Allegro-Allegro
12. Méthode complète, Op. 27: VI. Larghetto-Largo-Allegretto-Moderato assai
A lot has been written but little has been told about the Neapolitan Ferdinando Carulli, considered the founder of nineteenth-century technique and didactical teaching of the guitar; his figure as composer (he left us an endless number of compositions), represents an essential reference for the study of the guitar. This album, performed by Sandro Volta and Mauro Bonelli, is focused on one of the least considered aspects, yet very important for the formation of a musician: the music for two guitars in its fundamental meaning: on one hand exquisitely concertistic pieces, on the other hand dedicated to pure didactics - real “Lessons” - for which the compositions for two performers are particularly important. The interpretation of these works by Ferdinando Carulli was developed on the basis of the use of two period guitars with catgut strings from the collection of Lorenzo Frignani, in Modena, and on a “historically informed” performance practice. The result is aesthetically quite different from that obtained with modern instruments: its distinctive qualities are a more audible “noise” when the fingers pluck the strings or run over them, a more marked difference in the timbres of the various ranges, and also a particular lightness of sound.
Year 2018 | Classical | FLAC / APE
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