She Makes War - Brace for Impact (2018) Hi Res
BAND/ARTIST: She Makes War
- Title: Brace for Impact
- Year Of Release: 2018
- Label: My Big Sister Recordings
- Genre: Indie Rock
- Quality: 320 kbps | FLAC (tracks) | 24Bit/44 kHz FLAC
- Total Time: 00:47:33
- Total Size: 113 mb | 324 mb | 561 MB
- WebSite: Album Preview
Tracklist:
01. Devastate Me
02. London Bites
03. Strong Enough
04. Undone
05. Then the Quiet Came
06. Fortify
07. Weary Bird
08. Let Me Down
09. Dear Heart
10. Love This Body
11. Hold On
12. Miles Away
01. Devastate Me
02. London Bites
03. Strong Enough
04. Undone
05. Then the Quiet Came
06. Fortify
07. Weary Bird
08. Let Me Down
09. Dear Heart
10. Love This Body
11. Hold On
12. Miles Away
Right now, the world needs a warrior. Town by town and tour by tour, She Makes War has been widening her battle stance and soothing tortured souls with her no holds barred, peaceful protest music. Armed with songs to persuade and words that bite then linger with the sweetest aftertaste, She has a message - wake up world and Brace for Impact.
Right now, the world needs a warrior. Thankfully, town by town and tour by tour, She Makes War has been widening her battle stance and soothing tortured souls with her no holds barred, peaceful protest music. Armed with songs to persuade and words that bite then linger with the sweetest aftertaste, She has a message - wake up world and Brace for Impact.
“People still live in fear of persecution and violence every day for the “crime” of being themselves,” attests the nom de plume of melodic visualiser, storyteller and creator Laura Kidd. “With everything that’s going on in the world, adopting a brace position to protect ourselves from external forces is more important than ever.”
Fresh from her own front line – in her Bristol bedroom studio - She Makes War is leading a growing battalion of dedicated followers. On her fourth album Brace For Impact, up steps a femme fatale who slays with words of passion over ruthless action. Embarking upon a voyage of self-discovery, her songs stay close to hand-crafted journals packed with stickers and photographs, sparks of lyrical imagination and inspirational notes, simultaneously slaying with killer riffs. Each page and astutely scavenged field sound recording captures the plot twists of She Makes War’s sonic trajectory to date. Youthful photographic portraits and 3D collages of childhood items adorn the artwork for her music, reflecting the innocence of youth’s unbroken heart and her contrasting life as an adventurous musician. “After finding myself in a happy relationship after a long period of sadness, this record enabled me to ruminate and find ways of creating beauty where there was once pain. I’m the strongest I’ve ever been because of all I’ve been through,” she says.
From broken hearts to broken bones, Laura was given plenty of time for rumination when she broke her right foot moments before supporting The Brian Jonestown Massacre. Tumbling off a darkened stage during soundcheck, adrenaline kicked in and, ever the fighter, the show went on. With barely enough time to visit A&E, a face full of glitter and steely resolve, she performed a slew of summer festival sets and a BBC 6Music Marc Riley session sporting a fetching knee crutch. “Having my mobility stolen from me was exhausting and depressing. I'd come up with the album title while driving on tour, daydreaming about what it must be like to be in a high-speed car crash – I’d wondered whether there would be time to apologise to my passenger if we got in an accident…it was a bit dark”, she recalls. “After struggling through the summer with that phrase in my mind, then finding it written in the venue toilets at the end of a tour in Brighton, it just had to be the album title. It couldn't have been more apt.”
Right now, the world needs a warrior. Thankfully, town by town and tour by tour, She Makes War has been widening her battle stance and soothing tortured souls with her no holds barred, peaceful protest music. Armed with songs to persuade and words that bite then linger with the sweetest aftertaste, She has a message - wake up world and Brace for Impact.
“People still live in fear of persecution and violence every day for the “crime” of being themselves,” attests the nom de plume of melodic visualiser, storyteller and creator Laura Kidd. “With everything that’s going on in the world, adopting a brace position to protect ourselves from external forces is more important than ever.”
Fresh from her own front line – in her Bristol bedroom studio - She Makes War is leading a growing battalion of dedicated followers. On her fourth album Brace For Impact, up steps a femme fatale who slays with words of passion over ruthless action. Embarking upon a voyage of self-discovery, her songs stay close to hand-crafted journals packed with stickers and photographs, sparks of lyrical imagination and inspirational notes, simultaneously slaying with killer riffs. Each page and astutely scavenged field sound recording captures the plot twists of She Makes War’s sonic trajectory to date. Youthful photographic portraits and 3D collages of childhood items adorn the artwork for her music, reflecting the innocence of youth’s unbroken heart and her contrasting life as an adventurous musician. “After finding myself in a happy relationship after a long period of sadness, this record enabled me to ruminate and find ways of creating beauty where there was once pain. I’m the strongest I’ve ever been because of all I’ve been through,” she says.
From broken hearts to broken bones, Laura was given plenty of time for rumination when she broke her right foot moments before supporting The Brian Jonestown Massacre. Tumbling off a darkened stage during soundcheck, adrenaline kicked in and, ever the fighter, the show went on. With barely enough time to visit A&E, a face full of glitter and steely resolve, she performed a slew of summer festival sets and a BBC 6Music Marc Riley session sporting a fetching knee crutch. “Having my mobility stolen from me was exhausting and depressing. I'd come up with the album title while driving on tour, daydreaming about what it must be like to be in a high-speed car crash – I’d wondered whether there would be time to apologise to my passenger if we got in an accident…it was a bit dark”, she recalls. “After struggling through the summer with that phrase in my mind, then finding it written in the venue toilets at the end of a tour in Brighton, it just had to be the album title. It couldn't have been more apt.”
Year 2018 | Rock | Indie | FLAC / APE | Mp3 | HD & Vinyl
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