Vladimir Feltsman - Brahms: Piano Works (2018)
BAND/ARTIST: Vladimir Feltsman
- Title: Brahms: Piano Works
- Year Of Release: 2018
- Label: Nimbus Alliance
- Genre: Classical
- Quality: flac lossless
- Total Time: 02:35:02
- Total Size: 406 mb
- WebSite: Album Preview
Tracklist
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01. Balladen, Op. 10: I. Andante
02. Balladen, Op. 10: II. Andante
03. Balladen, Op. 10: III. Intermezzo-Allegro
04. Balladen, Op. 10: IV. Andante con moto
05. Fantasien, Op. 116: I. Capriccio-Presto energico
06. Fantasien, Op. 116: II. Intermezzo-Andante
07. Fantasien, Op. 116: III. Capriccio-Allegro passionate
08. Fantasien, Op. 116: IV. Intermezzo-Adagio
09. Fantasien, Op. 116: V. Intermezzo-Andante con grazia ed intimissimo sentiment
10. Fantasien, Op. 116: VI. Intermezzo-Andantino teneramente
11. Fantasien, Op. 116: VII. Allegro agitato
12. Sechs Klavierstücke, Op. 118: I. Intermezzo-Allegro non assai ma molto appassionata
13. Sechs Klavierstücke, Op. 118: II. Intermezzo-Andante teneramente
14. Sechs Klavierstücke, Op. 118: III. Ballade-Allegro energico
15. Sechs Klavierstücke, Op. 118: IV. Intermezzo-Allegretto un poco agitato
16. Sechs Klavierstücke, Op. 118: V. Romanze-Andante
17. Sechs Klavierstücke, Op. 118: VI. Intermezzo-Andante largo e mesto
18. Acht Klavierstücke, Op. 76: I. Capriccio-Un poco agitato
19. Acht Klavierstücke, Op. 76: II. Capriccio-Allegretto non troppo
20. Acht Klavierstücke, Op. 76: III. Intermezzo-Grazioso
21. Acht Klavierstücke, Op. 76: IV. Intermzzo-Allegretto grazioso
22. Acht Klavierstücke, Op. 76: V. Capriccio-Agitato ma non troppo presto
23. Acht Klavierstücke, Op. 76: VI. Intermezzo-Anante con moto
24. Acht Klavierstücke, Op. 76: VII. Intermezzo-Moderato semplice
25. Acht Klavierstücke, Op. 76: VIII. Grazioso Ed Un Poco Vivace
26. Zwei Rhapsodien, Op. 79: I. Agitato
27. Zwei Rhapsodien, Op. 79: II. Molto passionate ma non troppo allegro
28. Drei Intermezzi, Op. 117: I. Andante moderato
29. Drei Intermezzi, Op. 117: II. Andante non troppo e con molto espressione
30. Drei Intermezzi, Op. 117: III. Andante con moto
31. Vier Klavierstücke, Op. 119: I. Intermezzo-Adagio
32. Vier Klavierstücke, Op. 119: II. Intermezzo-Andantino un poco agitato
33. Vier Klavierstücke, Op. 119: III. Intermezzo-Grazioso e giocoso
34. Vier Klavierstücke, Op. 119: IV. Rhapsodie-Allegro risoluto
Johannes Brahms (1833-1896) absorbed and integrated the musical legacy of his time, as did J.S. Bach before him. The music of Brahms is intimately connected to and rooted in the German-Austrian tradition that he inherited. For Brahms, this tradition was very much a live and relevant; he constantly measured his own efforts against the achievements of Bach, Haydn, Mozart and Beethoven, trying to live up to and continue their legacy. He was not looking back to the past, but 'progressing' (to use the terminology of Schoenberg’s essay 'Brahms the Progressive') towards a past that was yet to be fulfilled. There is a precious sense of inevitability in great art, as if every masterpiece was meant to be created exactly as it is. The work s of Brahms are amazingly organic, meticulously calculated and very human at the same time. This fusion of intellect and feeling, sincerity and rese rve, heartfelt emotion and impeccable taste is unique to Brahms. It makes his music inevitable and indispensable. Vladimir Feltsman Pianist and conductor Vladimir Feltsman is one of the most versatile and constantly interesting musicians of our time. His vast repertoire encompasses music from the Baroque to 20th-century composers. A regular guest soloist with leading symphony orchestras in the United States and abroad, he appears in the most prestigious concert series and music festivals all over the world.
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01. Balladen, Op. 10: I. Andante
02. Balladen, Op. 10: II. Andante
03. Balladen, Op. 10: III. Intermezzo-Allegro
04. Balladen, Op. 10: IV. Andante con moto
05. Fantasien, Op. 116: I. Capriccio-Presto energico
06. Fantasien, Op. 116: II. Intermezzo-Andante
07. Fantasien, Op. 116: III. Capriccio-Allegro passionate
08. Fantasien, Op. 116: IV. Intermezzo-Adagio
09. Fantasien, Op. 116: V. Intermezzo-Andante con grazia ed intimissimo sentiment
10. Fantasien, Op. 116: VI. Intermezzo-Andantino teneramente
11. Fantasien, Op. 116: VII. Allegro agitato
12. Sechs Klavierstücke, Op. 118: I. Intermezzo-Allegro non assai ma molto appassionata
13. Sechs Klavierstücke, Op. 118: II. Intermezzo-Andante teneramente
14. Sechs Klavierstücke, Op. 118: III. Ballade-Allegro energico
15. Sechs Klavierstücke, Op. 118: IV. Intermezzo-Allegretto un poco agitato
16. Sechs Klavierstücke, Op. 118: V. Romanze-Andante
17. Sechs Klavierstücke, Op. 118: VI. Intermezzo-Andante largo e mesto
18. Acht Klavierstücke, Op. 76: I. Capriccio-Un poco agitato
19. Acht Klavierstücke, Op. 76: II. Capriccio-Allegretto non troppo
20. Acht Klavierstücke, Op. 76: III. Intermezzo-Grazioso
21. Acht Klavierstücke, Op. 76: IV. Intermzzo-Allegretto grazioso
22. Acht Klavierstücke, Op. 76: V. Capriccio-Agitato ma non troppo presto
23. Acht Klavierstücke, Op. 76: VI. Intermezzo-Anante con moto
24. Acht Klavierstücke, Op. 76: VII. Intermezzo-Moderato semplice
25. Acht Klavierstücke, Op. 76: VIII. Grazioso Ed Un Poco Vivace
26. Zwei Rhapsodien, Op. 79: I. Agitato
27. Zwei Rhapsodien, Op. 79: II. Molto passionate ma non troppo allegro
28. Drei Intermezzi, Op. 117: I. Andante moderato
29. Drei Intermezzi, Op. 117: II. Andante non troppo e con molto espressione
30. Drei Intermezzi, Op. 117: III. Andante con moto
31. Vier Klavierstücke, Op. 119: I. Intermezzo-Adagio
32. Vier Klavierstücke, Op. 119: II. Intermezzo-Andantino un poco agitato
33. Vier Klavierstücke, Op. 119: III. Intermezzo-Grazioso e giocoso
34. Vier Klavierstücke, Op. 119: IV. Rhapsodie-Allegro risoluto
Johannes Brahms (1833-1896) absorbed and integrated the musical legacy of his time, as did J.S. Bach before him. The music of Brahms is intimately connected to and rooted in the German-Austrian tradition that he inherited. For Brahms, this tradition was very much a live and relevant; he constantly measured his own efforts against the achievements of Bach, Haydn, Mozart and Beethoven, trying to live up to and continue their legacy. He was not looking back to the past, but 'progressing' (to use the terminology of Schoenberg’s essay 'Brahms the Progressive') towards a past that was yet to be fulfilled. There is a precious sense of inevitability in great art, as if every masterpiece was meant to be created exactly as it is. The work s of Brahms are amazingly organic, meticulously calculated and very human at the same time. This fusion of intellect and feeling, sincerity and rese rve, heartfelt emotion and impeccable taste is unique to Brahms. It makes his music inevitable and indispensable. Vladimir Feltsman Pianist and conductor Vladimir Feltsman is one of the most versatile and constantly interesting musicians of our time. His vast repertoire encompasses music from the Baroque to 20th-century composers. A regular guest soloist with leading symphony orchestras in the United States and abroad, he appears in the most prestigious concert series and music festivals all over the world.
Year 2018 | Classical | FLAC / APE
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