Abbey Lincoln - Abbey Sings Abbey
BAND/ARTIST: Abbey Lincoln
- Title: Abbey Sings Abbey
- Year Of Release: May 22, 2007
- Label: Verve
- Genre: Jazz / Vocal Jazz
- Quality: Mp3 / 320kbps
- Total Time: 59:03 min
- Total Size: 133 MB
- WebSite: Album Preview
Tracklist
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01.Blue Monk
02. Throw It Away
03. And It's Supposed To Be Love
04. Should've Been
05. The World Is Falling Down
06. Bird Alone
07. Down Here Below
08. The Music Is The Magic
09. Learning How To Listen
10. The Merry Dancer
11. Love Has Gone Away
12. Being Me
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01.Blue Monk
02. Throw It Away
03. And It's Supposed To Be Love
04. Should've Been
05. The World Is Falling Down
06. Bird Alone
07. Down Here Below
08. The Music Is The Magic
09. Learning How To Listen
10. The Merry Dancer
11. Love Has Gone Away
12. Being Me
In her oblique, singular trajectory across the multiple currents and trends that have fashioned the incredibly rich and complex landscape of contemporary Afro-American music these past fifty years, Abbey Lincoln has gradually established herself in everyone's eye as the great female voice of the post-free era.
On this new album she performs exclusively personal songs, carefully chosen from the nine recordings she made for Verve over the last fifteen years. With a consummate sense of theatre, alternating slow, crepuscular ballads - almost static in their imperceptible unfolding - and songs of timeless sophistication with melodies that are more archaistic, at the frontiers of country-music and folk, she, using little, almost secret Impressionist touches, recapitulates the skillfully "natural" art of phrasing with all its intimate deployments, breaks and suspensions, revealing the magic spells of a rift that can't be confessed while plucking constantly at the strings of emotion with discretion and restraint and distilling, in its slightest inflexions, melancholy that is literally overwhelming.
On this new album she performs exclusively personal songs, carefully chosen from the nine recordings she made for Verve over the last fifteen years. With a consummate sense of theatre, alternating slow, crepuscular ballads - almost static in their imperceptible unfolding - and songs of timeless sophistication with melodies that are more archaistic, at the frontiers of country-music and folk, she, using little, almost secret Impressionist touches, recapitulates the skillfully "natural" art of phrasing with all its intimate deployments, breaks and suspensions, revealing the magic spells of a rift that can't be confessed while plucking constantly at the strings of emotion with discretion and restraint and distilling, in its slightest inflexions, melancholy that is literally overwhelming.
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