Ilya Yakushev - Ilya Yakushev: Tchaikovsky, Mussorgsky, Rachmaninoff (2017)
BAND/ARTIST: Ilya Yakushev
- Title: Ilya Yakushev: Tchaikovsky, Mussorgsky, Rachmaninoff
- Year Of Release: 2017
- Label: Nimbus Alliance
- Genre: Classical
- Quality: flac lossless
- Total Time: 01:00:12
- Total Size: 183 mb
- WebSite: Album Preview
Tracklist
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01. Dumka in C Minor, Op. 59
02. Pictures at an Exhibition: Promenade I
03. Pictures at an Exhibition: I. Gnomus
04. Pictures at an Exhibition: II. Il Vecchio Castello
05. Pictures at an Exhibition: III. Tuileries (Dispute d'enfants après jeux)
06. Pictures at an Exhibition: IV. Bydlo
07. Pictures at an Exhibition: V. Ballet of the Unhatched Chicks
08. Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle
09. Pictures at an Exhibition: Promenade V
10. Pictures at an Exhibition: VII. Limoges, le marché (La grande nouvelle)
11. Pictures At An Exhibition: VIII. Catacombae (Sepulcrum Romanum)
12. Pictures at an Exhibition: Cum mortuis in lingua mortua
13. Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba Yaga)
14. Pictures at an Exhibition: X. The Great Gate of Kiev
15. Variations on a Theme of Corelli, Op. 42: Theme. Andante
16. Variations on a Theme of Corelli, Op. 42: Var. I. Poco più mosso
17. Variations on a Theme of Corelli, Op. 42: Var. II. L'istesso tempo
18. Variations on a Theme of Corelli, Op. 42: Var. III. Tempo di Menuetto
19. Variations on a Theme of Corelli, Op. 42: Var. IV. Andante
20. Variations on a Theme of Corelli, Op. 42: Var. V. Allegro ma non troppo
21. Variations on a Theme of Corelli, Op. 42: Var. VI. L'istesso tempo
22. Variations on a Theme of Corelli, Op. 42: Var. VII. Vivace
23. Variations On A Theme Of Corelli, Op. 42: Var. VIII. Adagio Misterioso
24. Variations on a Theme of Corelli, Op. 42: Var. IX. Un poco più mosso
25. Variations on a Theme of Corelli, Op. 42: Var. X. Allegro scherzando
26. Variations on a Theme of Corelli, Op. 42: Var. XI. Allegro vivace
27. Variations on a Theme of Corelli, Op. 42: Var. XII. L'istesso tempo
28. Variations On A Theme Of Corelli, Op. 42: XIII. Agitato
29. Variations on a Theme of Corelli, Op. 42: Intermezzo
30. Variations on a Theme of Corelli, Op. 42: Var. XIV. Andante come prima
31. Variations on a Theme of Corelli, Op. 42: Var. XV. L'istesso tempo
32. Variations on a Theme of Corelli, Op. 42: Var. XVI. Allegro vivace
33. Variations On A Theme Of Corelli, Op. 42: Var. XVII. Meno Mosso
34. Variations On A Theme Of Corelli, Op. 42: Var. XVIII. Allegro Con Brio
35. Variations on a Theme of Corelli, Op. 42: Var. XIX. Più mosso. Agitato
36. Variations on a Theme of Corelli, Op. 42: Var. XX. Più mosso
37. Variations on a Theme of Corelli, Op. 42: Coda. Andante
Modest Mussorgsky, Pyotr Tchaikovsky and Sergei Rachmaninoff each had very different attitudes towards piano performance and composition. Mussorgsky studied the instrument under Anton Gerke’s tutelage but established himself principally as a composer, one of ‘The Five’ who strove to achieve a uniquely Russian identity in their music. Tchaikovsky was not a pianist of any remarkable attainment. However, in addition to his three piano concertos, he contributed to the instrument’s repertory two sonatas and over one hundred miniatures, most of them grouped in various collections. He was also an early influence on Rachmaninoff, who became renowned as a conductor and pianist, no less than as a composer, and eventually enjoyed an international reputation and popularity in all three arenas.
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01. Dumka in C Minor, Op. 59
02. Pictures at an Exhibition: Promenade I
03. Pictures at an Exhibition: I. Gnomus
04. Pictures at an Exhibition: II. Il Vecchio Castello
05. Pictures at an Exhibition: III. Tuileries (Dispute d'enfants après jeux)
06. Pictures at an Exhibition: IV. Bydlo
07. Pictures at an Exhibition: V. Ballet of the Unhatched Chicks
08. Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle
09. Pictures at an Exhibition: Promenade V
10. Pictures at an Exhibition: VII. Limoges, le marché (La grande nouvelle)
11. Pictures At An Exhibition: VIII. Catacombae (Sepulcrum Romanum)
12. Pictures at an Exhibition: Cum mortuis in lingua mortua
13. Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba Yaga)
14. Pictures at an Exhibition: X. The Great Gate of Kiev
15. Variations on a Theme of Corelli, Op. 42: Theme. Andante
16. Variations on a Theme of Corelli, Op. 42: Var. I. Poco più mosso
17. Variations on a Theme of Corelli, Op. 42: Var. II. L'istesso tempo
18. Variations on a Theme of Corelli, Op. 42: Var. III. Tempo di Menuetto
19. Variations on a Theme of Corelli, Op. 42: Var. IV. Andante
20. Variations on a Theme of Corelli, Op. 42: Var. V. Allegro ma non troppo
21. Variations on a Theme of Corelli, Op. 42: Var. VI. L'istesso tempo
22. Variations on a Theme of Corelli, Op. 42: Var. VII. Vivace
23. Variations On A Theme Of Corelli, Op. 42: Var. VIII. Adagio Misterioso
24. Variations on a Theme of Corelli, Op. 42: Var. IX. Un poco più mosso
25. Variations on a Theme of Corelli, Op. 42: Var. X. Allegro scherzando
26. Variations on a Theme of Corelli, Op. 42: Var. XI. Allegro vivace
27. Variations on a Theme of Corelli, Op. 42: Var. XII. L'istesso tempo
28. Variations On A Theme Of Corelli, Op. 42: XIII. Agitato
29. Variations on a Theme of Corelli, Op. 42: Intermezzo
30. Variations on a Theme of Corelli, Op. 42: Var. XIV. Andante come prima
31. Variations on a Theme of Corelli, Op. 42: Var. XV. L'istesso tempo
32. Variations on a Theme of Corelli, Op. 42: Var. XVI. Allegro vivace
33. Variations On A Theme Of Corelli, Op. 42: Var. XVII. Meno Mosso
34. Variations On A Theme Of Corelli, Op. 42: Var. XVIII. Allegro Con Brio
35. Variations on a Theme of Corelli, Op. 42: Var. XIX. Più mosso. Agitato
36. Variations on a Theme of Corelli, Op. 42: Var. XX. Più mosso
37. Variations on a Theme of Corelli, Op. 42: Coda. Andante
Modest Mussorgsky, Pyotr Tchaikovsky and Sergei Rachmaninoff each had very different attitudes towards piano performance and composition. Mussorgsky studied the instrument under Anton Gerke’s tutelage but established himself principally as a composer, one of ‘The Five’ who strove to achieve a uniquely Russian identity in their music. Tchaikovsky was not a pianist of any remarkable attainment. However, in addition to his three piano concertos, he contributed to the instrument’s repertory two sonatas and over one hundred miniatures, most of them grouped in various collections. He was also an early influence on Rachmaninoff, who became renowned as a conductor and pianist, no less than as a composer, and eventually enjoyed an international reputation and popularity in all three arenas.
Year 2017 | Classical | FLAC / APE
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