Olivia Vermeulen, Capella Orlandi Bremen - Eccles & Finger: Music for the Theatre (2018)
BAND/ARTIST: Olivia Vermeulen, Capella Orlandi Bremen & Thomas Ihlenfeldt
- Title: Eccles & Finger: Music for the Theatre
- Year Of Release: 2018
- Label: CPO
- Genre: Classical
- Quality: flac lossless +booklet
- Total Time: 01:06:03
- Total Size: 471 mb
- WebSite: Album Preview
Tracklist
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01. Overture (For the Play "Love at a Loss")
02. Jigg (For the Play "Love at a Loss")
03. Still I'm Grieving (From the Masque "The Rape of Europa")
04. Scotch Une (For the Play "Love at a Loss")
05. Hornpipe (For the Play "Love at a Loss")
06. The Ambitious Slave: Why Should the Idle
07. Aire (For the Play "Love at a Loss") [1]
08. If I Hear Orinda Swear (For the Play "Love Betrayed")
09. Aire (For the Play "Love at a Loss") [2]
10. Strephon Whose Person (Set for Mrs. Bracegirdle)
11. Round O (For the Play "Love at a Loss")
12. Bore (For the Play "Love at a Loss")
13. Overture (For the Play "Alexander the Great")
14. Aire (For the Play "Alexander the Great") [1]
15. Gavott (For the Play "Alexander the Great")
16. Jigg (For the Play "Alexander the Great")
17. The Comical History of Don Quixote: I Burn, My Brain Consumes to Ashes
18. Entry (For the Play "Alexander the Great")
19. Bore (For the Play "Alexander the Great")
20. Minuett (For the Play "Alexander the Great")
21. Cyrus the Great: O Take Him Gently
22. Aire (For the Play "Alexander the Great") [2]
23. Round O Chacone (For the Play "Alexander the Great")
24. Hast, Give Me Wings (For the Play "The Fickle Shepherdess")
25. Overture (For the Play "The Mad Lover")
26. Advance Gay Tenants (From the Masque "Acis and Galatea")
27. Aire (For the Play "The Mad Lover") [1]
28. Come Ye Nymphs (From the Masque "Acis and Galatea")
29. Aire (For the Play "The Mad Lover") [2]
30. Know I've Sworn (From the Masque "Acis and Galatea")
31. Slow Aire (From the Masque "Acis and Galatea")
32. Cease of Cupid (For the Play "Wine and Love")
33. Aire (For the Play "The Mad Lover) [3]
34. Must Then a Faithfull Lover Go (From the Masque "Acis and Galatea")
35. Jigg (For the Play "The Mad Lover")
36. Who Would Be Made a Wife (From the Masque "Acis and Galatea")
37. Aire (For the Play "The Mad Lover") [4]
38. Aire (For the Play "The Mad Lover") [5]
39. Ah, How Lovely Sweet and Dear (From the Masque "Acis and Galatea")
40. Aire (For the Play "The Mad Lover") [6]
CPO's latest CD featuring the Capella Orlandi brings together stage music by Gottfried Finger and John Eccles, who wrote songs for the famous English stage actress Anne Bracegirdle. At the end of the seventeenth century England's theatrical world was shaped by the defensive stance of traditionalists toward influences from the Italian opera and the magnificence radiating from the French court. The English counterproposal, the 'English opera', was a combination of 'heroic plays' with musical inserts ranging from individual songs, as were performed during Shakespeare's time, to 'all-sung masques', miniature operas with pastoral content. The Mad Lover is a good example of the English opera. On this recording song inserts from other masques are added to this comedy by John Fletcher from 1647. Anne Bracegirdle was so very successful with compositions by John Eccles that she later exclusively sang works by him.
---------
01. Overture (For the Play "Love at a Loss")
02. Jigg (For the Play "Love at a Loss")
03. Still I'm Grieving (From the Masque "The Rape of Europa")
04. Scotch Une (For the Play "Love at a Loss")
05. Hornpipe (For the Play "Love at a Loss")
06. The Ambitious Slave: Why Should the Idle
07. Aire (For the Play "Love at a Loss") [1]
08. If I Hear Orinda Swear (For the Play "Love Betrayed")
09. Aire (For the Play "Love at a Loss") [2]
10. Strephon Whose Person (Set for Mrs. Bracegirdle)
11. Round O (For the Play "Love at a Loss")
12. Bore (For the Play "Love at a Loss")
13. Overture (For the Play "Alexander the Great")
14. Aire (For the Play "Alexander the Great") [1]
15. Gavott (For the Play "Alexander the Great")
16. Jigg (For the Play "Alexander the Great")
17. The Comical History of Don Quixote: I Burn, My Brain Consumes to Ashes
18. Entry (For the Play "Alexander the Great")
19. Bore (For the Play "Alexander the Great")
20. Minuett (For the Play "Alexander the Great")
21. Cyrus the Great: O Take Him Gently
22. Aire (For the Play "Alexander the Great") [2]
23. Round O Chacone (For the Play "Alexander the Great")
24. Hast, Give Me Wings (For the Play "The Fickle Shepherdess")
25. Overture (For the Play "The Mad Lover")
26. Advance Gay Tenants (From the Masque "Acis and Galatea")
27. Aire (For the Play "The Mad Lover") [1]
28. Come Ye Nymphs (From the Masque "Acis and Galatea")
29. Aire (For the Play "The Mad Lover") [2]
30. Know I've Sworn (From the Masque "Acis and Galatea")
31. Slow Aire (From the Masque "Acis and Galatea")
32. Cease of Cupid (For the Play "Wine and Love")
33. Aire (For the Play "The Mad Lover) [3]
34. Must Then a Faithfull Lover Go (From the Masque "Acis and Galatea")
35. Jigg (For the Play "The Mad Lover")
36. Who Would Be Made a Wife (From the Masque "Acis and Galatea")
37. Aire (For the Play "The Mad Lover") [4]
38. Aire (For the Play "The Mad Lover") [5]
39. Ah, How Lovely Sweet and Dear (From the Masque "Acis and Galatea")
40. Aire (For the Play "The Mad Lover") [6]
CPO's latest CD featuring the Capella Orlandi brings together stage music by Gottfried Finger and John Eccles, who wrote songs for the famous English stage actress Anne Bracegirdle. At the end of the seventeenth century England's theatrical world was shaped by the defensive stance of traditionalists toward influences from the Italian opera and the magnificence radiating from the French court. The English counterproposal, the 'English opera', was a combination of 'heroic plays' with musical inserts ranging from individual songs, as were performed during Shakespeare's time, to 'all-sung masques', miniature operas with pastoral content. The Mad Lover is a good example of the English opera. On this recording song inserts from other masques are added to this comedy by John Fletcher from 1647. Anne Bracegirdle was so very successful with compositions by John Eccles that she later exclusively sang works by him.
Year 2018 | Classical | FLAC / APE
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