Osheyack - Sadomodernism (2018)
BAND/ARTIST: Osheyack
- Title: Sadomodernism
- Year Of Release: 2018
- Label: Bedouin – BDNX 002
- Genre: Techno
- Quality: lossless (tracks)
- Total Time: 39:02
- Total Size: 260 mb
- WebSite: Album Preview
Tracklist
1. The Body Keeps The Score 03:17
2. No (feat Milky He & Michael St Michael) 03:40
3. Soiled (feat Milky He) 03:51
4. A Rivers Mouth 03:22
5. Split 04:09
6. Balance (feat Nahash) 05:34
7. Writhe (feat Nahash) 03:36
8. With Us (feat Nahash) 03:58
9. Bordertown 03:17
10. Untitled 6 04:18
In Sadomodernism Osheyack elaborates a mind-set that contravenes an unscripted order. A corrosion of metals in a choral dysfunction. The misrepresentation of the spoken as a shout. Sadomodernism is a technical term in film theory that describes the intended sadistic voyeurism of the viewer. Osheyacks work on this album is sadomodernistic, as it assigns common musical motives to a concrete composition. The recipient creates autonomously a permeable soundtrack that naturalizes and synthesizes his references to the musical motives. His deconstruction alienates the common reference from the self. This process also derives from Osheyacks discussion on the Brechtchian alienation effect.
1. The Body Keeps The Score 03:17
2. No (feat Milky He & Michael St Michael) 03:40
3. Soiled (feat Milky He) 03:51
4. A Rivers Mouth 03:22
5. Split 04:09
6. Balance (feat Nahash) 05:34
7. Writhe (feat Nahash) 03:36
8. With Us (feat Nahash) 03:58
9. Bordertown 03:17
10. Untitled 6 04:18
In Sadomodernism Osheyack elaborates a mind-set that contravenes an unscripted order. A corrosion of metals in a choral dysfunction. The misrepresentation of the spoken as a shout. Sadomodernism is a technical term in film theory that describes the intended sadistic voyeurism of the viewer. Osheyacks work on this album is sadomodernistic, as it assigns common musical motives to a concrete composition. The recipient creates autonomously a permeable soundtrack that naturalizes and synthesizes his references to the musical motives. His deconstruction alienates the common reference from the self. This process also derives from Osheyacks discussion on the Brechtchian alienation effect.
Year 2018 | Electronic | Techno | FLAC / APE
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