Dave Bennett - Don't Be That Way (2013) FLAC
BAND/ARTIST: Dave Bennett
- Title: Don't Be That Way
- Year Of Release: 2013
- Label: Mack Avenue Records
- Genre: Mainstream Jazz, Swing
- Quality: FLAC (tracks+.cue, log, covers)
- Total Time: 66:25
- Total Size: 400 MB
- WebSite: Album Preview
Tracklist:
01. Slipped Disc
02. Begin The Beguine
03. Don't Be That Way
04. Running Wild
05. St. James Infirmary
06. Yesterday
07. Sing, Sing, Sing
08. Woodchopper's Ball
09. My Inspiration
10. Goodbye
11. A Funeral In New Orleans
12. When The Saints Go Marching In
Dave Bennett - Clarinet, Vocals
Reg Schwager - Guitar (Acoustic), Guitar (Electric)
Tad Weed - Piano
Paul Keller - Bass
Pete Siers - Drums
01. Slipped Disc
02. Begin The Beguine
03. Don't Be That Way
04. Running Wild
05. St. James Infirmary
06. Yesterday
07. Sing, Sing, Sing
08. Woodchopper's Ball
09. My Inspiration
10. Goodbye
11. A Funeral In New Orleans
12. When The Saints Go Marching In
Dave Bennett - Clarinet, Vocals
Reg Schwager - Guitar (Acoustic), Guitar (Electric)
Tad Weed - Piano
Paul Keller - Bass
Pete Siers - Drums
Clarinetist Dave Bennett's Don't Be That Way is a throwback album, but it's not a carbon copy of what's come before. Bennett certainly finds inspiration in the work of past masters, driving down the highways and byways that have been paved by Benny Goodman, Artie Shaw, Woody Herman and others, but he's willing to look at their music with a fresh set of eyes; he's a centrist, but not a complete traditionalist. He'll occasionally throw a curve ball on a well-known tune, as demonstrated on the Brazilian-coated title track, but the ball always goes back over the plate in the end, locking in to some form of widely established and accepted practice.
Goodman, more than any other figure, is the influence that hovers over this date. Bennett delights in interpreting several key pieces from Goodman's repertoire, from the immortal "Sing, Sing, Sing" to the bleak-and-beautiful "Goodbye" to the fun-filled "Slipped Disc," and he even resembles the King Of Swing, with a serious bespectacled face and firmly parted hair. The similarities stop there though, as Bennett's tone and timbre bear little resemblance to Goodman's clarion call clarinet sound. Bennett has a more soothing-and-streamlined sound—not the same as, but in the realm of Ken Peplowski and Eddie Daniels—and it charms the ear throughout.
Goodman, more than any other figure, is the influence that hovers over this date. Bennett delights in interpreting several key pieces from Goodman's repertoire, from the immortal "Sing, Sing, Sing" to the bleak-and-beautiful "Goodbye" to the fun-filled "Slipped Disc," and he even resembles the King Of Swing, with a serious bespectacled face and firmly parted hair. The similarities stop there though, as Bennett's tone and timbre bear little resemblance to Goodman's clarion call clarinet sound. Bennett has a more soothing-and-streamlined sound—not the same as, but in the realm of Ken Peplowski and Eddie Daniels—and it charms the ear throughout.
Jazz | FLAC / APE | CD-Rip
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