Maria Ines Guimaraes - Counterpoint (2018)
BAND/ARTIST: Maria Ines Guimaraes
- Title: Counterpoint
- Year Of Release: 2018
- Label: DUX
- Genre: Classical, Piano
- Quality: flac lossless +booklet
- Total Time: 00:49:29
- Total Size: 177 mb
- WebSite: Album Preview
Tracklist
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01. Cirandas, W220: No. 7, Xô, Xô, Passarinho
02. Cirandas, W220: No. 5, Pobre Cega
03. Cirandas, W220: No. 10, O Pintor de Cannahy
04. Cirandas, W220: No. 15, Que Lindos Olhos!
05. Bachianas Brasileiras No. 4, W264: I. Preludio
06. Bachianas Brasileiras No. 4, W264: II. Coral
07. Bachianas Brasileiras No. 4, W264: III. Aria
08. Bachianas Brasileiras No. 4, W264: IV. Dansa
09. Cirandinhas, W210: No. 11, Nesta Rua Tem Um Bosque
10. Cirandinhas, W210: No. 12, Lindos Olhos Que Ela Tem
11. Hommage à Villa-Lobos et Kurtág: I. Choro
12. Hommage à Villa-Lobos et Kurtág: II. Miroirs
13. Hommage à Villa-Lobos et Kurtág: III. Fleurs d'Amazonie
14. Játékok, Book 3: Lamentation
15. Játékok, Book 3: Hommage à Christian Wolff
16. Játékok, Book 3: Hommage à Domenico Scarlatti
17. Játékok, Book 3: Hommage à J. S. B.
18. Játékok, Book 3: Hommage à Borsody László "Harmonika"
19. Játékok, Book 3: Hommage à Varese
20. Játékok, Book 7: Keringo No. 2 (Revised Version)
21. Játékok, Book 3: Hommage à Farkas Ferenc No. 2 (Scraps of a Colinda Melody, Faintly Recollected)
22. Játékok, Book 5: Präludium
23. Játékok, Book 5: Koral
Maria Inês Guimarães, a Brazilian pianist who has lived in France for 30 years, has decided to present a kind of musical counterpoint built around the work of two classic composers of the 20th-century– Heitor Villa-Lobos and György Kurtág. Both composers share a strong admiration for Bach’s music. Both of them transcribed some of the works of the Leipzig cantor. In his own work, Kurtág is inspired by declamative style (without any restrictions) often without division into bars, even when referring to ethnic sources, which remains in strong opposition to the “Amazonian” poetics of Villa-Lobos, whose music is based on rhythms which are openly inspired by folk music. From a well-thought out combination of musical contrasts, an exceptional album was created, full of its own color and surprising references.
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01. Cirandas, W220: No. 7, Xô, Xô, Passarinho
02. Cirandas, W220: No. 5, Pobre Cega
03. Cirandas, W220: No. 10, O Pintor de Cannahy
04. Cirandas, W220: No. 15, Que Lindos Olhos!
05. Bachianas Brasileiras No. 4, W264: I. Preludio
06. Bachianas Brasileiras No. 4, W264: II. Coral
07. Bachianas Brasileiras No. 4, W264: III. Aria
08. Bachianas Brasileiras No. 4, W264: IV. Dansa
09. Cirandinhas, W210: No. 11, Nesta Rua Tem Um Bosque
10. Cirandinhas, W210: No. 12, Lindos Olhos Que Ela Tem
11. Hommage à Villa-Lobos et Kurtág: I. Choro
12. Hommage à Villa-Lobos et Kurtág: II. Miroirs
13. Hommage à Villa-Lobos et Kurtág: III. Fleurs d'Amazonie
14. Játékok, Book 3: Lamentation
15. Játékok, Book 3: Hommage à Christian Wolff
16. Játékok, Book 3: Hommage à Domenico Scarlatti
17. Játékok, Book 3: Hommage à J. S. B.
18. Játékok, Book 3: Hommage à Borsody László "Harmonika"
19. Játékok, Book 3: Hommage à Varese
20. Játékok, Book 7: Keringo No. 2 (Revised Version)
21. Játékok, Book 3: Hommage à Farkas Ferenc No. 2 (Scraps of a Colinda Melody, Faintly Recollected)
22. Játékok, Book 5: Präludium
23. Játékok, Book 5: Koral
Maria Inês Guimarães, a Brazilian pianist who has lived in France for 30 years, has decided to present a kind of musical counterpoint built around the work of two classic composers of the 20th-century– Heitor Villa-Lobos and György Kurtág. Both composers share a strong admiration for Bach’s music. Both of them transcribed some of the works of the Leipzig cantor. In his own work, Kurtág is inspired by declamative style (without any restrictions) often without division into bars, even when referring to ethnic sources, which remains in strong opposition to the “Amazonian” poetics of Villa-Lobos, whose music is based on rhythms which are openly inspired by folk music. From a well-thought out combination of musical contrasts, an exceptional album was created, full of its own color and surprising references.
Year 2018 | Classical | FLAC / APE
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