Tilman Skowroneck - Froberger, Couperin & Rameau: Harpsichord Works (2018)
BAND/ARTIST: Tilman Skowroneck
- Title: Froberger, Couperin & Rameau: Harpsichord Works
- Year Of Release: 2018
- Label: TYXArt
- Genre: Classical
- Quality: flac lossless +booklet
- Total Time: 01:10:58
- Total Size: 495 mb
- WebSite: Album Preview
Tracklist
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01. Toccata in A Minor, FbWV 112
02. Harpsichord Suite No. 28 in A Minor, FbWV 628: I. Allemande
03. Harpsichord Suite No. 28 in A Minor, FbWV 628: VII. Gigue
04. Harpsichord Suite No. 28 in A Minor, FbWV 628: III. Courante
05. Harpsichord Suite No. 28 in A Minor, FbWV 628: V. Sarabande
06. Lamentation faite sur la mort très douloureuse de Sa Majesté Impériale, Ferdinand III, FbWV 633
07. Suite in D Minor: I. Prelude
08. Suite in D Minor: II. Allemande
09. Suite in D Minor: III. Courante
10. Suite in D Minor: IV. Courante (Second)
11. Suite in D Minor: IV. Sarabande
12. Suite in D Minor: V. Canaries
13. Suite in D Minor: VI. La Pastourelle
14. Suite in D Minor: VII. Chaconne
15. Tombeau de M. de Blancrocher
16. Pièces de clavecin, Suite in A Minor-Major, RTC 1: I. Prélude
17. Pièces de clavecin, Suite in A Minor-Major, RTC 1: II. Allemande I
18. Pièces de clavecin, Suite in A Minor-Major, RTC 1: III. Allemande II
19. Pièces de clavecin, Suite in A Minor-Major, RTC 1: IV. Courante
20. Pièces de clavecin, Suite in A Minor-Major, RTC 1: V. Gigue
21. Pièces de clavecin, Suite in A Minor-Major, RTC 1: VI. Sarabande I
22. Pièces de clavecin, Suite in A Minor-Major, RTC 1: VI. Sarabande II
23. Pièces de clavecin, Suite in A Minor-Major, RTC 1: VII. Vénitienne
24. Pièces De Clavecin, Suite In A Minor-Major, Rtc 1: VIII. Gavotte
25. Pièces de clavecin, Suite in A Minor-Major, RTC 1: IX. Menuet
Tilman Skowroneck writes: “This recording was initiated by Bengt Nassen, the owner of the harpsichord by Martin Skowroneck (1926-2014) that is featured here. Initially, I was planning to play music by Bach and Handel on this German instrument, which is based on early eighteenth-century models, but after acquainting myself with the instrument’s possibilities, I was led in a different direction. Its sound is located somewhere between Italian brilliance and a more intimate vocal character. Some French builders of the seventeenth century made instruments whose characteristics were quite similar, even though they arrived at these results by different constructions. And so the idea was born to use this sound to retrace the connections between the Italian and French sound worlds of the late seventeenth century.” Tilman Skowroneck was born in Bremen in 1959 and studied harpsichord in The Hague and Amsterdam. After his studies he established himself as a freelance harpsichordist in Germany and Holland. Since 1996, Tilman Skowroneck has participated at various early piano seminars at the University of Gothenburg and the Gothenburg organ centre GOArt. He is currently senior lecturer for musical performance at the Academy of Music and Drama, University of Gothenburg.
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01. Toccata in A Minor, FbWV 112
02. Harpsichord Suite No. 28 in A Minor, FbWV 628: I. Allemande
03. Harpsichord Suite No. 28 in A Minor, FbWV 628: VII. Gigue
04. Harpsichord Suite No. 28 in A Minor, FbWV 628: III. Courante
05. Harpsichord Suite No. 28 in A Minor, FbWV 628: V. Sarabande
06. Lamentation faite sur la mort très douloureuse de Sa Majesté Impériale, Ferdinand III, FbWV 633
07. Suite in D Minor: I. Prelude
08. Suite in D Minor: II. Allemande
09. Suite in D Minor: III. Courante
10. Suite in D Minor: IV. Courante (Second)
11. Suite in D Minor: IV. Sarabande
12. Suite in D Minor: V. Canaries
13. Suite in D Minor: VI. La Pastourelle
14. Suite in D Minor: VII. Chaconne
15. Tombeau de M. de Blancrocher
16. Pièces de clavecin, Suite in A Minor-Major, RTC 1: I. Prélude
17. Pièces de clavecin, Suite in A Minor-Major, RTC 1: II. Allemande I
18. Pièces de clavecin, Suite in A Minor-Major, RTC 1: III. Allemande II
19. Pièces de clavecin, Suite in A Minor-Major, RTC 1: IV. Courante
20. Pièces de clavecin, Suite in A Minor-Major, RTC 1: V. Gigue
21. Pièces de clavecin, Suite in A Minor-Major, RTC 1: VI. Sarabande I
22. Pièces de clavecin, Suite in A Minor-Major, RTC 1: VI. Sarabande II
23. Pièces de clavecin, Suite in A Minor-Major, RTC 1: VII. Vénitienne
24. Pièces De Clavecin, Suite In A Minor-Major, Rtc 1: VIII. Gavotte
25. Pièces de clavecin, Suite in A Minor-Major, RTC 1: IX. Menuet
Tilman Skowroneck writes: “This recording was initiated by Bengt Nassen, the owner of the harpsichord by Martin Skowroneck (1926-2014) that is featured here. Initially, I was planning to play music by Bach and Handel on this German instrument, which is based on early eighteenth-century models, but after acquainting myself with the instrument’s possibilities, I was led in a different direction. Its sound is located somewhere between Italian brilliance and a more intimate vocal character. Some French builders of the seventeenth century made instruments whose characteristics were quite similar, even though they arrived at these results by different constructions. And so the idea was born to use this sound to retrace the connections between the Italian and French sound worlds of the late seventeenth century.” Tilman Skowroneck was born in Bremen in 1959 and studied harpsichord in The Hague and Amsterdam. After his studies he established himself as a freelance harpsichordist in Germany and Holland. Since 1996, Tilman Skowroneck has participated at various early piano seminars at the University of Gothenburg and the Gothenburg organ centre GOArt. He is currently senior lecturer for musical performance at the Academy of Music and Drama, University of Gothenburg.
Year 2018 | Classical | FLAC / APE
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