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Harry Christophers - Handel's Messiah (1997)

Harry Christophers - Handel's Messiah (1997)

BAND/ARTIST: Harry Christophers

  • Title: Handel's Messiah Part 1, Part 2 & 3
  • Year Of Release: 1997
  • Label: BBC Music Magazine
  • Genre: Classical
  • Quality: FLAC (image + .cue, log, scans)
  • Total Time: 2:09:20
  • Total Size: 570 MB
  • WebSite:
Handel's Messiah Part 1
Harry Christophers - Handel's Messiah (1997)


Tracklist:

CD 1
1 Overture: Allegro Moderato 3:10
2 Accompgnato: Comfort Ye (Tenor) 2:58
3 Aria: Ev'ry Valley (Tenor) 3:06
4 Chorus: And The Glory 2:55
5 Accompagnato: Thus Saith The Lord (Bass) 1:18
6 Aria: But Who May Abide (Bass) 4:29
7 Chorus: And He Shall Purify 2:28
8 Recitative: Behold A Virgin Shall Conceive (Contralto) 0:29
9 Aria & Chorus: O Thou That Tellest 5:22
10 Accompagnato: For Behold, Darkness Shall Cover The Earth (Bass) 2:06
11 Aria: The People That Walked (Bass) 3:28
12 Chorus: For Unto Us 4:00
13 Pastoral Symphony: Larghetto E Mezzo-piano 2:57
14 Recitative: There Were Shepherds (Soprano) 1:28
15 Chorus: Glory To God 1:52
16 Aria : Rejoice Greatly (Tenor) 4:11
17 Recitative: Then Shall The Eyes (Soprano) 0:25
18 Aria: He Shall Feed His Flock 5:26
19 Chorus: His Yoke Is Easy 2:20

Handel's Messiah Parts 2 & 3


Tracklist:

CD 2
1 Chorus: Behold The Lamb Of God 2:51
2 Aria: He Was Despised (Contralto) 11:09
3 Chorus: Surely, He Hath Borne Our Griefs 1:50
4 Chorus: And With His Stripes 1:48
5 Chorus: All We Like Sheep 3:56
6 Accompagnato: All They That See Him (Soprano) 0:41
7 Chorus: He Trusted God 2:15
8 Accompagnato: Thy Rebuke Hath Broken His Heart (Soprano) 1:43
9 Arioso: Behold, And See (Soprano) 1:44
10 Aria: But Thou Didst Not Leave (Soprano) 2:14
11 Chorus: Lift Up Your Heads 2:56
12 Recitative: Unto Which Of The Angels (Soprano) 0:15
13 Chorus: The Lord Gave The Word 1:04
14 Aria: How Beautiful Are The Feet (Soprano) 2:23
15 Chorus: Their Sound Has Gone Out 1:23
16 Aria: Why Do The Nations (Bass) 4:48
17 Chorus: Let Us Break Their Bonds Asunder 1:54
18 Recitative: He That Dwelleth In Heaven (Tenor) 0:13
19 Aria: Thou Shalt Break Them (Tenor) 1:56
20 Chorus: Hallelujah! 3:47
21 Aria: I Know That My Redeemer Liveth (Soprano) 6:11
22 Chorus: Since By Man Came Death 2:07
23 Accompagnato: Behold, I Tell You A Mystery (Bass) 0:33
24 Aria: The Trumpet Shall Sound (Bass) 2:13
25 Recitative: Then Shall Be Brought To Pass (Contralto) 0:14
26 Duet: O Death, Where Is Thy Sting? (Contralto, Tenor) & Chorus: But Thanks Be To God 3:55
27 Accompagnato: If God Be For Us (Soprano) 1:26
28 Chorus: Worthy Is The Lamb 3:24
29 Chorus: Amen 3:46

English conductor Harry Christophers was educated at the Canterbury Cathedral Choir School and Magdalen College, Oxford. He founded the Sixteen, the choral ensemble with their accompanying instrumental ensemble, in 1977. The Sixteen performs with an emphasis on early English polyphony, but also in a varied repertoire from the Renaissance to contemporary composers. He has led the Sixteen on tours throughout Europe, America, and the Far East, and on over 70 recordings. To perform music for choir and orchestra, Christophers founded the Symphony of Harmony & Invention. His recordings have been awarded two Grand Prix du Disque honors, two Deutsche Schallplatten prizes, two Diapason d'Or awards, and the 1992 Gramophone Early Music Award (for the first of the five-volume series Music From the Eton Choirbook). Christophers also performs as guest conductor with orchestras such as the English Chamber Orchestra, BBC Philharmonic, Deutsche Kammerphilharmonie, and the St. Louis Symphony. His operatic repertoire includes Monteverdi's Il ritorno d'Ulisse, Gluck's Orfeo, Handel's Ariodante, and Mozart's Die Zauberflöte. He conducted Monteverdi's Coronation of Poppea in September 2000 in his debut with the English National Opera.

Christophers' recordings with The Sixteen have continued at a breakneck pace, with several dozen recordings appearing between 2010 and 2017 alone. In addition to conducting, Christophers generally contributes a short note to the graphics explaining his attraction to the music, his reasons for wanting to record it. He has generally stuck to his core Baroque and Renaissance repertory, but has ventured forward to Mozart and as far as contemporary music. English audiences, especially, have responded to Christophers' direct, personable approach, and his albums have earned heavy airplay on the Classic FM radio network as well as strong sales. In 2009 Christophers expanded his workload still further: he became artistic director of the Boston-based Handel and Haydn Society, the oldest, continuously performing musical ensemble in the U.S. In that capacity he oversaw the transformation of a venerable, but conservative, American community organization into a state-of-the-art historical performance group, releasing new recordings of such standard Handel and Haydn repertory as Haydn's The Creation (2013). The Handel and Haydn Society recordings, as well as those of The Sixteen, appeared on Coro, the label established by Christophers and The Sixteen. In 2012 Christophers was named Commander of the Order of the British Empire. He released three new, all-instrumental recordings featuring Haydn symphonies in 2016 and 2017. -- James Manheim

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