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Trio Goya - Beethoven: Piano Trios Nos. 1-3 (2018)

Trio Goya - Beethoven: Piano Trios Nos. 1-3 (2018)

BAND/ARTIST: Trio Goya

  • Title: Beethoven: Piano Trios Nos. 1-3
  • Year Of Release: 2018
  • Label: Chandos
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 01:36:03
  • Total Size: 348 MB
  • WebSite:
Tracklist:

1. Piano Trio No. 1 in E-Flat Major, Op. 1 No. 1 : I. Allegro 10:49
2. Piano Trio No. 1 in E-Flat Major, Op. 1 No. 1 : II. Adagio 07:21
3. Piano Trio No. 1 in E-Flat Major, Op. 1 No. 1 : III. Scherzo: Allegro assai 04:53
4. Piano Trio No. 1 in E-Flat Major, Op. 1 No. 1 : IV. Finale: Presto 08:27
5. Piano Trio No. 2 in G Major, Op. 1 No. 2 : I. Adagio - Allegro vivace 12:11
6. Piano Trio No. 2 in G Major, Op. 1 No. 2 : II. Largo con espressione 08:41
7. Piano Trio No. 2 in G Major, Op. 1 No. 2 : III. Scherzo: Allegro 03:43
8. Piano Trio No. 2 in G Major, Op. 1 No. 2 : IV. Finale: Presto 08:18
9. 1Piano Trio No. 3 in C Minor, Op. 1 No. 3 : I. Allegro con brio 10:32
10. Piano Trio No. 3 in C Minor, Op. 1 No. 3 : II. Andante cantabile con variazioni 07:25
11. Piano Trio No. 3 in C Minor, Op. 1 No. 3 : III. Menuetto: Quasi allegro 04:45
12. Piano Trio No. 3 in C Minor, Op. 1 No. 3 : IV. Finale: Prestissimo 08:58

In this new Chaconne release, Trio Goya offers unique accounts of Beethoven’s early piano trios, revealing on period instruments and in the magical acoustic of the Britten-Pears Auditorium at Aldeburgh’s Snape Maltings the extraordinary range of colours and narratives that these pieces suggest. Beethoven’s Opus 1 features amongst Trio Goya’s central repertoire, played regularly in the UK’s most prestigious venues and beyond. After a recent Wigmore Hall concert, Early Music Today wrote that ‘Trio Goya sent us home spinning on the delights and laughter of early Beethoven. His piano trio opus 1 No. 1 frothed and bubbled down the finale's theme, the musicians swept along by their own hell for- leather, immaculately kept tempo.’ These pieces mark a kind of beginning in Beethoven’s career. They were indeed planned and executed, over a period of two years, with unprecedented care and skill; they mark the start of a new creative period for the young genius, which is distinct from the younger Bonn years and is fully deserving of the label ‘first maturity’ conferred by the musicologist Lewis Lockwood.

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