Nima Aghiani - REMS (2018)
BAND/ARTIST: Nima Aghiani
- Title: REMS
- Year Of Release: 2018
- Label: PTP – PTP 2009
- Genre: Experimental, Drone, Noise
- Quality: lossless (tracks)
- Total Time: 33:45
- Total Size: 220 mb
- WebSite: Album Preview
Tracklist
1. Khatozar (03:30)
2. Oucyl (04:18)
3. Ibbothal (03:01)
4. Khaovyn (02:04)
5. Qamyn (04:29)
6. Bamyn (12:05)
7. Kah-Gash (04:18)
"Sometimes I can no longer distinguish when I am awake and when I am not. This makes me always wonder what is my actual reality, and does it even matter?"
REMS is the new album by composer/producer/violinist, Nima Aghiani (one half of 9T Antiope). Short for Rapid Eye Movement Sleep, the Tehran-born, Paris-based sound artist defines it as, "one of the levels of sleep during which we still see dreams as our eyes are physically in motion - the moment before we awaken. I often experience this as a constant lost state of being, in-between full consciousness and deep sleep."
Because of this, the aural discourse of REMS unveils itself through a stretched canvas of rumination and terror - a frequency bath filled with power electronics belting, screeching, and pulsating alongside wondrous sheets of string-kissed melodies.
"These seven songs are set as REM layers. To me, they personify self-actualized dimensions in which scenarios can play out, whether as dream or nightmare."
1. Khatozar (03:30)
2. Oucyl (04:18)
3. Ibbothal (03:01)
4. Khaovyn (02:04)
5. Qamyn (04:29)
6. Bamyn (12:05)
7. Kah-Gash (04:18)
"Sometimes I can no longer distinguish when I am awake and when I am not. This makes me always wonder what is my actual reality, and does it even matter?"
REMS is the new album by composer/producer/violinist, Nima Aghiani (one half of 9T Antiope). Short for Rapid Eye Movement Sleep, the Tehran-born, Paris-based sound artist defines it as, "one of the levels of sleep during which we still see dreams as our eyes are physically in motion - the moment before we awaken. I often experience this as a constant lost state of being, in-between full consciousness and deep sleep."
Because of this, the aural discourse of REMS unveils itself through a stretched canvas of rumination and terror - a frequency bath filled with power electronics belting, screeching, and pulsating alongside wondrous sheets of string-kissed melodies.
"These seven songs are set as REM layers. To me, they personify self-actualized dimensions in which scenarios can play out, whether as dream or nightmare."
Year 2018 | Electronic | FLAC / APE
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