Orchester Wiener Akademie & Martin Haselbock - Liszt: The Sound of Weimar – Die Orchesterwerke im Originalklang (2018)
BAND/ARTIST: Orchester Wiener Akademie, Martin Haselbock
- Title: Liszt: The Sound of Weimar – Die Orchesterwerke im Originalklang
- Year Of Release: 2018
- Label: Gramola Records
- Genre: Classical
- Quality: flac lossless +booklet
- Total Time: 10:02:11
- Total Size: 2.6 gb
- WebSite: Album Preview
Tracklist
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CD1
01. Eine Symphonie zu Dantes Divina Commedia, S. 109: I. Inferno
02. Eine Symphonie zu Dantes Divina Commedia, S. 109: IIa. Purgatorio
03. Eine Symphonie zu Dantes Divina Commedia, S. 109: IIb. Magnificat
04. À la Chapelle Sixtine, S. 360 (Miserere d'Allegri et Ave verum corpus de Mozart)
CD2
01. Eine Faust Symphonie, S. 108: I. Faust
02. Eine Faust Symphonie, S. 108: II. Gretchen
03. Eine Faust Symphonie, S. 108: III. Mephistopheles-IV. Final Chorus
CD3
01. Les préludes, S. 97
02. Orpheus, S. 98
03. Ce qu'on entend sur la montagne, S. 95
CD4
01. Hunnenschlacht, S. 105
02. Hungaria, S. 103
03. Mazeppa, S. 100
CD5
01. Tasso, S. 96 "Lamento e trionfo
02. 3 Odes funèbres, S. 112: No. 3, Le triomphe funèbre du Tasse
03. Héroïde funèbre, S. 102
04. Die Ideale, S. 106
CD6
01. Prometheus, S. 99
02. Festklänge, S. 101
03. Hamlet, S. 104
04. Von der Wiege bis zum Grabe, S. 107: I. Die Wiege
05. Von der Wiege bis zum Grabe, S. 107: II. Der Kampf um's Dasein
06. Von der Wiege bis zum Grabe, S. 107: III. Zum Grabe, die Wiege des zukünftigen Lebens
CD7
01. 4 Märsche von Franz Schubert, S. 363: No. 3, Reitermarsch
02. 4 Märsche von Franz Schubert, S. 363: No. 2, Trauermarsch
03. 4 Märsche von Franz Schubert, S. 363: No. 4, Ungarischer Marsch
04. Wanderer-Fantasie, S. 366 (After F. Schubert): I. Allegro con fuoco, ma non troppo
05. Wanderer-Fantasie, S. 366 (After F. Schubert): II. Adagio
06. Wanderer-Fantasie, S. 366 (After F. Schubert): III. Presto
07. Wanderer-Fantasie, S. 366 (After F. Schubert): IV. Allegro
08. 3 Odes funèbres, S. 112: No. 1, Les morts
09. 3 Odes funèbres, S. 112: No. 2, La notte
10. Vexilla regis prodeunt, S. 355
CD8
01. Zweiter Mephisto-Walzer, S. 111
02. 2 Episoden aus Lenaus Faust, S. 110: No. 1, Der nächtliche Zug
03. 2 Episoden aus Lenaus Faust, S. 110: No. 2, Der Tanz in der Dorfschenke (Erster Mephisto Walzer)
04. 2 Légendes, S. 354: No. 1, St. François d'Assise-La prédication aux oiseaux
05. 2 Légendes, S. 354: No. 2, St. François de Paule marchant sur les flots
06. Rákóczi-Marsch, S. 117
CD9
01. 6 Hungarian Rhapsodies, S. 359 (Arr. F. Doppler for Orchestra): No. 1 in F Minor
02. 6 Hungarian Rhapsodies, S. 359 (Arr. F. Doppler for Orchestra): No. 2 in C Minor
03. 6 Hungarian Rhapsodies, S. 359 (Arr. F. Doppler for Orchestra): No. 3 in D Major
04. 6 Hungarian Rhapsodies, S. 359 (Arr. F. Doppler for Orchestra): No. 4 in D Minor
05. 6 Hungarian Rhapsodies, S. 359 (Arr. F. Doppler for Orchestra): No. 5 in E Minor
06. 6 Hungarian Rhapsodies, S. 359 (Arr. F. Doppler for Orchestra): No. 6 in D Major Pesther Carneval
The fact that Franz Liszt often is reduced to his piano works is due in part to the bad reputation he gained for his conducting during his time in Weimar. The orchestra, however, which was at his disposal at the local theatre inspired him to extraordinary accomplishments. He experimented with new playing techniques and sound colours, as well as with new forms of composition like the symphonic poem. Much of Liszt's composing art was only later be adopted by Wagner and perfected by Richard Strauss. The recordings of Liszt's orchestral oeuvre by the Orchester Wiener Akademie with founder and conductor Martin Haselbock from the concert hall at Raiding, Austria, the composer's birthplace, is now being released as complete edition on nine CDs. Period instruments, gut strings in combination with special romantic bows for the strings as well as the reduced cast of instruments contribute to an orchestra sound, that may well approach the original sound – hence the edition's title 'The Sound of Weimar'.
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CD1
01. Eine Symphonie zu Dantes Divina Commedia, S. 109: I. Inferno
02. Eine Symphonie zu Dantes Divina Commedia, S. 109: IIa. Purgatorio
03. Eine Symphonie zu Dantes Divina Commedia, S. 109: IIb. Magnificat
04. À la Chapelle Sixtine, S. 360 (Miserere d'Allegri et Ave verum corpus de Mozart)
CD2
01. Eine Faust Symphonie, S. 108: I. Faust
02. Eine Faust Symphonie, S. 108: II. Gretchen
03. Eine Faust Symphonie, S. 108: III. Mephistopheles-IV. Final Chorus
CD3
01. Les préludes, S. 97
02. Orpheus, S. 98
03. Ce qu'on entend sur la montagne, S. 95
CD4
01. Hunnenschlacht, S. 105
02. Hungaria, S. 103
03. Mazeppa, S. 100
CD5
01. Tasso, S. 96 "Lamento e trionfo
02. 3 Odes funèbres, S. 112: No. 3, Le triomphe funèbre du Tasse
03. Héroïde funèbre, S. 102
04. Die Ideale, S. 106
CD6
01. Prometheus, S. 99
02. Festklänge, S. 101
03. Hamlet, S. 104
04. Von der Wiege bis zum Grabe, S. 107: I. Die Wiege
05. Von der Wiege bis zum Grabe, S. 107: II. Der Kampf um's Dasein
06. Von der Wiege bis zum Grabe, S. 107: III. Zum Grabe, die Wiege des zukünftigen Lebens
CD7
01. 4 Märsche von Franz Schubert, S. 363: No. 3, Reitermarsch
02. 4 Märsche von Franz Schubert, S. 363: No. 2, Trauermarsch
03. 4 Märsche von Franz Schubert, S. 363: No. 4, Ungarischer Marsch
04. Wanderer-Fantasie, S. 366 (After F. Schubert): I. Allegro con fuoco, ma non troppo
05. Wanderer-Fantasie, S. 366 (After F. Schubert): II. Adagio
06. Wanderer-Fantasie, S. 366 (After F. Schubert): III. Presto
07. Wanderer-Fantasie, S. 366 (After F. Schubert): IV. Allegro
08. 3 Odes funèbres, S. 112: No. 1, Les morts
09. 3 Odes funèbres, S. 112: No. 2, La notte
10. Vexilla regis prodeunt, S. 355
CD8
01. Zweiter Mephisto-Walzer, S. 111
02. 2 Episoden aus Lenaus Faust, S. 110: No. 1, Der nächtliche Zug
03. 2 Episoden aus Lenaus Faust, S. 110: No. 2, Der Tanz in der Dorfschenke (Erster Mephisto Walzer)
04. 2 Légendes, S. 354: No. 1, St. François d'Assise-La prédication aux oiseaux
05. 2 Légendes, S. 354: No. 2, St. François de Paule marchant sur les flots
06. Rákóczi-Marsch, S. 117
CD9
01. 6 Hungarian Rhapsodies, S. 359 (Arr. F. Doppler for Orchestra): No. 1 in F Minor
02. 6 Hungarian Rhapsodies, S. 359 (Arr. F. Doppler for Orchestra): No. 2 in C Minor
03. 6 Hungarian Rhapsodies, S. 359 (Arr. F. Doppler for Orchestra): No. 3 in D Major
04. 6 Hungarian Rhapsodies, S. 359 (Arr. F. Doppler for Orchestra): No. 4 in D Minor
05. 6 Hungarian Rhapsodies, S. 359 (Arr. F. Doppler for Orchestra): No. 5 in E Minor
06. 6 Hungarian Rhapsodies, S. 359 (Arr. F. Doppler for Orchestra): No. 6 in D Major Pesther Carneval
The fact that Franz Liszt often is reduced to his piano works is due in part to the bad reputation he gained for his conducting during his time in Weimar. The orchestra, however, which was at his disposal at the local theatre inspired him to extraordinary accomplishments. He experimented with new playing techniques and sound colours, as well as with new forms of composition like the symphonic poem. Much of Liszt's composing art was only later be adopted by Wagner and perfected by Richard Strauss. The recordings of Liszt's orchestral oeuvre by the Orchester Wiener Akademie with founder and conductor Martin Haselbock from the concert hall at Raiding, Austria, the composer's birthplace, is now being released as complete edition on nine CDs. Period instruments, gut strings in combination with special romantic bows for the strings as well as the reduced cast of instruments contribute to an orchestra sound, that may well approach the original sound – hence the edition's title 'The Sound of Weimar'.
Year 2018 | Classical | FLAC / APE
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