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Peter Dijkstra - Handel: Messiah (2015)

Peter Dijkstra - Handel: Messiah (2015)

BAND/ARTIST: Peter Dijkstra

  • Title: Handel: Messiah
  • Year Of Release: 2015
  • Label: BR Klassik
  • Genre: Classical
  • Quality: FLAC (image + .cue, log, artwork)
  • Total Time: 02:15:30
  • Total Size: 746 MB
  • WebSite:
Tracklist:

CD 1
01 Nr. 1 Symphony. Grave 2:59
02 Nr. 2 Comfort ye, my people (Accompagnato – Tenor) 3:01
03 Nr. 3 Ev‘ry valley shall be exalted (Arie – Tenor) 3:16
04 Nr. 4 And the glory of the Lord (Chor) 2:30
05 Nr. 5 Thus saith the Lord (Accompagnato – Bassbariton) 1:22
06 Nr. 6 But who may abide the day of his coming 4:18
07 Nr. 7 And he shall purify the sons of Levi (Chor) 2:32
08 Nr. 8 Behold, a virgin shall conceive (Rezitativ - Countertenor) 0:25
09 Nr. 9 O thou that tellest good tidings to Zion 5:08
10 Nr. 10 For behold, darkness shall cover the earth 2:06
11 Nr. 11 The people that walked in darkness have seen a great light 3:34
12 Nr. 12 For unto us a child is born (Chor) 3:55
13 Nr. 13 Pifa. Larghetto (Hirtenmusik) 0:56
14 Nr. 14a There were shepherds abiding in the field 0:14
15 Nr. 14b And lo, the angel of the Lord came upon them 0:19
16 Nr. 15 And the angel said unto them (Rezitativ – Sopran) 0:31
17 Nr. 16 And suddenly there was with the angel 0:17
18 Nr. 17 Glory to God in the highest (Chor) 1:52
19 Nr. 18 Rejoice greatly, o daughter of Zion (Arie – Sopran) 4:14
20 Nr. 19 Then shall the eyes of the blind be open`d 0:30
21 Nr. 20 He shall feed his flock (Arie – Countertenor - Sopran) 5:26
22 Nr. 21 His yoke is easy (Chor) 2:18
23 Nr. 22 Behold the Lamb of God (Chor) 3:11
24 Nr. 23 He was despised and rejected of men (Arie – Countertenor) 10:18
25 Nr. 24 Surely, he hath borne our griefs and carried our sorrows (Chor) 1:36
26 Nr. 25 And with his stripes we are healed (Chor) 1:40
27 Nr. 26 All we like sheep (Chor) 3:58

CD 2
01 Nr. 27 All they that see him (Accompagnato – Tenor) 0:39
02 Nr. 28 He trusted in God (Chor) 2:16
03 Nr. 29 Thy rebuke hath broken his heart 1:43
04 Nr. 30 Behold, and see if there be any sorrow (Arioso – Tenor) 1:17
05 Nr. 31 He was cut off (Accompagnato – Tenor) 0:16
06 Nr. 32 But thou didst not leave his soul in hell (Arie – Tenor) 2:07
07 Nr. 33 Lift up your heads (Chor) 3:00
08 Nr. 34 Unto which of the angels said he at any time 0:13
09 Nr. 35 Let all the angels of God worship him (Chor) 1:29
10 Nr. 36 Thou art gone up on high (Arie – Countertenor) 3:07
11 Nr. 37 The Lord gave the word (Chor) 1:11
12 Nr. 38 How beautiful are the feet (Arie – Sopran) 2:21
13 Nr. 39 Their sound is gone out into all lands (Chor) 1:23
14 Nr. 40 Why do the nations so furiously rage together 2:47
15 Nr. 41 Let us break their bonds asunder (Chor) 1:46
16 Nr. 42 He that dwelleth in heaven (Rezitativ – Tenor) 0:12
17 Nr. 43 Thou shalt break them with a rod of iron (Arie – Tenor) 2:04
18 Nr. 44 Hallelujah! (Chor) 3:37
19 Nr. 45 I know that my Redeemer liveth (Arie – Sopran) 5:25
20 Nr. 46 Since by man came death (Chor) 2:16
21 Nr. 47 Behold, I tell you a mystery 0:34
22 Nr. 48 The trumpet shall sound (Arie – Bassbariton) 8:49
23 Nr. 49 Then shall be brought to pass 0:16
24 Nr. 50 O death, where is thy sting? (Duett – Countertenor – Tenor) 0:58
25 Nr. 51 But thanks be to God (Chor) 2:02
26 Nr. 52 If God be for us (Arie – Sopran) 4:24
27 Nr. 53 Worthy is the Lamb that was slain (Chor) 3:17
28 Nr. 54 Amen (Chor) 3:50

Peter Dijkstra's performance of George Frideric Handel's Messiah with the fancifully named B'Rock Belgian Baroque Orchestra Ghent is plainly a period interpretation, despite the group's hip name, which might suggest something a bit more updated. To the contrary, the practices of Handel's time are carefully observed, and the free ornamentation, touches of improvisation, buoyant rhythms, brisk tempos, and crisp instrumental colors of the 18th century are everywhere in evidence. If there's anything rocking about their rendition, it must be the lively spirit that infuses this time-honored oratorio. Dijkstra and his orchestra are joined by a quartet of virtuoso vocalists, soprano Julia Doyle, countertenor Lawrence Zazzo, tenor Steve Davislim, and bass-baritone Neal Davies, along with the Bavarian Radio Chorus, which is rhythmically spry and rather lean-sounding for its size and perfectly clear in articulation. There's nothing of the stodgy, overly reverent style of old-fashioned performances to weigh this Messiah down, and listeners will find this to be one of the most exciting performances available on disc. Highly recommended. -- Blair Sanderson


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  • olga1001
  •  wrote in 06:50
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I think it's been about 10 years since choral directer Peter Dijkstra started conducting also orchestra.
What do you think about his conducting ?
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  • platico
  •  wrote in 21:54
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gracias...