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Benjamin Schmid, Vienna Philharmonic & Seiji Ozawa - Korngold: Violin Concerto in D Major, Op. 35 (Live) (2018)

Benjamin Schmid, Vienna Philharmonic & Seiji Ozawa - Korngold: Violin Concerto in D Major, Op. 35 (Live) (2018)
  • Title: Korngold: Violin Concerto in D Major, Op. 35 (Live)
  • Year Of Release: 2018
  • Label: Oehms Classics
  • Genre: Classical
  • Quality: flac lossless
  • Total Time: 01:19:20
  • Total Size: 319 mb
  • WebSite:
Tracklist
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01. Violin Concerto in D Major, Op. 35: I. Moderato nobile (Live)
02. Violin Concerto in D Major, Op. 35: II. Romance. Andante (Live)
03. Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace (Live)
04. Das Wunder der Heliane, Op. 20: Ich ging zu ihm (Arr. for Violin & Piano) [Live]
05. Much Ado About Nothing, Op. 11 (Four Movement Version for Violin & Piano): I. Mädchen im Brautgemach [Live]
06. Much Ado About Nothing, Op. 11 (Four Movement Version for Violin & Piano): II. Holzapfel und Schlehwein [Live]
07. Much Ado About Nothing, Op. 11 (Four Movement Version for Violin & Piano): III. Gartenszene [Live]
08. Much Ado About Nothing, Op. 11 (Four Movement Version for Violin & Piano): IV. Mummenschanz [Live]
09. Suite for 2 Violins, Cello & Piano Left Hand, Op. 23: I. Präludium und Fuge. Kräftig und bestimmt. Ruhig ohne zu schleppen (Live)
10. Suite for 2 Violins, Cello & Piano Left Hand, Op. 23: II. Walzer. Nicht schnell. Anmutig (Live)
11. Suite for 2 Violins, Cello & Piano Left Hand, Op. 23: III. Groteske. Möglichst rasch (Live)
12. Suite for 2 Violins, Cello & Piano Left Hand, Op. 23: IV. Lied. Schlicht und innig (Live)
13. Suite for 2 Violins, Cello & Piano Left Hand, Op. 23: V. Finale. Rondo. Schnell, heftig-Allegretto amabile e comodo (Live)

The opening concert of the 2004 Salzburg Festival was highly praised. Two renowned critics were in attendance: 'The Vienna Philharmonic, Schmid and Ozawa opened the festival honouring the rehabilitation of Erich Wolfgang Korngold' - Wilhelm Sinkovicz, Die Presse. 'Schmid was more than brilliant in his début with the Philharmonic: no obstacle is too difficult, no phrase too light for him to avoid refining it with his incredibly varied tone' - Karl Harb, Salzburger Nachrichten.



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