David K. Mathews - The Fantasy Vocal Sessions, Vol. 1 (2018)
BAND/ARTIST: David K. Mathews
- Title: The Fantasy Vocal Sessions, Vol. 1
- Year Of Release: 2018
- Label: Effendi Records
- Genre: Jazz
- Quality: mp3 320 kbps / flac lossless
- Total Time: 01:14:18
- Total Size: 170 / 420 mb
- WebSite: Album Preview
Tracklist
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01. I Want to Talk About You
02. Alfie
03. Blue Skies
04. Oh Papa
05. Ruby
06. Smile
07. When Sunny Gets Blue
08. Lover Man
09. Lush Life
10. The More I See You
11. We'll Be Together Again
12. Skylark
13. In the Wee Small Hours of the Morning
David K Mathews worked as Etta James’ pianist for nearly 20 years and has twice stepped into Chester Thompson’s shoes – firstly in Tower of Power and then (and currently) for Santana. He has worked with a dream list of musicians and is now bringing us his own project ‘The Fantasy Vocal Sessions, Vol 1’. He has certainly created his own shoes.
Having interviewed David K Mathews prior to reviewing this album, I had a much deeper insight into this album than I have had for any of my previous reviews. I have to say this had a significant impact on my experience listening to the album. David spoke of wanting to create an album with people he loved working with, the huge influence of Etta James and wanting to almost return to an ‘old school’ way of making albums. No rehearsals, just a group of musicians getting together to play some great music.
The band is wonderful: Wayne de Silva, Jim Nichols, Peter Barshay, Akira Tana, Carl Lockett and of course, David K Mathews on piano. Beautifully played throughout by all. Versatile solos, engaging support where needed, everything you want it to be and more.
David K Mathews worked with Etta James, as her pianist for nearly 20 years and he said that her presence is felt on this album. This is very true, although it is a little hard to describe and in some ways, I don’t even want to – you just kind of feel it and the musician in me, says don’t analyse it, just go with it, but the academic in me wants some kind of definition. So I shall explore a few of songs and try to explain.
The whole album contains 13 standards, some of which you would expect and a few you wouldn’t. I was drawn to Alfie, as this is a song that to me, brings to mind Cilla Black and cockneys – I have even heard rumours of Cilla Black’s version being included in the British Citizenship test – and I was very surprised to see it had a place on this album. Burt Bacharach and Hal David themselves are quoted as saying they were worried they’d have trouble writing a convincing song about a man with a silly name. There have been many versions of this song and I was quite curious to see what this version would bring to the table. Amikeayla Gaston, who David K Matthews describes as ‘a fearless improviser with a beautiful spirit’, is superb, and brings a wonderful combination of vulnerability and strength to the song – and this is one of the examples of how Etta James presence is all over this album. We all look back at some of the great Jazz legends, explore their suffering and the impact and influence it had on their music. You cannot help but think that Etta James would agree with the lyric ‘until you find the love you’ve missed you’re nothing’, beautifully delivered by Amikeayla Gaston in this performance. Simply stunning.
---------
01. I Want to Talk About You
02. Alfie
03. Blue Skies
04. Oh Papa
05. Ruby
06. Smile
07. When Sunny Gets Blue
08. Lover Man
09. Lush Life
10. The More I See You
11. We'll Be Together Again
12. Skylark
13. In the Wee Small Hours of the Morning
David K Mathews worked as Etta James’ pianist for nearly 20 years and has twice stepped into Chester Thompson’s shoes – firstly in Tower of Power and then (and currently) for Santana. He has worked with a dream list of musicians and is now bringing us his own project ‘The Fantasy Vocal Sessions, Vol 1’. He has certainly created his own shoes.
Having interviewed David K Mathews prior to reviewing this album, I had a much deeper insight into this album than I have had for any of my previous reviews. I have to say this had a significant impact on my experience listening to the album. David spoke of wanting to create an album with people he loved working with, the huge influence of Etta James and wanting to almost return to an ‘old school’ way of making albums. No rehearsals, just a group of musicians getting together to play some great music.
The band is wonderful: Wayne de Silva, Jim Nichols, Peter Barshay, Akira Tana, Carl Lockett and of course, David K Mathews on piano. Beautifully played throughout by all. Versatile solos, engaging support where needed, everything you want it to be and more.
David K Mathews worked with Etta James, as her pianist for nearly 20 years and he said that her presence is felt on this album. This is very true, although it is a little hard to describe and in some ways, I don’t even want to – you just kind of feel it and the musician in me, says don’t analyse it, just go with it, but the academic in me wants some kind of definition. So I shall explore a few of songs and try to explain.
The whole album contains 13 standards, some of which you would expect and a few you wouldn’t. I was drawn to Alfie, as this is a song that to me, brings to mind Cilla Black and cockneys – I have even heard rumours of Cilla Black’s version being included in the British Citizenship test – and I was very surprised to see it had a place on this album. Burt Bacharach and Hal David themselves are quoted as saying they were worried they’d have trouble writing a convincing song about a man with a silly name. There have been many versions of this song and I was quite curious to see what this version would bring to the table. Amikeayla Gaston, who David K Matthews describes as ‘a fearless improviser with a beautiful spirit’, is superb, and brings a wonderful combination of vulnerability and strength to the song – and this is one of the examples of how Etta James presence is all over this album. We all look back at some of the great Jazz legends, explore their suffering and the impact and influence it had on their music. You cannot help but think that Etta James would agree with the lyric ‘until you find the love you’ve missed you’re nothing’, beautifully delivered by Amikeayla Gaston in this performance. Simply stunning.
Year 2018 | Jazz | FLAC / APE | Mp3
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