Flora Papadopoulos - Unwritten. From Violin to Harp (2018) [Hi-Res]
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BAND/ARTIST: Flora Papadopoulos
- Title: Unwritten. From Violin to Harp
- Year Of Release: 2018
- Label: Arcana
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +booklet
- Total Time: 00:51:19
- Total Size: 209 / 831 mb
- WebSite: Album Preview
Tracklist
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01. Mystery Sonata No. 1 in D Minor, "The Annunciation": I. Praeludium
02. Mystery Sonata No. 1 in D Minor, "The Annunciation": II. Variatio-Aria allegro-Variatio-Adagio-Finale
03. Arie madrigali et corenti, Op. 3: Romanesca per violino solo e basso se piace
04. Sonate, symphonie, canzoni, passe'mezzi, baletti, corenti, gagliarde e retornelli, Op. 8: Sonata Quarta per il violino per sonar con due corde
05. Sonata in F Major, Op. 5 No. 10: I. Preludio. Adagio
06. Sonata in F Major, Op. 5 No. 10: II. Allemanda. Allegro
07. Sonata in F Major, Op. 5 No. 10: III. Sarabanda. Largo
08. Sonata in F Major, Op. 5 No. 10: IV. Gavotta. Allegro
09. Sonata in F Major, Op. 5 No. 10: V. Giga. Allegro
10. Sonata No. 1 in D Minor (Orig. in G Minor), BWV 1001: I. Adagio
11. Sonata No. 1 in D Minor (Orig. in G Minor), BWV 1001: II. Fuga
12. Sonata No. 1 in D Minor (Orig. in G Minor), BWV 1001: III. Siciliana
13. Sonata No. 1 in D Minor (Orig. in G Minor), BWV 1001: IV. Presto
J. S. Bach, Biber,Marini, Corelli: four leading figuresof Baroquemusic that no one would associate with the harp. However, they worked in environments where there is ample evidence that harpists were active, and where a solo harp repertory certainly existed, even if it wasnever written down. Thisambitiousproject starts out from that premise, and is the result of in-depth research into original sources. It suggests that the repertory for violin, an instrument that sharesmany idiomatic featureswith the harp, waslong a source of inspiration for harpists. Hence, here some of the best-known and most virtuosic pieces for the violin have been arranged for harp, giving these compositions a new lease of life and shedding light on new and unexpected nuances and reflections.
Flora Papadopoulos, after significant collaborations with ensembles such as Cappella Mediterranea/L. García Alarcón, Concerto Italiano/R. Alessandrini, Matheus/J-C Spinosi and Laboratorio ‘600/F. Pavan, now makes her first solo album. Exploring personal, highly experimental and empirical paths, she revives a fascinating musical practice that has been long lost.
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01. Mystery Sonata No. 1 in D Minor, "The Annunciation": I. Praeludium
02. Mystery Sonata No. 1 in D Minor, "The Annunciation": II. Variatio-Aria allegro-Variatio-Adagio-Finale
03. Arie madrigali et corenti, Op. 3: Romanesca per violino solo e basso se piace
04. Sonate, symphonie, canzoni, passe'mezzi, baletti, corenti, gagliarde e retornelli, Op. 8: Sonata Quarta per il violino per sonar con due corde
05. Sonata in F Major, Op. 5 No. 10: I. Preludio. Adagio
06. Sonata in F Major, Op. 5 No. 10: II. Allemanda. Allegro
07. Sonata in F Major, Op. 5 No. 10: III. Sarabanda. Largo
08. Sonata in F Major, Op. 5 No. 10: IV. Gavotta. Allegro
09. Sonata in F Major, Op. 5 No. 10: V. Giga. Allegro
10. Sonata No. 1 in D Minor (Orig. in G Minor), BWV 1001: I. Adagio
11. Sonata No. 1 in D Minor (Orig. in G Minor), BWV 1001: II. Fuga
12. Sonata No. 1 in D Minor (Orig. in G Minor), BWV 1001: III. Siciliana
13. Sonata No. 1 in D Minor (Orig. in G Minor), BWV 1001: IV. Presto
J. S. Bach, Biber,Marini, Corelli: four leading figuresof Baroquemusic that no one would associate with the harp. However, they worked in environments where there is ample evidence that harpists were active, and where a solo harp repertory certainly existed, even if it wasnever written down. Thisambitiousproject starts out from that premise, and is the result of in-depth research into original sources. It suggests that the repertory for violin, an instrument that sharesmany idiomatic featureswith the harp, waslong a source of inspiration for harpists. Hence, here some of the best-known and most virtuosic pieces for the violin have been arranged for harp, giving these compositions a new lease of life and shedding light on new and unexpected nuances and reflections.
Flora Papadopoulos, after significant collaborations with ensembles such as Cappella Mediterranea/L. García Alarcón, Concerto Italiano/R. Alessandrini, Matheus/J-C Spinosi and Laboratorio ‘600/F. Pavan, now makes her first solo album. Exploring personal, highly experimental and empirical paths, she revives a fascinating musical practice that has been long lost.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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