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Myriam Dal Don, Federico Magris & Corrado Ruzza - Ferrari: Trios & Sonatas (2018)

Myriam Dal Don, Federico Magris & Corrado Ruzza - Ferrari: Trios & Sonatas (2018)
  • Title: Ferrari: Trios & Sonatas
  • Year Of Release: 2018
  • Label: Tactus
  • Genre: Classical
  • Quality: flac lossless +booklet
  • Total Time: 01:19:10
  • Total Size: 344 mb
  • WebSite:
Tracklist
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01. Trio Sonata in F Major, Op. 25 No. 1: I. Allegro spiritoso
02. Trio Sonata in F Major, Op. 25 No. 1: II. Andantino con espressione
03. Trio Sonata in F Major, Op. 25 No. 1: III. Prestissimo
04. Trio Sonata in D Minor, Op. 25 No. 2: I. Allegro assai
05. Trio Sonata in D Minor, Op. 25 No. 2: II. Andantino
06. Trio Sonata in D Minor, Op. 25 No. 2: III. Veloce
07. Trio Sonata in C Major, Op. 25 No. 3: I. Allegro
08. Trio Sonata in C Major, Op. 25 No. 3: II. Scherzo. Presto
09. Trio Sonata in C Major, Op. 25 No. 3: III. Andantino con espressione
10. Trio Sonata in C Major, Op. 25 No. 3: IV. Vivace
11. Trio concertanti in D Minor, Op. 11 No. 1: I. Allegro-Vivace
12. Trio concertanti in D Minor, Op. 11 No. 1: II. Cantabile e sostenuto
13. Trio concertanti in D Minor, Op. 11 No. 1: III. Rondo. Presto
14. Trio concertanti in B Major, Op. 11 No. 2: I. Andante maestoso
15. Trio concertanti in B Major, Op. 11 No. 2: II. Larghetto
16. Trio concertanti in B Major, Op. 11 No. 2: III. Prestissimo
17. Trio concertanti in A Major, Op. 11 No. 3: I. Largo-Allegro molto
18. Trio concertanti in A Major, Op. 11 No. 3: II. Andantino grazioso con variazioni

Giacomo Gotifredo Ferrari was an Italian composer and theoretician. He was the son of a wealthy cloth merchant of Rovereto who at first had destined him for carrying on the family business. However, from a very early age he showed a great talent and facility for music; before he turned twenty he had already learnt to play the oboe, the flute, the violin, the viola, and the contrabass. After his father's death in 1784, Ferrari decided to pursue a musician's career, and from that time onwards his life was spent travelling a great deal and staying in the major European courts. The outbreak of the French Revolution forced him to leave Paris (where he lived since 1787) more and more frequently, until in 1792 he relocated once and for all to London. There, at court, he had the chance to meet some great artistic personalities such as Haydn, Clementi, and Dussek. Ferrari became a deep connoisseur and lover of Mozart's works, but, in spite of this, never gave way to the temptation of becoming an epigone of his, and always preserved a certain degree of stylistic originality. The two collections of sonatas presented in this programme, probably published within 1795, are among the best examples of this kind.



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