Randy Newman - Sail Away (Reissue, Remastered) (1972/2002)
BAND/ARTIST: Randy Newmanc
- Title: Sail Away
- Year Of Release: 1972/2002
- Label: Rhino Records / Reprise Records
- Genre: Soft Rock, Pop Rock, Singer-Songwriter
- Quality: Flac (tracks, .cue, log)
- Total Time: 41:51
- Total Size: 214 Mb (scans)
- WebSite: Album Preview
Tracklist:
01. Sail Away
02. Lonely At The Top
03. He Gives Us All His Love
04. Last Night I Had A Dream
05. Simon Smith And The Amazing Dancing Bear
06. Old Man
07. Political Science
08. Burn On
09. Memo To My Son
10. Dayton, Ohio - 1903
11. You Can Leave Your Hat On
12. God's Song (That's Why I Love Mankind)
Bonus Tracks:
13. Let It Shine
14. Maybe I'm Doing It Wrong (Studio Version)
15. Dayton, Ohio - 1903 (Early Version)
16. You Can Leave Your Hat On (Demo)
17. Sail Away (Early Version)
On his third studio album, Randy Newman found a middle ground between the heavily orchestrated pop of his debut and the more stripped-down, rock-oriented approach of 12 Songs, and managed to bring new strength to both sides of his musical personality in the process. The title track, which Newman has described as a sort of commercial jingle written for slave traders looking to recruit naïve Africans, and "Old Man," in which an elderly man is rejected with feigned compassion by his son, were set to Newman's most evocative arrangements to date and rank with the most intelligent and effective use of a large ensemble by anyone in pop music. On the other end of the scale, "Last Night I Had a Dream" and "You Can Leave Your Hat On" are lean, potent mid-tempo rock tunes, the former featuring some slashing and ominous slide guitar from Ry Cooder, and the latter a witty and willfully perverse bit of erotic absurdity that later became a hit for Joe Cocker (who sounded as if he took the joke at face value). Elsewhere, Newman cynically ponders the perils of a stardom he would never achieve ("Lonely at the Top," originally written for Frank Sinatra), offers a broad and amusing bit of political satire ("Political Science"), and concludes with one of the most bitter rants against religion that anyone committed to vinyl prior to the punk era ("God's Song [That's Why I Love Mankind]"). Whether he's writing for three pieces or 30, Newman makes superb use of the sounds available to him, and his vocals are the model of making the most of a limited instrument. Overall, Sail Away is one of Newman's finest works, musically adventurous and displaying a lyrical subtlety that would begin to fade in his subsequent works.
Pop | Oldies | Rock | FLAC / APE
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