Ana-Marija Markovina - Urspruch: Complete Piano Works (2017)
BAND/ARTIST: Ana-Marija Markovina
- Title: Urspruch: Complete Piano Works
- Year Of Release: 2017
- Label: haenssler CLASSIC
- Genre: Classical, Piano
- Quality: flac lossless
- Total Time: 02:52:22
- Total Size: 565 mb
- WebSite: Album Preview
Tracklist
---------
CD1
01. 5 Fantasiestücke, Op. 2: No. 1 in D-Flat Major
02. 5 Fantasiestücke, Op. 2: No. 2 in C-Sharp Minor
03. 5 Fantasiestücke, Op. 2: No. 3 in A Major
04. 5 Fantasiestücke, Op. 2: No. 4 in E Major
05. 5 Fantasiestücke, Op. 2: No. 5 in G-Sharp Minor
CD2
01. Deutsche Tänze, Heft 1, Op. 7 (Arr. for Solo Piano): Präludium in B-Flat Major. Dolce [Quasi andante]
02. Deutsche Tänze, Heft 1, Op. 7 (Arr. for Solo Piano): No. 1 in B-Flat Major. Elegante
03. Deutsche Tänze, Heft 1, Op. 7 (Arr. for Solo Piano): No. 2 in D Major. Con grazia leggiera
04. Deutsche Tänze, Heft 1, Op. 7 (Arr. for Solo Piano): No. 3 in D Major. Tempo giusto
05. Deutsche Tänze, Heft 1, Op. 7 (Arr. for Solo Piano): No. 4 in B-Flat Major. Allegressimo scherzando
06. Deutsche Tänze, Heft 1, Op. 7 (Arr. for Solo Piano): No. 5 in A Major. Con grazia e molto moderato
07. Deutsche Tänze, Heft 2, Op. 7 (Arr. for Solo Piano): No. 6 in D Major. Forte
08. Deutsche Tänze, Heft 2, Op. 7 (Arr. for Solo Piano): No. 7 in F Major. Un poco lento, dolce e grazioso
09. Deutsche Tänze, Heft 2, Op. 7 (Arr. for Solo Piano): No. 8 in D Major. Con spirito
10. Deutsche Tänze, Heft 2, Op. 7 (Arr. for Solo Piano): No. 9 in G Major. Leggiero e grazioso
11. Deutsche Tänze, Heft 2, Op. 7 (Arr. for Solo Piano): No. 10 in E Major. Dolce e tranquillo
12. Deutsche Tänze, Heft 3, Op. 7 (Arr. for Solo Piano): No. 11 in E Minor. Energico
13. Deutsche Tänze, Heft 3, Op. 7 (Arr. for Solo Piano): No. 12 in B Minor. Tranquillo
14. Deutsche Tänze, Heft 3, Op. 7 (Arr. for Solo Piano): No. 13 in B Minor. L'istesso tempo
15. Deutsche Tänze, Heft 3, Op. 7 (Arr. for Solo Piano): No. 14 in B Minor. L'istesso tempo
16. Deutsche Tänze, Heft 3, Op. 7 (Arr. for Solo Piano): No. 15 in F Major. Piano
17. Deutsche Tänze, Heft 4, Op. 7 (Arr. for Solo Piano): No. 16 in B-Flat Major. Brillante
18. Deutsche Tänze, Heft 4, Op. 7 (Arr. for Solo Piano): No. 17 in E-Flat Major. Espressivo
19. Deutsche Tänze, Heft 4, Op. 7 (Arr. for Solo Piano): No. 18 in B-Flat Major. Presto giocoso
20. Deutsche Tänze, Heft 5, Op. 7 (Arr. for Solo Piano): No. 19 in E Major. Cantabile
21. Deutsche Tänze, Heft 5, Op. 7 (Arr. for Solo Piano): No. 20 in A Minor. Lento
22. Deutsche Tänze, Heft 5, Op. 7 (Arr. for Solo Piano): No. 21 in A Major. Elegante ed amabile
23. Variationen über ein eigenes Thema, Op. 10: Theme. Andante espressivo
24. Variationen über ein eigenes Thema, Op. 10: Var. 1, L'istesso tempo
25. Variationen über ein eigenes Thema, Op. 10: Var. 2, Cantabile
26. Variationen über ein eigenes Thema, Op. 10: Var. 3, Più vivo, ma tranquillo
27. Variationen über ein eigenes Thema, Op. 10: Var. 4, L'istesso tempo, deciso
28. Variationen über ein eigenes Thema, Op. 10: Var. 5, Tempo giusto
29. Variationen über ein eigenes Thema, Op. 10: Var. 6, Più vivace
30. Variationen über ein eigenes Thema, Op. 10: Var. 7, Meno mosso, e un poco rubato
31. Variationen über ein eigenes Thema, Op. 10: Var. 8, Agitato
32. Variationen über ein eigenes Thema, Op. 10: Var. 9, Più vivace
33. Variationen über ein eigenes Thema, Op. 10: Var. 10, Brillante
34. Variationen über ein eigenes Thema, Op. 10: Var. 11, Con bravura
35. Variationen über ein eigenes Thema, Op. 10: Var. 12, Adagio
36. Variationen über ein eigenes Thema, Op. 10: Var. 13, L'istesso tempo, espressivo e mesto
37. Variationen über ein eigenes Thema, Op. 10: Var. 14, Andante un poco fantastico
38. Variationen über ein eigenes Thema, Op. 10: Var. 15, Allegro con bravura
39. Variationen über ein eigenes Thema, Op. 10: Var. 16, Presto
40. Variationen über ein eigenes Thema, Op. 10: Var. 17, Andante
41. Variationen über ein eigenes Thema, Op. 10: Var. 18, Dolce (Canon in moto contrario)
42. Variationen über ein eigenes Thema, Op. 10: Var. 19, Meno lento, tranquillo
43. Variationen über ein eigenes Thema, Op. 10: Var. 20, Allegretto, grazioso e scherzando
44. Variationen über ein eigenes Thema, Op. 10: Var. 21, Un poco più animato
45. Variationen über ein eigenes Thema, Op. 10: Var. 22, Tempo del tema
46. Variationen über ein eigenes Thema, Op. 10: Var. 23, L'istesso tempo
47. Variationen über ein eigenes Thema, Op. 10: Var. 24, L'istesso tempo
CD3
01. 5 Morceaux, Op. 19: No. 1, Air
02. 5 Morceaux, Op. 19: No. 2, Impromptu
03. 5 Morceaux, Op. 19: No. 3, Romance
04. 5 Morceaux, Op. 19: No. 4, Caprice
05. 5 Morceaux, Op. 19: No. 5, Fantasie
06. Cavatine und Arabeske, Op. 20: Cavatine
07. Cavatine und Arabeske, Op. 20: Arabeske
08. Präludium und Capriccio, Op. 22: Präludium in D Major
09. Präludium und Capriccio, Op. 22: Capriccio in G Minor
This release features a composer, pianist and conductor who has wrongly been marginalised from contemporary awareness. Anton Urpruch was born in Frankfurt on February 17, 1850, and died there on January 11, 1907. These dates show him to be an artist of an era characterised by a multidimensional intellectual climate and a psychological outlook that harked back to traditional values on the one hand, whilst holding out revolutionary prospects on the other. As an artist, Urspruch was respected by his contemporaries and well established on the music scene. He began teaching at Dr Hoch’s Conservatory at just 28 years of age, at a time when Clara Schumann was teaching there too. The director there was Joachim Raff, who was also his teacher. After Raff’s death in 1882, Urspruch moved to the newly founded Raff Conservatory and taught there for the rest of his life. He dedicated his piano concerto to Raff. His works encompass many genres, from piano pieces through song cycles, chamber music, symphonies, choral works and his comic opera Das Unmöglichste von allem (the most impossible thing of all), which was premiered in Karlsruhe in 1897. His life was centred around his family (he has four daughters with his wife Emmy, the daughter of music publisher August Cranz). His close personal friendship with Franz Liszt brought him a level of support that went far beyond the usual kind of appreciation shown by the more famous and older composer.
---------
CD1
01. 5 Fantasiestücke, Op. 2: No. 1 in D-Flat Major
02. 5 Fantasiestücke, Op. 2: No. 2 in C-Sharp Minor
03. 5 Fantasiestücke, Op. 2: No. 3 in A Major
04. 5 Fantasiestücke, Op. 2: No. 4 in E Major
05. 5 Fantasiestücke, Op. 2: No. 5 in G-Sharp Minor
CD2
01. Deutsche Tänze, Heft 1, Op. 7 (Arr. for Solo Piano): Präludium in B-Flat Major. Dolce [Quasi andante]
02. Deutsche Tänze, Heft 1, Op. 7 (Arr. for Solo Piano): No. 1 in B-Flat Major. Elegante
03. Deutsche Tänze, Heft 1, Op. 7 (Arr. for Solo Piano): No. 2 in D Major. Con grazia leggiera
04. Deutsche Tänze, Heft 1, Op. 7 (Arr. for Solo Piano): No. 3 in D Major. Tempo giusto
05. Deutsche Tänze, Heft 1, Op. 7 (Arr. for Solo Piano): No. 4 in B-Flat Major. Allegressimo scherzando
06. Deutsche Tänze, Heft 1, Op. 7 (Arr. for Solo Piano): No. 5 in A Major. Con grazia e molto moderato
07. Deutsche Tänze, Heft 2, Op. 7 (Arr. for Solo Piano): No. 6 in D Major. Forte
08. Deutsche Tänze, Heft 2, Op. 7 (Arr. for Solo Piano): No. 7 in F Major. Un poco lento, dolce e grazioso
09. Deutsche Tänze, Heft 2, Op. 7 (Arr. for Solo Piano): No. 8 in D Major. Con spirito
10. Deutsche Tänze, Heft 2, Op. 7 (Arr. for Solo Piano): No. 9 in G Major. Leggiero e grazioso
11. Deutsche Tänze, Heft 2, Op. 7 (Arr. for Solo Piano): No. 10 in E Major. Dolce e tranquillo
12. Deutsche Tänze, Heft 3, Op. 7 (Arr. for Solo Piano): No. 11 in E Minor. Energico
13. Deutsche Tänze, Heft 3, Op. 7 (Arr. for Solo Piano): No. 12 in B Minor. Tranquillo
14. Deutsche Tänze, Heft 3, Op. 7 (Arr. for Solo Piano): No. 13 in B Minor. L'istesso tempo
15. Deutsche Tänze, Heft 3, Op. 7 (Arr. for Solo Piano): No. 14 in B Minor. L'istesso tempo
16. Deutsche Tänze, Heft 3, Op. 7 (Arr. for Solo Piano): No. 15 in F Major. Piano
17. Deutsche Tänze, Heft 4, Op. 7 (Arr. for Solo Piano): No. 16 in B-Flat Major. Brillante
18. Deutsche Tänze, Heft 4, Op. 7 (Arr. for Solo Piano): No. 17 in E-Flat Major. Espressivo
19. Deutsche Tänze, Heft 4, Op. 7 (Arr. for Solo Piano): No. 18 in B-Flat Major. Presto giocoso
20. Deutsche Tänze, Heft 5, Op. 7 (Arr. for Solo Piano): No. 19 in E Major. Cantabile
21. Deutsche Tänze, Heft 5, Op. 7 (Arr. for Solo Piano): No. 20 in A Minor. Lento
22. Deutsche Tänze, Heft 5, Op. 7 (Arr. for Solo Piano): No. 21 in A Major. Elegante ed amabile
23. Variationen über ein eigenes Thema, Op. 10: Theme. Andante espressivo
24. Variationen über ein eigenes Thema, Op. 10: Var. 1, L'istesso tempo
25. Variationen über ein eigenes Thema, Op. 10: Var. 2, Cantabile
26. Variationen über ein eigenes Thema, Op. 10: Var. 3, Più vivo, ma tranquillo
27. Variationen über ein eigenes Thema, Op. 10: Var. 4, L'istesso tempo, deciso
28. Variationen über ein eigenes Thema, Op. 10: Var. 5, Tempo giusto
29. Variationen über ein eigenes Thema, Op. 10: Var. 6, Più vivace
30. Variationen über ein eigenes Thema, Op. 10: Var. 7, Meno mosso, e un poco rubato
31. Variationen über ein eigenes Thema, Op. 10: Var. 8, Agitato
32. Variationen über ein eigenes Thema, Op. 10: Var. 9, Più vivace
33. Variationen über ein eigenes Thema, Op. 10: Var. 10, Brillante
34. Variationen über ein eigenes Thema, Op. 10: Var. 11, Con bravura
35. Variationen über ein eigenes Thema, Op. 10: Var. 12, Adagio
36. Variationen über ein eigenes Thema, Op. 10: Var. 13, L'istesso tempo, espressivo e mesto
37. Variationen über ein eigenes Thema, Op. 10: Var. 14, Andante un poco fantastico
38. Variationen über ein eigenes Thema, Op. 10: Var. 15, Allegro con bravura
39. Variationen über ein eigenes Thema, Op. 10: Var. 16, Presto
40. Variationen über ein eigenes Thema, Op. 10: Var. 17, Andante
41. Variationen über ein eigenes Thema, Op. 10: Var. 18, Dolce (Canon in moto contrario)
42. Variationen über ein eigenes Thema, Op. 10: Var. 19, Meno lento, tranquillo
43. Variationen über ein eigenes Thema, Op. 10: Var. 20, Allegretto, grazioso e scherzando
44. Variationen über ein eigenes Thema, Op. 10: Var. 21, Un poco più animato
45. Variationen über ein eigenes Thema, Op. 10: Var. 22, Tempo del tema
46. Variationen über ein eigenes Thema, Op. 10: Var. 23, L'istesso tempo
47. Variationen über ein eigenes Thema, Op. 10: Var. 24, L'istesso tempo
CD3
01. 5 Morceaux, Op. 19: No. 1, Air
02. 5 Morceaux, Op. 19: No. 2, Impromptu
03. 5 Morceaux, Op. 19: No. 3, Romance
04. 5 Morceaux, Op. 19: No. 4, Caprice
05. 5 Morceaux, Op. 19: No. 5, Fantasie
06. Cavatine und Arabeske, Op. 20: Cavatine
07. Cavatine und Arabeske, Op. 20: Arabeske
08. Präludium und Capriccio, Op. 22: Präludium in D Major
09. Präludium und Capriccio, Op. 22: Capriccio in G Minor
This release features a composer, pianist and conductor who has wrongly been marginalised from contemporary awareness. Anton Urpruch was born in Frankfurt on February 17, 1850, and died there on January 11, 1907. These dates show him to be an artist of an era characterised by a multidimensional intellectual climate and a psychological outlook that harked back to traditional values on the one hand, whilst holding out revolutionary prospects on the other. As an artist, Urspruch was respected by his contemporaries and well established on the music scene. He began teaching at Dr Hoch’s Conservatory at just 28 years of age, at a time when Clara Schumann was teaching there too. The director there was Joachim Raff, who was also his teacher. After Raff’s death in 1882, Urspruch moved to the newly founded Raff Conservatory and taught there for the rest of his life. He dedicated his piano concerto to Raff. His works encompass many genres, from piano pieces through song cycles, chamber music, symphonies, choral works and his comic opera Das Unmöglichste von allem (the most impossible thing of all), which was premiered in Karlsruhe in 1897. His life was centred around his family (he has four daughters with his wife Emmy, the daughter of music publisher August Cranz). His close personal friendship with Franz Liszt brought him a level of support that went far beyond the usual kind of appreciation shown by the more famous and older composer.
Year 2017 | Classical | FLAC / APE
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads