Nevermind - Quentin & Guillemain: Conversations (2016) [Hi-Res]
![Nevermind - Quentin & Guillemain: Conversations (2016) [Hi-Res]](https://img.israbox.com/uploads/posts/2018-05/1525156851_nevermind-quentin-guillemain-conversations-2016-hi-res.jpg)
BAND/ARTIST: Nevermind
- Title: Quentin & Guillemain: Conversations
- Year Of Release: 2016
- Label: Alpha
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +booklet
- Total Time: 01:14:07
- Total Size: 413 mb / 1.4 gb
- WebSite: Album Preview
Tracklist
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01. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 12, Concerto: I. Largo
02. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 15, Quatuor, Sonata No. 3: I. Allegro
03. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 15, Quatuor, Sonata No. 3: II. Adagio
04. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 15, Quatuor, Sonata No. 3: III. Première et seconde aria
05. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 15, Quatuor, Sonata No. 3: IV. Presto
06. Six sonates en quatuors, Op. 12, Sonate No. 3: I. Allegro moderato
07. Six sonates en quatuors, Op. 12, Sonate No. 3: II. Larghetto
08. Six sonates en quatuors, Op. 12, Sonate No. 3: III. Aria (Gratioso)
09. Six sonates en quatuors, Op. 12, Sonate No. 3: IV. Allegro
10. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 8, Sonata No. 4: I. Largo
11. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 8, Sonata No. 4: II. Allegro
12. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 8, Sonata No. 4: III. Gavota (Tendrement)
13. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 8, Sonata No. 4: IV. Allegro
14. Second livre de sonates en quatuor, Op. 17, Sonata No. 4: I. Allegro
15. Second livre de sonates en quatuor, Op. 17, Sonata No. 4: II. Aria (Gratioso)
16. Second livre de sonates en quatuor, Op. 17, Sonata No. 4: III. Presto
17. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 10, Sonata No. 5: I. Adagio
18. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 10, Sonata No. 5: II. Allegro
19. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 10, Sonata No. 5: III. Première et seconde aria
20. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 10, Sonata No. 5: IV. Vivement
21. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 12, Concerto: III. Adagio (Bonus Track)
NEVERMIND is made up of four young musicians and friends whose passion for early music and for the influence of jazz and traditional music stimulated them to form an ensemble whose virtuosity is equalled only by their youthful impetuosity and their love of fine music . . . For its first disc, Nevermind tackles the treasures of the Baroque in the shape of two totally neglected French composers.
The first one, Jean-Baptiste Quentin, a dessus de violon at the Académie Royale de Musique (forerunner of the Paris Opéra), was a habitué of the Parisian salons, where he frequented Rameau among others. The second, Louis-Gabriel Guillemain, studied in Italy before joining the court musicians at Versailles. Sometimes whimsical and often very complex in Guillemain, invariably lucid and classical in Quentin, their style nonetheless presents a common feature: the dominance of the Italian idiom.
Alpha Classics continues its discovery of young talents with this project conceived by the inspired musicians of Nevermind. Their credo is to introduce the widest possible audience to the riches of music that has been too long ignored.
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01. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 12, Concerto: I. Largo
02. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 15, Quatuor, Sonata No. 3: I. Allegro
03. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 15, Quatuor, Sonata No. 3: II. Adagio
04. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 15, Quatuor, Sonata No. 3: III. Première et seconde aria
05. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 15, Quatuor, Sonata No. 3: IV. Presto
06. Six sonates en quatuors, Op. 12, Sonate No. 3: I. Allegro moderato
07. Six sonates en quatuors, Op. 12, Sonate No. 3: II. Larghetto
08. Six sonates en quatuors, Op. 12, Sonate No. 3: III. Aria (Gratioso)
09. Six sonates en quatuors, Op. 12, Sonate No. 3: IV. Allegro
10. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 8, Sonata No. 4: I. Largo
11. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 8, Sonata No. 4: II. Allegro
12. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 8, Sonata No. 4: III. Gavota (Tendrement)
13. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 8, Sonata No. 4: IV. Allegro
14. Second livre de sonates en quatuor, Op. 17, Sonata No. 4: I. Allegro
15. Second livre de sonates en quatuor, Op. 17, Sonata No. 4: II. Aria (Gratioso)
16. Second livre de sonates en quatuor, Op. 17, Sonata No. 4: III. Presto
17. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 10, Sonata No. 5: I. Adagio
18. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 10, Sonata No. 5: II. Allegro
19. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 10, Sonata No. 5: III. Première et seconde aria
20. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 10, Sonata No. 5: IV. Vivement
21. Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 12, Concerto: III. Adagio (Bonus Track)
NEVERMIND is made up of four young musicians and friends whose passion for early music and for the influence of jazz and traditional music stimulated them to form an ensemble whose virtuosity is equalled only by their youthful impetuosity and their love of fine music . . . For its first disc, Nevermind tackles the treasures of the Baroque in the shape of two totally neglected French composers.
The first one, Jean-Baptiste Quentin, a dessus de violon at the Académie Royale de Musique (forerunner of the Paris Opéra), was a habitué of the Parisian salons, where he frequented Rameau among others. The second, Louis-Gabriel Guillemain, studied in Italy before joining the court musicians at Versailles. Sometimes whimsical and often very complex in Guillemain, invariably lucid and classical in Quentin, their style nonetheless presents a common feature: the dominance of the Italian idiom.
Alpha Classics continues its discovery of young talents with this project conceived by the inspired musicians of Nevermind. Their credo is to introduce the widest possible audience to the riches of music that has been too long ignored.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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