Jodie Devos, Caroline Meng & Quatuor Giardini - Il était une fois... (2016) [Hi-Res]
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BAND/ARTIST: Jodie Devos, Caroline Meng, Quatuor Giardini
- Title: Il était une fois...
- Year Of Release: 2018
- Label: Alpha
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +booklet
- Total Time: 01:00:38
- Total Size: 286 mb / 1 gb
- WebSite: Album Preview
Tracklist
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01. La belle au bois dormant, Acte 1: "Quelle force inconnue en ce jardin m'amène?"
02. Barbe-Bleu, Acte 1: "On prend un ange d'innocence"
03. Le petit poucet, Acte 2: "L'amour? Qu'est-ce donc que l'amour?"
04. Cendrillon, Acte 1: "Ah quel plaisir! Ah quel beau jour!"
05. Quatuor avec piano en La Majeur, Op. 30: II. Lent
06. L'italienne à Alger, Acte 2: "Sort cruel...Funeste flamme!"
07. Cendrillon: "Je viens te rendre à l'espérance"
08. La Saint-Valentin, Acte 1: "Le flirt, ô passe-temps charmant"
09. Pippermint-Get
10. Cendrillon, Acte 2: "Toi qui m'es apparue"
11. Hasards, Op. 96: I. Exorde
12. Le voyage dans la lune, Acte 3: "Je suis nerveuse, je suis fiévreuse"
13. La fille du tambour-major, Acte 2: "Examinez ma figure"
14. Le voyage dans la lune, Acte 2: "Mon dieu! Qu'ai-je ressenti là?"-"La pomme, c'est bien bon vraiment"
15. La demoiselle du téléphone, Acte 2: "Je l'adorais, cet être-là"
Romanticism replaced the element of mythological fantasy in Baroque opera with fairytale fantasy. The fairytale is omnipresent on the French stage, whether in spoken theatre, ballet or opera. It is no coincidence that Cinderella and Bluebeard so appealed to nineteenth-century composers ...
This project, initiated by the Palazzetto Bru Zane, is constructed like a ‘universal’ fairytale inspired by Cinderella, Sleeping Beauty, Bluebeard, Hop-o’-My-Thumb and others, as set to music by French composers of the Romantic era. It alternates between famous composers (Offenbach, Massenet, Chausson ... and Rossini, here sung in French) and others who are still little-known (Viardot, Silver, Serpette, De Rillé, Isouard).
Conceived by Alexandre Dratwicki and transcribed by him for piano quartet and two singers, a soprano and a mezzo, this imaginary opera is splendidly performed by Jodie Devos and Caroline Meng – who, at one point in the story, having sung a queen, dons breeches to play a prince. For her part, the soprano, who ends up as the winsome princess of Massenet and Offenbach, must first endure the torments of uncertain love.
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01. La belle au bois dormant, Acte 1: "Quelle force inconnue en ce jardin m'amène?"
02. Barbe-Bleu, Acte 1: "On prend un ange d'innocence"
03. Le petit poucet, Acte 2: "L'amour? Qu'est-ce donc que l'amour?"
04. Cendrillon, Acte 1: "Ah quel plaisir! Ah quel beau jour!"
05. Quatuor avec piano en La Majeur, Op. 30: II. Lent
06. L'italienne à Alger, Acte 2: "Sort cruel...Funeste flamme!"
07. Cendrillon: "Je viens te rendre à l'espérance"
08. La Saint-Valentin, Acte 1: "Le flirt, ô passe-temps charmant"
09. Pippermint-Get
10. Cendrillon, Acte 2: "Toi qui m'es apparue"
11. Hasards, Op. 96: I. Exorde
12. Le voyage dans la lune, Acte 3: "Je suis nerveuse, je suis fiévreuse"
13. La fille du tambour-major, Acte 2: "Examinez ma figure"
14. Le voyage dans la lune, Acte 2: "Mon dieu! Qu'ai-je ressenti là?"-"La pomme, c'est bien bon vraiment"
15. La demoiselle du téléphone, Acte 2: "Je l'adorais, cet être-là"
Romanticism replaced the element of mythological fantasy in Baroque opera with fairytale fantasy. The fairytale is omnipresent on the French stage, whether in spoken theatre, ballet or opera. It is no coincidence that Cinderella and Bluebeard so appealed to nineteenth-century composers ...
This project, initiated by the Palazzetto Bru Zane, is constructed like a ‘universal’ fairytale inspired by Cinderella, Sleeping Beauty, Bluebeard, Hop-o’-My-Thumb and others, as set to music by French composers of the Romantic era. It alternates between famous composers (Offenbach, Massenet, Chausson ... and Rossini, here sung in French) and others who are still little-known (Viardot, Silver, Serpette, De Rillé, Isouard).
Conceived by Alexandre Dratwicki and transcribed by him for piano quartet and two singers, a soprano and a mezzo, this imaginary opera is splendidly performed by Jodie Devos and Caroline Meng – who, at one point in the story, having sung a queen, dons breeches to play a prince. For her part, the soprano, who ends up as the winsome princess of Massenet and Offenbach, must first endure the torments of uncertain love.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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