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Orchestra of the Beethoven Academy, Konzertchor Darmstadt, Karol Lipinski Ensemble & Wolfgang Seeliger - Schnabel: Musica Sacromontana (2018)

Orchestra of the Beethoven Academy, Konzertchor Darmstadt, Karol Lipinski Ensemble & Wolfgang Seeliger - Schnabel: Musica Sacromontana (2018)
  • Title: Schnabel: Musica Sacromontana
  • Year Of Release: 2018
  • Label: DUX
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 37:40
  • Total Size: 197 MB
  • WebSite:
Tracklist:

1. Ewa Biegas, Ewa Marciniec, Krystian Adam Krzeszowiak, Grzegorz Piotr Kołodziej - Mass in A-Flat Major "Belagerungsmesse": I. Kyrie
2. Ewa Biegas, Ewa Marciniec, Krystian Adam Krzeszowiak, Grzegorz Piotr Kołodziej - Mass in A-Flat Major "Belagerungsmesse": II. Gloria
3. Ewa Biegas, Ewa Marciniec, Krystian Adam Krzeszowiak, Grzegorz Piotr Kołodziej - Mass in A-Flat Major "Belagerungsmesse": III. Credo
4. Ewa Biegas, Ewa Marciniec, Krystian Adam Krzeszowiak, Grzegorz Piotr Kołodziej - Mass in A-Flat Major "Belagerungsmesse": IV. Sanctus
5. Ewa Biegas, Ewa Marciniec, Krystian Adam Krzeszowiak, Grzegorz Piotr Kołodziej - Mass in A-Flat Major "Belagerungsmesse": V. Benedictus
6. Ewa Biegas, Ewa Marciniec, Krystian Adam Krzeszowiak, Grzegorz Piotr Kołodziej - Mass in A-Flat Major "Belagerungsmesse": VI. Agnus Dei
7. Karol Lipiński Ensemble - Guitar Quintet in C Major: I. Larghetto allegro
8. Karol Lipiński Ensemble - Guitar Quintet in C Major: II. Larghetto cantabile
9. Karol Lipiński Ensemble - Guitar Quintet in C Major: III. Minuetto
10. Karol Lipiński Ensemble - Guitar Quintet in C Major: IV. Allegro rondo

The present album presents two examples from Schnabels rich oeuvre- a religious piece and a secular one. Miss in As, written for a mixed choir (with solo parts) plus a string quintet, two clarinets, four horns, and the organ, dates back to Schnabels first years as orchestra master, and it was composed under interesting circumstances. Ignatius Lucas, Rector chori of the nunnery of the Virgin Mary na Piasku in Wroclaw and Schnabels companion from the Premonstratensian orchestra, recounts that Schnabel wrote the piece in December 1806 at one of the altars of the church of St. Bartholomew where the composer was hiding from the Napoleonic army occupying the city under the command of Jerome Bonaparte, brother of Napoleon. Appositely enough, the composition is known as the Siege Mass. The Quintet in C Major, which appears here opposite the Siege Mass, is stylistically consistent with the classical four-part string quartet, and bears an affinity to the works of Luigi Boccherini.


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