Ennio Morricone - The Untouchables (Reissue) (1994)
BAND/ARTIST: Ennio Morricone
- Title: The Untouchables
- Year Of Release: 1994
- Label: A&M Records
- Genre: Stage & Screen, Soundtrack
- Quality: Flac (tracks)
- Total Time: 32:38
- Total Size: 192 Mb
- WebSite: Album Preview
Tracklist:
01. The Untouchables (End Title)
02. Al Capone
03. Waiting At The Border
04. Death Theme
05. On The Rooftops
06. Victorious
07. The Man With The Matches
08. The Strength Of The Righteous (Main Title)
09. Ness And His Family
10. False Alarm
11. The Untouchables
12. Four Friends
01. The Untouchables (End Title)
02. Al Capone
03. Waiting At The Border
04. Death Theme
05. On The Rooftops
06. Victorious
07. The Man With The Matches
08. The Strength Of The Righteous (Main Title)
09. Ness And His Family
10. False Alarm
11. The Untouchables
12. Four Friends
Italian composer (born 10 November 1928, Rome, Italy). A favourite pupil of Goffredo Petrassi, he also deputized secretly for his trumpeter father in a light music orchestra. He thus developed two distinct sides to his musical personality: one of these led him to embrace serialism and the experimental work of the improvisation group Gruppo di Improvvisazione Nuova Consonanza; the other gained him a leading role, principally as an arranger, in all types of mass-media popular music, including songs for radio, radio and television plays, and the first successful television variety shows.
After many minor cinematic collaborations, Morricone achieved wider recognition with Sergio Leone's series of four Westerns. There followed important collaborations with directors such as Bernardo Bertolucci, Pier Paolo Pasolini, Elio Petri, Paolo and Vittorio Taviani, Valerio Zurlini, Roland Joffè and Brian De Palma. Despite inevitable self-repetitions over a total of more than 400 film scores, his work provides many examples of a highly original fusion of classical and popular idioms.
Morricone's non-film works form a large and increasingly widely performed part of his output. Many of them use his technique of ‘micro-cells’, a pseudo-serial approach often incorporating modal and tonal allusions, which, with its extreme reduction of compositional materials, has much in common with his film-music techniques.
Among honours, he has received five Academy Award nominations, a Grammy and a Leone d'oro, and was awarded the Laurea ad Honorem by the University of Cagliari. Between 1991 and 1996 he taught film music at the Accademia Musicale Chigiana, Siena.
After many minor cinematic collaborations, Morricone achieved wider recognition with Sergio Leone's series of four Westerns. There followed important collaborations with directors such as Bernardo Bertolucci, Pier Paolo Pasolini, Elio Petri, Paolo and Vittorio Taviani, Valerio Zurlini, Roland Joffè and Brian De Palma. Despite inevitable self-repetitions over a total of more than 400 film scores, his work provides many examples of a highly original fusion of classical and popular idioms.
Morricone's non-film works form a large and increasingly widely performed part of his output. Many of them use his technique of ‘micro-cells’, a pseudo-serial approach often incorporating modal and tonal allusions, which, with its extreme reduction of compositional materials, has much in common with his film-music techniques.
Among honours, he has received five Academy Award nominations, a Grammy and a Leone d'oro, and was awarded the Laurea ad Honorem by the University of Cagliari. Between 1991 and 1996 he taught film music at the Accademia Musicale Chigiana, Siena.
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