Bernard Foccroulle - Matthias Weckmann: Complete Organ Works (2014) [Hi-Res]
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BAND/ARTIST: Bernard Foccroulle
- Title: Matthias Weckmann: Complete Organ Works
- Year Of Release: 2014
- Label: Ricercar
- Genre: Classical, Baroque, Organ
- Quality: flac 24bits - 48.0kHz +booklet
- Total Time: 02:14:20
- Total Size: 1.2 gb
- WebSite: Album Preview
Tracklist
CD1
01. O lux beata trinitas: Primus versus
02. O lux beata trinitas: Secundus versus
03. O lux beata trinitas: Tertius versus
04. O lux beata trinitas: Quartus versus
05. O lux beata trinitas: Quintus versus
06. O lux beata trinitas: Sextus versus
07. Canzona (C-Dur) [2]
08. Fantasia Ex D
09. Canzona (C-Moll)
10. Gelobet seist du, Jesu Christ I: Primus versus
11. Gelobet seist du, Jesu Christ I: Secundus versus
12. Gelobet seist du, Jesu Christ I: Tertius versus
13. Gelobet seist du, Jesu Christ I: Quartus versus
14. Nun freut euch, lieben Christen gmein: Primus versus
15. Nun freut euch, lieben Christen gmein: Secundus versus
16. Nun freut euch, lieben Christen gmein: Tertius versus
17. Canzona (D-Moll)
18. Komm, Heiliger Geist, Herre Gott: Primus versus
19. Komm, Heiliger Geist, Herre Gott: Secundus versus
20. Komm, Heiliger Geist, Herre Gott: Tertius versus
21. Magnificat secundi toni: Primus versus
22. Magnificat secundi toni: Secundus versus
23. Magnificat secundi toni: Tertius versus
24. Magnificat secundi toni: Quartus versus
CD2
01. Gott sei gelobet und gebenedeiet: Primus versus
02. Gott sei gelobet und gebenedeiet: Secundus versus
03. Canzona (C-Dur) [1]
04. Praeambulum
05. Ach wir armen Sünder: Versus 1
06. Ach wir armen Sünder: Versus 2
07. Ach wir armen Sünder: Versus 3
08. Fuga ex D ped. primi toni
09. Gelobet seist du, Jesu Christ II: Primus versus
10. Gelobet seist du, Jesu Christ II: Secundus versus
11. Gelobet seist du, Jesu Christ II: Tertius versus
12. Canzona (G-Dur)
13. Es ist das Heil uns kommen her: Primus versus
14. Es ist das Heil uns kommen her: Secundus versus
15. Es ist das Heil uns kommen her: Tertius versus
16. Es ist das Heil uns kommen her: Quartus versus
17. Es ist das Heil uns kommen her: Quintus versus
18. Es ist das Heil uns kommen her: Sextus versus
19. Es ist das Heil uns kommen her: Septimus et ultimus versus
After Buxtehude, Tunder, Reinken, Bruhns, Scheidemann and Böhm, Bernard Foccroulle pursues his exploration of the repertoire of the organists of northern Germany before Bach, with the works of Matthias Weckman. Trained in the entourage of Schütz and having perfect mastery of the profession of Sweelinck’s heirs and all aspects of the Italian style, this composer compels recognition as the keystone in the generation preceding Buxtehude’s. The repertoire tackles the free forms of the new stylus fantasticus but also proposes different forms of pieces inspired by chorale tunes, including two monumental fantasias in several sections. Bernard Foccroulle made this recording on three historic organs: in Hollern, Stade, and primarily on the recently restored organ of the Katharinen Kirche in Hamburg. This constitutes an event that will enchant enthusiasts! Let us recall that, with this double album, Ricercar can offer its faithful public the complete works of Matthias Weckman, the cantatas having been recorded by the Ricercar Consort (RIC216), and the instrumental music by La Fenice and the harpsichordist Siebe Henstra (RIC282).
CD1
01. O lux beata trinitas: Primus versus
02. O lux beata trinitas: Secundus versus
03. O lux beata trinitas: Tertius versus
04. O lux beata trinitas: Quartus versus
05. O lux beata trinitas: Quintus versus
06. O lux beata trinitas: Sextus versus
07. Canzona (C-Dur) [2]
08. Fantasia Ex D
09. Canzona (C-Moll)
10. Gelobet seist du, Jesu Christ I: Primus versus
11. Gelobet seist du, Jesu Christ I: Secundus versus
12. Gelobet seist du, Jesu Christ I: Tertius versus
13. Gelobet seist du, Jesu Christ I: Quartus versus
14. Nun freut euch, lieben Christen gmein: Primus versus
15. Nun freut euch, lieben Christen gmein: Secundus versus
16. Nun freut euch, lieben Christen gmein: Tertius versus
17. Canzona (D-Moll)
18. Komm, Heiliger Geist, Herre Gott: Primus versus
19. Komm, Heiliger Geist, Herre Gott: Secundus versus
20. Komm, Heiliger Geist, Herre Gott: Tertius versus
21. Magnificat secundi toni: Primus versus
22. Magnificat secundi toni: Secundus versus
23. Magnificat secundi toni: Tertius versus
24. Magnificat secundi toni: Quartus versus
CD2
01. Gott sei gelobet und gebenedeiet: Primus versus
02. Gott sei gelobet und gebenedeiet: Secundus versus
03. Canzona (C-Dur) [1]
04. Praeambulum
05. Ach wir armen Sünder: Versus 1
06. Ach wir armen Sünder: Versus 2
07. Ach wir armen Sünder: Versus 3
08. Fuga ex D ped. primi toni
09. Gelobet seist du, Jesu Christ II: Primus versus
10. Gelobet seist du, Jesu Christ II: Secundus versus
11. Gelobet seist du, Jesu Christ II: Tertius versus
12. Canzona (G-Dur)
13. Es ist das Heil uns kommen her: Primus versus
14. Es ist das Heil uns kommen her: Secundus versus
15. Es ist das Heil uns kommen her: Tertius versus
16. Es ist das Heil uns kommen her: Quartus versus
17. Es ist das Heil uns kommen her: Quintus versus
18. Es ist das Heil uns kommen her: Sextus versus
19. Es ist das Heil uns kommen her: Septimus et ultimus versus
After Buxtehude, Tunder, Reinken, Bruhns, Scheidemann and Böhm, Bernard Foccroulle pursues his exploration of the repertoire of the organists of northern Germany before Bach, with the works of Matthias Weckman. Trained in the entourage of Schütz and having perfect mastery of the profession of Sweelinck’s heirs and all aspects of the Italian style, this composer compels recognition as the keystone in the generation preceding Buxtehude’s. The repertoire tackles the free forms of the new stylus fantasticus but also proposes different forms of pieces inspired by chorale tunes, including two monumental fantasias in several sections. Bernard Foccroulle made this recording on three historic organs: in Hollern, Stade, and primarily on the recently restored organ of the Katharinen Kirche in Hamburg. This constitutes an event that will enchant enthusiasts! Let us recall that, with this double album, Ricercar can offer its faithful public the complete works of Matthias Weckman, the cantatas having been recorded by the Ricercar Consort (RIC216), and the instrumental music by La Fenice and the harpsichordist Siebe Henstra (RIC282).
Classical | FLAC / APE | HD & Vinyl
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