Antonii Baryshevskyi - Antonii Baryshevskyi: Mussorgsky & Scriabin (2015) [Hi-Res]
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BAND/ARTIST: Antonii Baryshevskyi
- Title: Antonii Baryshevskyi: Mussorgsky & Scriabin
- Year Of Release: 2015
- Label: CAvi-music
- Genre: Classical, Piano
- Quality: flac lossless / flac 24bits - 96.0kHz +booklet
- Total Time: 01:19:11
- Total Size: 255 mb / 1.1 gb
- WebSite: Album Preview
Tracklist
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01. Pictures at an Exhibition: I. Promenade [I]
02. Pictures at an Exhibition: II. The Gnome
03. Pictures at an Exhibition: III. Promenade [II]
04. Pictures at an Exhibition: IV. The old castle
05. Pictures at an Exhibition: V. Promenade [III]
06. Pictures at an Exhibition: VI. Tuileries
07. Pictures at an Exhibition: VII. 7 Cattle
08. Pictures at an Exhibition: VIII. Promenade [IV]
09. Pictures at an Exhibition: IX. The Ballet of Unhatched Chicks in their Shells
10. Pictures at an Exhibition: X. Samuel Goldberg and Schyule
11. Pictures at an Exhibition: XI. Promenade [V]
12. Pictures at an Exhibition: XII. The market at limoges
13. Pictures at an Exhibition: XIII. Catacombs
14. Pictures at an Exhibition: XIV. Promenade [VI]
15. Pictures at an Exhibition: XV. The Hut of Fowl's Legs
16. Pictures at an Exhibition: XVI. The Great Gate of Kiev
17. 24 Preludes, Op. 11: I. Vivace
18. 24 Preludes, Op. 11: II. Allegretto
19. 24 Preludes, Op. 11: V. Andantge cantabile
20. 24 Preludes, Op. 11: X. Andante
21. 24 Preludes, Op. 11: XII. Andante
22. 24 Preludes, Op. 11: XIV. Presto
23. 24 Preludes, Op. 11: XXI. Andante
24. 24 Preludes, Op. 11: XIX. Affetuoso
25. Feuillet d'album, Op. 45: I. Andante piacevole
26. Sonata for Piano No. 5, Op. 53
27. Poème Op. 59: I. Allegretto
28. Prelude Op. 59: II. Sauvage belliqueux
29. Feuillet d'album, Op. 58: Con delicatezza
30. Poème, Op. 69: II. Allegretto
31. Prelude, Op. 67: I. Andante piacevole
32. Poème, Op. 71: I. Fantastique
“The most important thing is to play on a good instrument”, Antonii Baryshevskyi confided to Ukrainian journalist Olha Kizlova in an interview given in 2013. “Furthermore, you need truly good schooling – an environment that allows for music education. Our [Ukrainian] piano culture is based on the teaching of [Heinrich] Neuhaus, who paid special attention to timbre and tone quality. Sonority is extremely important for an interpreter – something I’ve been working on for a long time.” Baryshevskyi reflects further on the subject of piano literature: “The choice of repertoire has to be just right. But even that aspect wouldn’t be enough if one wasn’t capable of expressing oneself earnestly and authentically. If you’re able to hold all of those elements in balance, nothing can ever go completely wrong. But if an artist just wants to put himself on display and express himself by means of music, the result will be a caricature. The most important thing is to achieve balance between the composer’s written intentions and the performer’s inner world of reflections and emotions. If you get that balance right, everything is right.” In her magazine feature on the young pianist, Olha Kizlova wrote of his “thoroughly well-conceived, deeply felt, authentic interpretation. He is guided by his perfect taste; heart-warming, thrillingly enchanting playing and a seemingly endless palette of colours and dynamics all inspire his listeners to concentrate along with him, obtaining their trust from the very first note. This young soloist has incredible potential and will consistently follow his own path, always guided by a self-critical endeavour to achieve perfection.” Born in 1988 in Kiev (Ukraine), Antonii Baryshevskyi started studying the piano when he was seven and ventured his first steps at Donska State Specialized Music School No. 14. After having obtained his diploma at Lysenko Music School in 2007, he pursued post-graduate studies at the Tchaikovsky National Music Academy of Ukraine in the class of Valerii Kozlov. At the age of 16, Baryshevskyi was already selected as “A Man of the Year 2005” for a specialized training scholarship, and as one of the participants in the Euro Radio Youth Concert in Munich one year afterwards. Antonii’s musical path then took him to Paris, where he concluded his studies in 2015 in the class of Marian Rybicki at the École Normale de Musique (ENM). He also participated in masterclasses imparted by Alfred Brendel, Daniel Pollack and Lily Dorfman. In 2012, the National Philharmonic Society of Ukraine awarded him the “Soloist” distinction.
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01. Pictures at an Exhibition: I. Promenade [I]
02. Pictures at an Exhibition: II. The Gnome
03. Pictures at an Exhibition: III. Promenade [II]
04. Pictures at an Exhibition: IV. The old castle
05. Pictures at an Exhibition: V. Promenade [III]
06. Pictures at an Exhibition: VI. Tuileries
07. Pictures at an Exhibition: VII. 7 Cattle
08. Pictures at an Exhibition: VIII. Promenade [IV]
09. Pictures at an Exhibition: IX. The Ballet of Unhatched Chicks in their Shells
10. Pictures at an Exhibition: X. Samuel Goldberg and Schyule
11. Pictures at an Exhibition: XI. Promenade [V]
12. Pictures at an Exhibition: XII. The market at limoges
13. Pictures at an Exhibition: XIII. Catacombs
14. Pictures at an Exhibition: XIV. Promenade [VI]
15. Pictures at an Exhibition: XV. The Hut of Fowl's Legs
16. Pictures at an Exhibition: XVI. The Great Gate of Kiev
17. 24 Preludes, Op. 11: I. Vivace
18. 24 Preludes, Op. 11: II. Allegretto
19. 24 Preludes, Op. 11: V. Andantge cantabile
20. 24 Preludes, Op. 11: X. Andante
21. 24 Preludes, Op. 11: XII. Andante
22. 24 Preludes, Op. 11: XIV. Presto
23. 24 Preludes, Op. 11: XXI. Andante
24. 24 Preludes, Op. 11: XIX. Affetuoso
25. Feuillet d'album, Op. 45: I. Andante piacevole
26. Sonata for Piano No. 5, Op. 53
27. Poème Op. 59: I. Allegretto
28. Prelude Op. 59: II. Sauvage belliqueux
29. Feuillet d'album, Op. 58: Con delicatezza
30. Poème, Op. 69: II. Allegretto
31. Prelude, Op. 67: I. Andante piacevole
32. Poème, Op. 71: I. Fantastique
“The most important thing is to play on a good instrument”, Antonii Baryshevskyi confided to Ukrainian journalist Olha Kizlova in an interview given in 2013. “Furthermore, you need truly good schooling – an environment that allows for music education. Our [Ukrainian] piano culture is based on the teaching of [Heinrich] Neuhaus, who paid special attention to timbre and tone quality. Sonority is extremely important for an interpreter – something I’ve been working on for a long time.” Baryshevskyi reflects further on the subject of piano literature: “The choice of repertoire has to be just right. But even that aspect wouldn’t be enough if one wasn’t capable of expressing oneself earnestly and authentically. If you’re able to hold all of those elements in balance, nothing can ever go completely wrong. But if an artist just wants to put himself on display and express himself by means of music, the result will be a caricature. The most important thing is to achieve balance between the composer’s written intentions and the performer’s inner world of reflections and emotions. If you get that balance right, everything is right.” In her magazine feature on the young pianist, Olha Kizlova wrote of his “thoroughly well-conceived, deeply felt, authentic interpretation. He is guided by his perfect taste; heart-warming, thrillingly enchanting playing and a seemingly endless palette of colours and dynamics all inspire his listeners to concentrate along with him, obtaining their trust from the very first note. This young soloist has incredible potential and will consistently follow his own path, always guided by a self-critical endeavour to achieve perfection.” Born in 1988 in Kiev (Ukraine), Antonii Baryshevskyi started studying the piano when he was seven and ventured his first steps at Donska State Specialized Music School No. 14. After having obtained his diploma at Lysenko Music School in 2007, he pursued post-graduate studies at the Tchaikovsky National Music Academy of Ukraine in the class of Valerii Kozlov. At the age of 16, Baryshevskyi was already selected as “A Man of the Year 2005” for a specialized training scholarship, and as one of the participants in the Euro Radio Youth Concert in Munich one year afterwards. Antonii’s musical path then took him to Paris, where he concluded his studies in 2015 in the class of Marian Rybicki at the École Normale de Musique (ENM). He also participated in masterclasses imparted by Alfred Brendel, Daniel Pollack and Lily Dorfman. In 2012, the National Philharmonic Society of Ukraine awarded him the “Soloist” distinction.
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