Clifford Curzon, New Symphony Orchestra & George Szell - Tchaikovsky: Concerto pour piano No. 1, Op. 23 (2014) [Hi-Res]

Clifford Curzon was among the finest English pianists of the twentieth century, known for his clear, ego-less performances of the German Classical and Romantic masterpieces. A quiet intellectual who nevertheless possessed a formidable technique, Curzon played everything from Mozart to Liszt with equal authority. His fans often cite this ability to emphasize the personality of each composer, rather than his own, as his most distinctive quality. Curzon recorded for the Decca label for over 30 years, leaving behind a modestly sized, but musically impressive catalog. His recordings of Mozart and Schubert are considered his best.

Curzon achieved success early, with a scholarship to London's Royal Academy of Music in 1919. His impressive student career earned him every prize available to a pianist at the Academy, and he made his professional debut in 1923 -- playing Bach's Triple Concerto with conductor Henry Wood at a Promenade Concert in Queen's Hall. In 1926, when still just 19 years old, he was invited to join the RAM faculty; he remained on the faculty there until 1932, when he became a full-time performing pianist. During his time teaching at the RAM, Curzon spent several extended periods abroad studying with great pianists: first with Artur Schnabel in Berlin, and then with Wanda Landowska and Nadia Boulanger in Paris. In 1936, Curzon made a recital tour of Europe with violist Lionel Tertis, and in 1939, he made his U.S. debut at New York's Town Hall. By 1941, he was making records for Decca, beginning a relationship that would last almost to the end of his life.

Curzon was an exacting perfectionist, often refusing to allow the release of recordings he felt were imperfect. This included recordings of Mozart concertos with the likes of George Szell, István Kertész, and Benjamin Britten conducting. For this and other reasons, he earned a reputation for being difficult, and at times highly temperamental -- an irony, considering his generally retiring nature, and the restrained elegance of his playing. Curzon was knighted in 1977. -- Allen Schrott