Lisa Moore & Julian De La Chica - De La Chica: 14 Preludes, Op. 8 (2018)
BAND/ARTIST: Lisa Moore, Julian De La Chica
- Title: De La Chica: 14 Preludes, Op. 8
- Year Of Release: 2018
- Label: Irreverence Group Music
- Genre: Classical, Piano
- Quality: flac lossless
- Total Time: 01:24:59
- Total Size: 269 mb
- WebSite: Album Preview
Tracklist
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01. 14 Preludes, Op. 8 No. 1
02. 14 Preludes, Op. 8 No. 2
03. 14 Preludes, Op. 8 No. 3
04. 14 Preludes, Op. 8 No. 4
05. 14 Preludes, Op. 8 No. 5
06. 14 Preludes, Op. 8 No. 6 (For Four Hands)
07. 14 Preludes, Op. 8 No. 7
08. 14 Preludes, Op. 8 No. 8
09. 14 Preludes, Op. 8 No. 9
10. 14 Preludes, Op. 8 No. 10
11. 14 Preludes, Op. 8 No. 11
12. 14 Preludes, Op. 8 No. 12
13. 14 Preludes, Op. 8 No. 13
14. 14 Preludes, Op. 8 No. 14
15. Duet No. 1 (For Four Hands) (Bonus Track)
Lisa Moore's repertoire and discography include a wide range of piano literature, from baroque to modern - where experimental music, minimalism, and post-minimalism play a important role. Her oeuvre continues to grow with the addition of this album, dedicated to New York-based Colombian composer Julián de la Chica's Preludes Op. 8 for piano and synthesizer. These 14 preludes are an example of sensorial-minimalism and perhaps they are a continuation of the composer's exploration in his two recent cycles: Nocturnal & Circular Images Op. 5 for piano (performed by the composer himself), and Experimentelle und Unbestimmte Lieder Op. 9, for soprano, piano and synthesizer (recorded by American soprano Rachel Hippert). In these works, and his piano Preludes, Mr. De La Chica organically oscillates between post-minimal and ambient music. With the constant evolution of music, each epoch engenders new bodies of both performers and audience. In this album, Ms. Moore presents a form of piano art that challenges itself and views virtuosity as a technical practice guided by the search for sound. The repertoire ultimately becomes a way to forge the pianist s body and way of listening, and it evolves side by side with the creation of sound in time.
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01. 14 Preludes, Op. 8 No. 1
02. 14 Preludes, Op. 8 No. 2
03. 14 Preludes, Op. 8 No. 3
04. 14 Preludes, Op. 8 No. 4
05. 14 Preludes, Op. 8 No. 5
06. 14 Preludes, Op. 8 No. 6 (For Four Hands)
07. 14 Preludes, Op. 8 No. 7
08. 14 Preludes, Op. 8 No. 8
09. 14 Preludes, Op. 8 No. 9
10. 14 Preludes, Op. 8 No. 10
11. 14 Preludes, Op. 8 No. 11
12. 14 Preludes, Op. 8 No. 12
13. 14 Preludes, Op. 8 No. 13
14. 14 Preludes, Op. 8 No. 14
15. Duet No. 1 (For Four Hands) (Bonus Track)
Lisa Moore's repertoire and discography include a wide range of piano literature, from baroque to modern - where experimental music, minimalism, and post-minimalism play a important role. Her oeuvre continues to grow with the addition of this album, dedicated to New York-based Colombian composer Julián de la Chica's Preludes Op. 8 for piano and synthesizer. These 14 preludes are an example of sensorial-minimalism and perhaps they are a continuation of the composer's exploration in his two recent cycles: Nocturnal & Circular Images Op. 5 for piano (performed by the composer himself), and Experimentelle und Unbestimmte Lieder Op. 9, for soprano, piano and synthesizer (recorded by American soprano Rachel Hippert). In these works, and his piano Preludes, Mr. De La Chica organically oscillates between post-minimal and ambient music. With the constant evolution of music, each epoch engenders new bodies of both performers and audience. In this album, Ms. Moore presents a form of piano art that challenges itself and views virtuosity as a technical practice guided by the search for sound. The repertoire ultimately becomes a way to forge the pianist s body and way of listening, and it evolves side by side with the creation of sound in time.
Year 2018 | Classical | FLAC / APE
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