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Juilliard String Quartet - J.S. Bach: Die Kunst der Fuge (1992)

Juilliard String Quartet - J.S. Bach: Die Kunst der Fuge (1992)
  • Title: J.S. Bach: Die Kunst der Fuge
  • Year Of Release: 1992
  • Label: Sony Classical
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:29:43
  • Total Size: 404 mb
  • WebSite:
Tracklist:

CD 1:
01. Contrapunctus 1 4'10
02. Contrapunctus 2 2'30
03. Contrapunctus 3 3'54
04. Contrapunctus 4 3'22
05. Contrapunctus 5 2'52
06. Contrapunctus 6, a 4, im Stile francese 4'21
07. Contrapunctus 7, a 4, per Augmentationem et Diminutionem 2'28
08. Contrapunctus 8, a 3 6'07
09. Contrapunctus 9, a 4, alla Duodecima 2'13
10. Contrapunctus 10, a 4, alla Decima 6'18
11. Contrapunctus 11, a 4 5'55

CD 2:
01. Canon alla Ottava 2'11
02. Canon alla Decima in Contrapuncto alla Terza 6'18
03. Canon alla Duodecima in Contrapuncto alla Quinta 4'05
04. Canon per Augmentationem in contrario motu 7'17
05. Contrapunctus 13, a 3 2'03
06. Inversus 13, a 3 2'06
07. Contrapunctus 12, a 4 3'23
08. Inversus 12, a 4 3'41
09. Contrapunctus 14 10'03
10. Choral: "Vor deinen Thron tret' ich hiermit" 4'29

Performers:
Juilliard String Quartet
Robert Mann, Violin
Joel Smirnoff, Violin
Samuel Rhodes, Viola
Joel Krosnick, Cello

Bach's music presents the epitome of the craft of fugue-writing. Fugal forms permeate every part of Bach's writing -- from the most lyrical of the French Suites to the Brandenburg Concertos, to the Musical Offering and the Goldberg Variations, not to mention the Well-Tempered Clavier and the organ fugues. In many ways, all of Bach's work is an "art of fugue." But here we have Bach's genius distilled to its essence. No flowery melodies, no lyricism -- just the pure interaction of interlocking melodies; often dissonant, often disquieting, always incredible. While the Art of Fugue can be played on any arrangement of instruments (several very nice harpsichord and piano versions exist), the quartet arrangement of these pieces allows one to most clearly discern the various voices in these extraordinary fugues (and canons). The Juilliard Quartet provides remarkable performance of this landmark piece. Their style is spare and dry (though not as spare and dry as Emerson SQ's more recent recording). But real beauty bubbles up throughout these learned performances. The final fugue, which although unfinished is among Bach's longest, and which features the theme of Bach's name (Bb, A, C, and B), is played brilliantly and will be savored over again and again. If you have one recording of the Art of Fugue, this should be it.





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